b2o: boundary 2 online

The b2o Review is a non-peer reviewed publication, published and edited by the boundary 2 editorial collective and specific topic editors, featuring book reviews, interventions, videos, and collaborative projects.  

  • Twin Offspring of Empire, Neoliberalism and Neotraditionalism: Thoughts on Susan Buck-Morss, “Democracy: An Unfinished Project” (excerpts)

    Democracy: An Unfinished Project

    a response by Arif Dirlik
    ~
    Susan Buck-Morss’ essay, “Democracy: An Unfinished Project,”1 provides occasion for reflecting on a challenge that faces contemporary radical criticism in North America and Europe: how to reconcile the universalist goals that are the legacies of Euromodernity to radical thinking with the demands of cultural voices emanating from newly-empowered societies that make their own claims on modernity, especially when contradictions between the two seem irreconcilable? Buck-Morss’ discussion navigates through questions thrown up by this dilemma with finesse, engaging critiques of Euromodernity without relinquishing its promises, which demand recognition even by those who would reject it. The title would have reflected the content of the essay more fully had it been elongated to: “Democracy: An Unfinished Project: A Critique of Davut Ahmutoglu’s Project of Islamic Modernity.” Ahmet Davutoglu, Minister of Foreign Affairs when the article was written, just recently has been elevated to the post of Prime Minister of the Republic of Turkey. He is a politician with academic credentials. Author of studies on Islamic politics, international strategy and modernity, he displays a strong philosophical bent in his writings which is important for understanding his policies as well….He believes that “ontological differences” between “Islam” and “the West” call for an “alternative modernity” based on Islamic principles. Like the AKP(Justice and Development Party) and others in the Islamic movement, he seeks to roll back the secularist policies instituted by the Republic after 1923, and to restore to Turkey the glory and power of the Ottoman Empire….

    Buck-Morss offers telling critiques of these claims ….Given the venue (a conference in Istanbul) where the article was first presented as a paper, it may be understandable that the author would go about some of her arguments in a roundabout way, skirting issues that might be too venturesome into sensitive territory of national sentiment. While Buck-Morss offers a political reading of claims to an Islamic modernity, what is missing from the discussion is the actual practice of politics. In her addendum she takes note of the Gezi protests of June 2013 that intervened between the initial presentation and the final publication of the paper. She apparently did not think these events and their outcomes to be sufficiently important to introduce them into a more directly political reading of the claims made for Islamic modernity by the likes of Davutoglu who, as a leading member and brain-trust of his party, had no qualms about the suppression of that broad-based democratic movement, instigated by government disregard for public sentiment in its promotion of neo-liberal economic agenda….

    Buck-Morss is primarily interested in Davutoglu’s “reliance on certain Western methodologies, specifically twentieth-century German phenomenology.” This may unduly credit with philosophical intent a political operator whose “political analysis,” according to Turkish scholar Behlul Ozkan, “remains on the level of prophecy rather than prognosis,” and whose “pseudoscientific” ideas are “based on inspiration related to historical destiny rather than rational thought.” Ozkan writes that “Davutoglu’s writings reveal his central concern to be not values but power politics.” The most visible imprint of Western sources on his thinking is geopolitical.

    The discussion only indirectly hints at the alliance between neoliberal global capitalism and claims to unchanging religious or more broadly “cultural” identities that characterizes the ideology of the Islamic leadership in Turkey—as of all the societies that have found new economic and political opportunities within the context of global capitalism and the seeming decline in Euro/American hegemony, most importantly, the People’s Republic of China…. In those societies descended from empires that for long ruled large parts of the world earning them the title of “civilizations,” newfound power and influence have triggered what may best be described as nostalgia for future reproduction of past glories…. Ethical values claimed for various civilizations may serve as a cover for but barely disguise the privatization of public resources, creation of new class divisions, the concentration of wealth in ever fewer hands, and the sacrifice of public interest and rights to the interests of ruling elites in the name of development that is characteristic of global capitalism in general….The point here is not whether these cultural traditions deserve respect, or have anything to contribute to global futures. The point is rather that what they have to contribute is to be judged not by the texts they claim for their origins or abstract claims about civilizations detached from history, but by the historical outcomes of activity conducted in their name. And the outlook presently is not all that promising.

    _____

    notes:
    1. boundary 2, 41.2 (Summer 2014): 71-98. In-text references are from this text.
    Back to the essay

    _____

    Read the original essay here.

    Summer 2014

    Summer 2014

  • Crowds and Democracy: The Idea and Image of the Masses from Revolution to Fascism by Stefan Jonsson

    Reichstag

    a review by Peter Gengler
    ~
    The failure of interwar Central Europe’s democracies remains fertile ground for scholars in the 21st century. In particular, the Weimar Republic’s promises and failures, its vibrant intellectual and artistic communities, and its ultimate collapse in 1933 continue to fascinate and haunt academics and lay audiences alike. Weimar Germany remains the object of intense interest given the barbarity that followed its demise, yet it also serves as a compelling warning about the fragility of democracy.

    Stefan Jonsson’s Crowds and Democracy examines the tumultuous years between 1918 and 1933 in an original and bold manner, contributing fresh insights to what could otherwise prove a hackneyed subject. In particular, the study’s creative approach and analysis of “the masses” contributes to the literature on Germany’s and Austria’s interwar politics and culture, and more generally raises provocative questions about the challenges of participatory politics, democratic representation, and the individual’s relationship to these processes. Indeed, as Jonsson points out, Europe’s austerity programs and the public outrage, manifested in the recent resurgence of nationalist right-wing parties and fascist movements in the European Union, demand a renewed focus on interwar social movements.

    Stefan Jonsson’s background, training, and research interests suit him well for the type of multidisciplinary investigation that he attempts here. He received his Ph.D. in literature from Duke University, and currently is a professor of ethnic studies at Linköping University in Sweden. The subject of Crowds and Democracy continues Jonsson’s previous work, in which he charted the European understanding of the masses from 1789 to 1989. 1 The monograph under review explores 1920s Austrian and German mass psychology, crowd theory, and the idea of “the masses” not simply as intriguing phenomena, but rather as problems in their own right caused and produced by mass mobilization, the social sciences and arts, and the ambivalences of democracy. Given the author’s expertise and familiarity with different disciplines, Crowds and Democracy combines and commands the literature and theories of literary criticism, philosophy, and intellectual and cultural history in an impressive and authoritative way.

    Jonsson traces the trajectory of the discourse and idea of “the masses,” concentrating on the years between 1918 and 1933. Each chapter represents a sort of case study as he analyzes the works of intellectuals or artists who are symbolic of a particular school of thought or new direction in scholarship. Jonsson thus shows how the meaning of “the mass” became a subject of investigation after the 1890s by mass psychology and mass sociology. This widely accepted notion held that the mass represented the opposite of bourgeois individuality, organization, education, masculinity, and positive qualities in general—the crowd was defined through negation. This assumption nevertheless gave way to a variety of views that attributed rationality to the crowds and sought to understand their internal dynamics, seeing “the masses” as a social formation in their own right.

    Jonsson shows how, despite their increased scrutiny of the masses, German and Austrian intellectuals by the 1920s were no clearer on comprehending the phenomenon and coming up with a suitable theory for understanding it and that by this time no consensus on who constituted the mass and why they were so prevalent in interwar politics existed, though the dominant opinion among sociologists was that they were a symptom of crisis and instability—the “alarm bells of history” (84). These social movements were an “allegory,” Jonsson contends, “evoked by the need to mark powers of change that appeared to govern the world of modernity…the masses connoted a dimension of social existence that caused fear and anxiety precisely because it disrupted the horizon of values and meanings through which class and gender identities had until then been affirmed, cultural hierarchies secured, and social order constituted” (112).

    Though they aroused great trepidation, during the 1920s the idea of “the masses” saw greater contestation as well. Indeed, Jonsson concludes that “[t]o enter the cultural landscape of interwar Germany and Austria is to encounter competing views, theories, and images of crowds” (179), each with varying agendas and presumptions that constructed an image of them reflecting socialist egalitarianism and promises of a democratic society to cultural pessimism and fears of bedlam and anarchy. In short, Jonsson’s study seeks to trace the epistemological foundations of “the mass” in European thought.

    Complicating this study further, Jonsson argues that the discourses on the masses in interwar Europe actually revolved around the problem of democracy. The period saw a proliferation of contesting ideologies, each with a different view of how to constitute society and the polity. Between the poles of revolution and fascism, thinkers articulated various visions of the crowds that reflected the fractured political landscape. “The masses,” therefore, could be constructed in an exclusionary way or in such a manner that they heralded promises of a better future; the throngs of people heightened fears of proletarian revolution or inspired political action. “The masses” therefore touched on the fundamental problem of democracy: how to embody and speak for the people, how to organize them, and how to represent society as a whole. As Jonsson concludes, these social movements “were never anything more, and at the same time never anything less, than the signs and symptoms of unresolved problems concerning the adequate political, cultural, and aesthetic representations of socially significant passions and political desires” (253).

    There are a great many achievements that Jonsson can lay claim to. First and foremost, one cannot help but admire the wealth of material that Jonsson mines. Delving into novels, art, philosophy, historiography, and sociology, the author authoritatively marshals a wide range of sources and subjects them to astute analysis. A number of scholars ranging from the fields of literature, cultural studies, history, the social sciences, film, and art will find intriguing insights and benefit from the lens through which Jonsson reads this vast collection of materials.

    Historians of Germany will also be pleased that Jonsson’s treatment of the Weimar period was nuanced and avoided notions of an inevitable collapse into dictatorship. Moreover, Crowds and Democracy is not encumbered by the fascist specter. Jonsson quite rightly asserts that democracy in the interwar period—though crisis-ridden—cannot be reduced to Hitler’s rise to power. Thus, it is refreshing that Nazism is not the predominant focus. Though it may seem obvious for specialists, Weimar was not defined by fascism and the republic should be treated in its own right. Jonsson’s interpretation takes into account the crises and dangers facing the fledgling democracies, but he also is careful to differentiate his account by judiciously discussing the emancipatory ambitions within Germany’s and Austria’s first republics.

    Jonsson’s erudite treatment of the sociological profession in the interwar period is another remarkable feature of this study. Readers will be charmed with the ease and clarity with which Jonsson disseminates the writings of scholars such as Georg Simmel, Theodor Geiger, or Leopold von Wiese. The sections of the book concentrating on intellectual history convincingly demonstrate how the idea of “the masses” developed and how sociologists and thinkers contended with what was considered the core issue of the day. Moreover, Jonsson differentiates between the actual phenomenon of mass politics and the “idea” that was constructed by these intellectuals, with all of their presumptions and biases. The result is stimulating, as Jonsson places theorists in dialogue with one another and shows how European intellectual thought, psychoanalysis, and philosophy developed between 1918 and 1933.

    Despite these achievements, Crowds and Democracies also suffers from some deficiencies. To begin with, one wonders what audience Jonsson attempted to reach. The book’s intellectual density means that few beyond academia will find it accessible. Simply put: this is not an easy read. The long and meticulous analyses and focus on theory require an engaged and informed reader, especially since some of the historical context—while generally correct—is nevertheless cursory and assumes a reader well versed in Central European history.

    The organization, structure, and style of the book are also somewhat distracting. Generally, Jonsson’s study follows the trajectory of the discourse on “the masses” chronologically, but often subchapters elucidate a particular theme that requires back-tracking. The book essentially is a collection of essays, with the result that taken together, the book meanders and contains redundancies. Sprawling chapters ranging between 50 to over 70 pages could have been broken up more effectively. The argumentative thread is also not always clear; 47 pages in, the author is still explaining what his book will do and how it will be structured. The unclear organizing principle and diffused arguments and objectives detract from the overall work. The lack of a bibliography is also disconcerting. Crowds and Democracy would have benefited from greater organizational clarity and a sustained and coherent argument, thereby guiding readers through an already challenging intellectual terrain more carefully.

    These criticisms of style aside, there are also some shortcomings with Jonsson’s argument. His claim that “few authors have connected the theme of the masses to Weimar history in any deeper sense” (xv) implies that this book seeks to remedy this gap in the literature. Yet while Jonsson succeeds in his discussion of how “the masses” were viewed, he does not fully accomplish his goal of unifying the discourse on mass movements and the actual phenomenon itself. What we are left with is a study of how intellectual and cultural elites contended with “the mass” theoretically and aesthetically. This does not reveal, however, what goals mass politics had and what ideologies drove them. We have little sense of the dynamics of the social movements, what strategies they pursued, or the self-perception of these entities. Jonsson’s argument assumes that the perceptions of Weimar luminaries—as astute or revealing as they may be—had a profound influence on the construction and instrumentalization of the concept of “the masses.” But this phenomenon was not a mere academic or cultural construction. As the author himself points out numerous times, mass politics were a real and defining feature of the interwar period.

    A greater attention on what animated and inspired the crowd would have been of great relevance for the central issue at hand: how “the masses” were imagined and perceived. For instance, taking into account the role of the 1917 Russian Revolution as inspiration for some and specter for others would have both explained the aspirations and fears that Bolshevism unleashed in Germany and which informed how elites viewed mass politics. Not only was the prospect of a proletarian revolution the source for socialist ambitions, it also fueled the animosities of reactionaries who dreaded such an uprising. The intellectual content of the various völkisch movements, the desires for a Volksgemeinschaft, and the inspiration of Mussolini not only motivated rightwing factions, they also had a profound effect on how contemporaries viewed the crowds in the streets. Yet all of this is muted in Jonsson’s study, so that his connection of “the masses” to Weimar history is limited. As intriguing as the observations of sociologists and artists may be, it nevertheless fails to give the crowd agency and in any case is a very narrow focus. In short: a greater attention to the actual crowds and not just how they were perceived could have fleshed out the concept “the masses” more thoroughly. A firmer historical grounding would have only added to this study. 2 As it stands, from a historian’s perspective this book suffers from a lack of tangibility and empiricism, and offers only limited insight into the phenomenon of mass politics and Weimar political and cultural history.

    A second shortcoming with Jonsson’s argument concerns his methodology. The claim that discussion of mass politics was ubiquitous and seen as a bellwether for the modern age would have found greater resonance by broadening the analysis beyond cultural elites. It is questionable how central the thinkers chronicled in this study were to the public discourse of the era. Jonsson admirably outlines the contours of the theoretical construction of “the masses” and meticulously documents how they were viewed. Yet missing is a whole other discourse beyond the ivory towers of academia and the artistic community which contemplated the political stakes. How much of this debate depended on Freud, Musil, Adorno, or any number of other notable thinkers, some of whom wrote in exile or never even finished their analyses? Sources such as newspapers or materials of politicians engaged in mass mobilization would have enriched Jonsson’s study of how contemporaries viewed this phenomenon and capitalized on it or struggled against it. He does analyze socialist publications such as the Arbeiter-Illustrierte Zeitung, but a greater use of similar source types would have bolstered his argument. What about the NSDAP publication, The Völkischer Beobachter? Jonsson focuses on rightwing thinkers such as Ernst and Friedrich Gerhard Jünger for another viewpoint on mass politics, but surely other, more widely disseminated sources could have benefitted Jonsson’s study.

    Overall, Jonsson has approached the interwar period in a fresh and creative way, demonstrating that the struggle to represent and understand the masses reflected the instability of democracy and the perplexity of the modern individuality. Whether seeing masses as signals of cultural decline or promises of a new, egalitarian society, Jonsson admirably shows how the sweeping political and social changes after 1918 shook European thought to its core. It is not just a unique history of Weimar, but also an understudied aspect of the ambivalence of democracy and the problems of democratic representation. Intellectual historians, sociologists, and scholars of art and cinema will find Crowds and Democracy a rewarding read. Nevertheless, beyond specialists, this book will not find a wide readership, and those seeking to better understand Central European political or cultural history would be better served by starting with more empirical studies.
    _____

    Peter Gengler is a Ph.D. candidate studying modern German history at the University of North Carolina at Chapel Hill. His dissertation is on expellee interest group politics and the construction and instrumentalization of expulsion narratives in public discourse in the Federal Republic of Germany between 1944 and 1970. From 2014 to 2016, Peter will be conducting dissertation research in Germany with support of the German Academic Exchange (DAAD) and the Berlin Program.
    _____

    notes:

    1. Stefan Jonsson, A Brief History of the Masses: Three Revolutions (New York: Columbia University Press, 2008). Back to the essay

    2. For excellent historical studies of Weimar, consult Detlev Peukert, The Weimar Republic: The Crisis of Classical Modernity (New York: Hill and Wang, 1992); Heinrich August Winkler, Weimar, 1918-1933: die Geschichte der ersten deutschen Demokratie (Munich: Beck, 1993); Peter Gay, Weimar Culture: The Outsider as Insider (New York: Norton, 2001); and Eric Weitz, Weimar Germany: Promise and Tragedy (Princeton: Princeton University Press, 2007). Back to the essay

  • Mandela's Reflections: Meditations and Interventions from the b2 Collective

    Mandela's Reflections: Meditations and Interventions from the b2 Collective

    Editor’s Note
    from Paul Bové
    _

    Nelson Mandela died on December 5, 2013. Tony Bogues, a member of the boundary 2 Collective, was in South Africa, watching the endless coverage of the news and of Mandela’s life. Bogues had met Mandela during his time with the Jamaican government of Michael Manley, and he has spent considerable time working in South Africa, especially in Cape Town, on questions of freedom, archives, African and African Diaspora intellectual history, and political thought.

    At least one generation of intellectuals had stood against apartheid and reflected on Mandela as a political figure of freedom and liberation. Mandela never produced anything equivalent to the political writings of a Gramsci, Fanon, or Césaire. Because of the media and the global support for the struggles he led, Mandela acquired a resonance with effects across the globe. His career, with all its changes, posed challenges for thinking about politics.

    It seemed right that boundary 2 should take notice of Mandela and his influence. We decided to gather responses to Mandela as a political figure. b2 issued a call for very brief papers from several spots on the globe and from different generations. Our contributors have given us reason to feel this attempt was a success.

  • The Mouse That Roared: The Democratic Movement in Hong Kong

    656px-Victims_of_Communism_Memorial_-_Washington,_D.C.

    an essay by Arif Dirlik
    ~
    In 1997, the British government handed Hong Kong over to the People’s Republic of China(PRC) after 150 years of colonial rule. Some observers at the time could not but wonder if Hong Kong would be absorbed and remade by the behemoth to the north, or transform with its proverbial dynamism “the motherland” that already was undergoing radical change. The popular uprising under way in Hong Kong is the most recent indication that the question was not an idle one. The answer is yet to come.

    Hong Kong investments and technology played an important part in the 1980s in laying the ground for the PRC’s economic take-off. The “special economic zones” that were set up in Guangdong province at the beginning of “reform and opening” as gateways to global capitalism (while keeping the rest of the country immune to its effects) were intended to take advantage of the dynamic capitalism of neighboring Hong Kong. And they did. To this day, Guangdong leads the rest of the country in industrial production and wealth. It also heavily resembles Hong Kong with which it shares a common language and, despite three decades of separation after 1949, common cultural characteristics. Hong Kong has continued to play a crucial part in the country’s development.

    It has been a different matter politically. Since the take-over in 1997 the leadership in Beijing has left no doubt of its enthusiasm for the oligarchic political structure that was already in place before the end of colonial rule. The many freedoms and rule of law Hong Kong people enjoyed were less appealing to a regime that preferred a population obedient to its strictures and a legal system more pliable at the service of Communist Party power. Already in the 1980s, Hong Kong people’s doubts about unification with the “motherland” were obvious in the exodus of those who could afford to leave to places like the United States, Canada and Australia. The exodus speeded up following the Tiananmen tragedy in 1989 which put to rest any hopes that reforms might open up a greater space for political freedoms. The colony practically disqualified itself as any kind of political inspiration for the Mainland with the enthusiastic participation of Hong Kongers in the Tiananmen movement leading up to the June Fourth massacre, and annual commemorations thereafter of the suppression of the student movement. In the early 1990s the Party under Deng Xiaoping settled on the example of Singapore as a model more attuned to its own authoritarian practices.

    The same reasons that made the regime suspicious of Hong Kong people for their “lack of patriotism” due to the legacies of colonialism have made Hong Kong into an inspiration as well as a base for radical critics of the regime struggling for greater freedom and democracy on the Mainland. The take-over of 1997 was under the shadow of Tinanmen, but even so few would have imagined at the time that within two decades of the celebrations of the end of colonialism and “return” to the motherland, protestors against Beijing “despotism” would be waving British flags. Once the initial enthusiasm for “liberation” was over, Hong Kongers rediscovered as the source of their “difference” the colonial history which in nationalist historiography appeared as a lapse in the nation’s historical, a period of humiliation remembered most importantly to foster nationalist sentiment. PRC democracy activists such as the jailed Nobel Prize winner Liu Xiaobo have drawn the ire of the regime for suggesting that Hong Kong’s freedoms and democratic sentiments were legacies of colonial acculturation that Mainlanders had missed out on.

    Current protests have their origins in a consciousness born of the anxieties provoked by the prospect of unification in the 1980s and 1990s, and even though both the Mainland and Hong Kong have changed radically in the intervening period, the Hong Kong identity that assumed recognizable contours at the time is a fundamental driving force of the protests. The immediate issue that has provoked the protests—call for universal suffrage in the selection of the chief executive and legislative council of the Special Administrative Region—harks back to the Basic Law of 1984 agreed upon by the British and the PRC as a condition of unification. The Basic Law stipulated that Hong Kong would be subject internally to its own laws for fifty years after the take-over under a system of “one country, two systems,” with its own chief executive and a legislature elected by an election committee representing various functional constituencies in a corporatist arrangement. The arrangement openly favored the corporate and financial ruling class in Hong Kong which in turn was prepared to align its interests with those of the Communist regime in a mutually beneficial relationship. The Hong Kong Special Administrative Region (SAR) was something of a political counterpart to the “special economic zones”—an exception that was granted not to compromise national sovereignty but as an act of sovereign power. In all matters pertaining to governance and the law, the SAR would be accountable to the National People’s Congress (NPC) in Beijing. Hong Kong was granted representation in the NPC which, like all representation in that body, has served more to consolidate central control than to allow for the democratic airing of public opinion and grievances.

    “One country, two systems” was an unstable structure. It was important to the PRC for patriotic reasons to put an end to the colonialism at its doorstep and retrieve territory lost a century and a half ago. But some compromise with the departing British was unavoidable given the strategic importance to the new project of development of the global corporate and financial hub that was Hong Kong. The autonomy granted to Hong Kong was subject to the good faith of the Beijing government. What might happen if the PRC no longer needed this hub seemed like a remote contingency in the 1980s, but already by the 1990s there was talk of the rise of Shanghai as a competitor. It is not out of the question that the present unrest which may undermine faith in Hong Kong as a corporate and financial center is not entirely undesirable to the regime now that preparations have been completed to launch a new financial center in Shanghai.

    A similar uncertainty attended the issue of governance under the system. The Basic Law held out the possibility of democratic government and universal suffrage in Hong Kong subject to circumstances to be determined by the NPC. It nourished hopes in democracy, but reserved for Beijing final say on when and how democracy was to be exercised. There were no guarantees that full democracy would be granted if Hong Kongers invited the displeasure of the government in Beijing—or circumstances within the country made it undesirable. This is the immediate issue in the current protests (along with public dissatisfaction with the current chief executive, Leung Chun Ying who, like his two predecessors since 1997, is widely viewed as a Beijing puppet). To Hong Kong democracy advocates, the offer of universal suffrage is a mockery of the promise of full democracy when the choices are limited to candidates carefully selected by an electoral commission packed with Beijing loyalists.

    The take-over in 1997, and the circumstances of its negotiation, had one very significant consequence that in likelihood was unanticipated: the politicization of Hong Kong society. Hong Kong long had a reputation as a cultural and political “desert.” The British colonial regime was successful in diverting popular energies to the struggle for everyday existence, and for those who could, the pursuit of wealth. At the height of the Cultural Revolution on the Mainland in 1967, labor disputes erupted into riots against the colonial government led by pro-Beijing leftists. But sustained political activity dates back to the negotiations surrounding the take-over, especially the mobilization instigated by the Tiananmen movement in Beijing. Politics over the last twenty-five years has revolved around the assertion of a Hong Kong identity against dissolution into the PRC. As a new political consciousness has found expression in the efflorescence of a Hong Kong culture in film and literature, the latter has played no little part in stimulating political activity. Ironically, while the goal of “one country, two systems” was to ease Hong Kong into the PRC, the very recognition of the differences of Hong Kong from the rest of the country would seem to have underlined the existence of a Hong Kong identity that differentiated the former colony from the rest of PRC society.

    Current protests have focused attention on issues of governance. Far more important are the social tensions and the economic transformations that lend urgency to protestors’ demand for political recognition and rights. One important indication is the part young people—teenagers—have played in the protests. Joshua Wong, who has emerged as a leader, is seventeen years old, which means that he was born in 1997, the year of the take-over.

    The generation Wong represents has come of age in a society subject to deepening social and economic problems. The wealth gap in Hong Kong is nothing new, but as elsewhere in the world, inequality has assumed critical proportions with increased concentration of wealth in the hands of the elite allied with Beijing. Since 1997, the experience of marginalization has been intensified with the inundation of the city by Mainlanders with their newfound wealth which has increased prices of commodities, put pressures on public services––including housing, health and education––and introduced new cultural fissures. Some Hong Kong businesses prefer Mainland customers on whose business they have come to be dependent. In the 1990s, Mainlanders living in Hong Kong used to complain about the prejudice they suffered from Hong Kongers with their pretensions to superior cultural sophistication. That has been reversed. Even the most uncouth Mainlanders are likely to look down on Hong Kongers for not being authentically Chinese, which typifies PRC attitudes toward Chinese populations elsewhere. While Hong Kongers complain about “locusts” from the North, a very-unConfucian Beijing University professor descended from Confucius refers to Hong Kongers as “bastards” contaminated by their colonial past. The central government in Beijing, sharing the suspicious of southerners of its imperial predecessors, is engaged in efforts to discourage the use of Cantonese while instilling in the local population its version of what it means to be “Chinese.” We may recall that the present protests were preceded two years ago by successful protests against Beijing-backed efforts to introduce “patriotic” education to Hong Kong schools. It is not that Hong Kong people are not patriotic. They are very patriotic indeed. But their patriotism is mediated by their Hong Kong identity, a very product of the take-over that Beijing would like to erase.

    The upheaval in Hong bears similarities to “Occupy” movements elsewhere in the economic issues that inform it. It also has its roots in the special circumstances of Hong Kong society, and its relationship to Beijing. The movement may be viewed as the latest chapter in a narrative that goes back to the 1980s, the emergence of a neoliberal global capitalism of which the PRC has been an integral component, and the Tiananmen movement which was one of the earliest expressions of the social and political strains created by shifts in the global economy. The demands for democracy in the protests are clearly not merely “political.” Democracy is important to the protestors not only as a means to retrieving some control over their lives, but also to overcome inequality. The authorities in Beijing are quite aware of this link. A Law professor from Tsinghua University in Beijing who also serves as an advisor on Hong Kong affairs just recently announced that democracy would jeopardize the wealthy who are crucial to the welfare of Hong Kong’s capitalist economy. It may seem ironic that a Communist Party should be devoted to the protection of wealthy capitalists, but that is the reality of contemporary PRC society that the protestors are struggling against.

    The protests are also the latest chapter in the formation of a Hong Kong identity which assumed urgency with the prospect of return to the “motherland” in the 1980s. This, too, is a threat to a regime in flux that finds itself threatened by identity claims among the populations it rules over. It seems superfluous to say that allowing the people of Hong Kong the self-rule they demand would have adverse consequences in encouraging separatism among the various ethnic groups already in rebellion against the regime, and further stimulate democracy activists among the Han population. Hitherto pro-Beijing Guomindang leader in Taiwan, Ma Ying-jeou, has recently voiced his opposition to unification under the “one country, two-systems” formula.

    It would probably take something of a miracle for the protest movement in Hong Kong to achieve its stated goals. Rather than risk a Tiananmen style confrontation, the authorities have taken a wait-and-see attitude, waiting for the movement to spend its force, or opponents to force it to retreat. There are signs already that the movement has run its course in clashes between the protestors and members of the general public weary of the disruption of life and business. It is suspected that the attackers included members of Triad gangs. Whom they might be serving is, for the moment, anybody’s guess.

    What the next chapter might bring is uncertain, to say the least. It is unlikely that a movement that has been in the making for two decades will simply fade away into oblivion. The problems it set out to resolve are very real, and offer little sign of resolution, and the movement has proven its resilience through the years. The distinguished scholar of Hong Kong-Mainland relations at the City University of Hong Kong, Joseph Cheng Yu-shek,who is also an advocate of democracy, stated in a recent interview that, “All the protesters here and Hong Kong people know it is extremely unlikely the Chinese leaders will respond to our demands…. We are here to say we are not going to give up, we will continue to fight on. We are here because as long as we fight on, at least we haven’t lost.”

  • "Malaysia's Dog Issue" by b2 writer Masturah Alatas

    B0TXIUlCcAI4ddQ.jpg-large

    Masturah Alatas, a boundary 2 contributor, has written about the ‘I want to touch a dog’ event in Malaysia for CounterPunch. You can read “Malaysia’s Dog Issue” here.

  • The Man Who Loved His Laptop

    The Man Who Loved His Laptop

    Her (2013)a review of Spike Jonze (dir.), Her (2013)
    by Mike Bulajewski
    ~
    I’m told by my sister, who is married to a French man, that the French don’t say “I love you”—or at least they don’t say it often. Perhaps they think the words are superfluous and it’s the behavior of the person you are in a relationship with tells you everything. Americans, on the other hand, say it to everyone—lovers, spouses, friends, parents, grandparents, children, pets—and as often as possible, as if quantity matters most. The declaration is also an event. For two people beginning a relationship, it marks a turning point and a new stage in the relationship.

    If you aren’t American, you may not have realized that relationships have stages. In America, they do. It’s complicated. First there are the three main thresholds of commitment: Dating, Exclusive Dating, then of course Marriage. There are three lesser pre-Dating stages: Just Talking, Hooking Up and Friends with Benefits; and one minor stage between Dating and Exclusive called Pretty Much Exclusive. Within Dating, there are several minor substages: number of dates (often counted up to the third date) and increments of physical intimacy denoted according to the well-known baseball metaphor of first, second, third and home base.

    There are also a number of rituals that indicate progress: updating of Facebook relationship statuses; leaving a toothbrush at each other’s houses; the aforementioned exchange of I-love-you’s; taking a vacation together; meeting the parents; exchange of house keys; and so on. When people, especially unmarried people talk about relationships, often the first questions are about these stages and rituals. In France the system is apparently much less codified. One convention not present in the United States is that romantic interest is signaled when a man invites a woman to go for a walk with him.

    The point is two-fold: first, although Americans admire and often think of French culture as holding up a standard for what romance ought to be, Americans act nothing like the French in relationships and in fact know very little about how they work in France. Second and more importantly, in American culture love is widely understood as spontaneous and unpredictable, and yet there is also an opposite and often unacknowledged expectation that relationships follow well-defined rules and rituals.

    This contradiction might explain the great public clamor over romance apps like Romantimatic and BroApp that automatically send your significant other romantic messages, either predefined or your own creation, at regular intervals—what philosopher of technology Evan Selinger calls (and not without justification) apps that outsource our humanity.

    Reviewers of these apps were unanimous in their disapproval, disagreeing only on where to locate them on a spectrum between pretty bad and sociopathic. Among all the labor-saving apps and devices, why should this one in particular be singled out for opprobrium?

    Perhaps one reason for the outcry is that they expose an uncomfortable truth about how easily romance can be automated. Something we believe is so intimate is revealed as routine and predictable. What does it say about our relationship needs that the right time to send a loving message to your significant other can be reduced to an algorithm?

    The routinization of American relationships first struck me in the context of this little-known fact about how seldom French people say “I love you.” If you had to launch one of these romance apps in France, it wouldn’t be enough to just translate the prewritten phrases into French. You’d have to research French romantic relationships and discover what are the most common phrases—if there are any—and how frequently text messages are used for this purpose. It’s possible that French people are too unpredictable, or never use text messages for romantic purposes, so the app is just not feasible in France.

    Romance is culturally determined. That American romance can be so easily automated reveals how standardized and even scheduled relationships already are. Selinger’s argument that automated romance undermines our humanity has some merit, but why stop with apps? Why not address the problem at a more fundamental level and critique the standardized courtship system that regulates romance. Doesn’t this also outsource our humanity?

    The best-selling relationship advice book The 5 Love Languages claims that everyone understands one of five love “languages” and the key to a happy relationship for each partner to learn to express love in the correct language. Should we be surprised if the more technically minded among us concludes that the problem of love can be solved with technology? Why not try to determine the precise syntax and semantics of these love languages, and attempt to express them rigorously and unambiguously in the same way that computer languages and communications protocols are? Can love be reduced to grammar?

    Spike Jonze’s Her (2013) tells the story of Theodore Twombly, a soon-to-be divorced writer who falls in love with Samantha, an AI operating system who far exceeds the abilities of today’s natural language assistants like Apple’s Siri or Microsoft’s Cortana. Samantha is not only hyper-intelligent, she’s also capable of laughter, telling jokes, picking up on subtle unspoken interpersonal cues, feeling and communicating her own emotions, and so on. Theodore falls in love with her, but there is no sense that their relationship is deficient because she’s not human. She is as emotionally expressive as any human partner, at least on film.

    Theodore works for a company called BeautifulHandwrittenLetters.com as a professional Cyrano de Bergerac (or perhaps a human Romantimatic), ghostwriting heartfelt “handwritten” letters on behalf of this clients. It’s an ironic twist: Samantha is his simulated girlfriend, a role which he himself adopts at work by simulating the feelings of his clients. The film opens with Theodore at his desk at work, narrating a letter from a wife to her husband on the occasion of their 50th wedding anniversary. He is a master of the conventions of the love letter. Later in the film, his work is discovered by a literary agent, and he gets an offer to have book published of his best work.

    [youtube https://www.youtube.com/watch?v=CxahbnUCZxY&w=560&h=315]

    But for all his (alleged) expertise as a romantic writer, Theodore is lonely, emotionally stunted, ambivalent towards the women in his life, and—at least before meeting Samantha—apparently incapable of maintaining relationships since he separated from his ex-wife Catherine. Highly sensitive, he is disturbed by encounters with women that go off the script: a phone sex encounter goes awry when the woman demands that he enact her bizarre fantasy of being choked with a dead cat; and on a date with a woman one night, she exposes a little too much vulnerability and drunkenly expresses her fear that he won’t call her. He abruptly and awkwardly ends the date.

    Theodore wanders aimlessly through the high tech city as if it is empty. With headphones always on, he’s withdrawn, cocooned in a private sonic bubble. He interacts with his device through voice, asking it to play melancholy songs and skipping angry messages from his attorney demanding that he sign the divorce papers already. At times, he daydreams of happier times when he and his ex-wife were together and tells Samantha how much he liked being married. At first it seems that Catherine left him. We wonder if he withdrew from the pain of his heartbreak. But soon a different picture emerges. When they finally meet to sign the divorce papers over lunch, Catherine accuses him of not being able to handle her emotions and reveals that he tried to get her on Prozac. She says to him “I always felt like you wished I could just be a happy, light, everything’s great, bouncy L.A. wife. But that’s not me.”

    So Theodore’s avoidance of real challenges and emotions in relationships turns out to be an ongoing problem—the cause, not the consequence, of his divorce. Starting a relationship with his operating systems Samantha is his latest retreat from reality—not from physical reality, but from the virtual reality of authentic intersubjective contact.

    Unlike his other relationships, Samantha is perfectly customized to his needs. She speaks his “love language.” Today we personalize our operating system and fill out online dating profile specifying exactly what kind of person we’re looking for. When Theodore installs Samantha on his computer for the first time, the two operations are combined with a single question. The system asks him how he would describe his relationship with his mother. He begins to reply with psychological banalities about how she is insufficiently attuned to his needs, and it quickly stops him, already knowing what he’s about. And so do we.

    That Theodore is selfish doesn’t mean that he is unfeeling, unkind, insensitive, conceited or uninterested in his new partners thoughts, feelings and goals. His selfishness is the kind that’s approved and even encouraged today, the ethically consistent selfishness that respects the right of others to be equally selfish. What he wants most of all is to be comfortable, to feel good, and that requires a partner who speaks his love language and nothing else, someone who says nothing that would veer off-script and reveal too many disturbing details. More precisely, Theodore wants someone who speaks what Lacan called empty speech: speech that obstructs the revelation of the subject’s traumatic desire.

    Objectification is a traditional problem between men and women. Men reduce women to mere bodies or body parts that exist only for sexual gratification, treating them as sex objects rather than people. The dichotomy is between the physical as the domain of materiality, animality and sex on one hand, and the spiritual realm of subjectivity, personality, agency and the soul on the other. If objectification eliminates the soul, then Theodore engages in something like the opposite, a subjectification which eradicates the body. Samantha is just a personality.

    Technology writer Nicholas Carr‘s new book The Glass Cage: Automation and Us (Norton, 2014) investigates the ways that automation and artificial intelligence dull our cognitive capacities. Her can be read as a speculative treatment of the same idea as it relates to emotion. What if the difficulty of relationships could be automated away? The film’s brilliant provocation is that it shows us a lonely, hollow world mediated through technology but nonetheless awash in sentimentality. It thwarts our expectations that algorithmically-generated emotion would be as stilted and artificial as today’s speech synthesizers. Samantha’s voice is warm, soulful, relatable and expressive. She’s real, and the feelings she triggers in Theodore are real.

    But real feelings with real sensations can also be shallow. As Maria Bustillo notes, Theodore is an awful writer, at least by today’s standards. Here’s the kind of prose that wins him accolades from everyone around him:

    I remember when I first started to fall in love with you like it was last night. Lying naked beside you in that tiny apartment, it suddenly hit me that I was part of this whole larger thing, just like our parents, and our parents’ parents. Before that I was just living my life like I knew everything, and suddenly this bright light hit me and woke me up. That light was you.

    In spite of this, we’re led to believe that Theodore is some kind of literary genius. Various people in his life compliment him on his skill and the editor of the publishing company who wants to publish his work emails to tell him how moved he and his wife were when they read them. What kind of society would treat such pedestrian writing as unusual, profound or impressive? And what is the average person’s writing like if Theodore’s services are worth paying for?

    Recall the cult favorite Idiocracy (2006) directed by Mike Judge, a science fiction satire set in a futuristic dystopia where anti-intellectualism is rampant and society has descended into stupidity. We can’t help but conclude that Her offers a glimpse into a society that has undergone a similar devolution into both emotional and literary idiocy.

    _____

    Mike Bulajewski (@mrteacup) is a user experience designer with a Master’s degree from University of Washington’s Human Centered Design and Engineering program. He writes about technology, psychoanalysis, philosophy, design, ideology & Slavoj Žižek at MrTeacup.org, where an earlier version of this review first appeared.

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  • boundary 2 Fall Conference: Poetry and Poetics

    Conference Poster 2

  • Our Very Own Francis Bacon

    Our Very Own Francis Bacon

    Zero to One: Notes on Startups, or How to Build the Futurea review of Peter Thiel, Zero to One: Notes on Startups, or How to Build the Future
    by LM Sacasas
    ~

    Few individuals have done as much to chart the course of science and technology in the modern world as the the Elizabethan statesmen and intellectual, Francis Bacon. But Bacon’s defining achievement was not, strictly speaking, scientific or technological. Rather, Bacon’s achievement lay in the realm of human affairs we would today refer to as “public relations.” Bacon’s genius was Draper-esque: he wove together a compelling story about the place of techno-science in human affairs from the loose threads of post-Reformation religious and political culture and the scientific breakthroughs we loosely group together as the Scientific Revolution.

    In story he told, knowledge mattered only insofar as it yielded power (the well-known formulation, “knowledge is power,” is Bacon’s), and that power mattered only insofar as it was directed toward “the relief of man’s estate.” To put that less archaically, we might say “the improvement of our quality of life.” But putting it that way obscures the theological overtones of Bacon’s formulation and its allusion to the curse under which humanity labored as a consequence of the Fall in the Christian understanding of the human condition. Our problem was both spiritual and material, and Bacon believed that in his day both facets of that problem were being solved. The improvement of humanity’s physical condition went hand in hand with the restoration of true religion occasioned by the English Reformation, and together they would lead straight to the full restoration of creation.

    Bacon’s significance, then, lay in merging science and technology into one techno-scientific project and synthesizing this emerging project with the dominant world picture, thus charting it’s course and securing its prestige. It is just this sort of expansive vision driving technological development that I’ve had in mind in my recent Frailest Thing posts (here and here) regarding culture, technology, and innovation.

    My recent posts have also mentioned the entrepreneur Peter Thiel, who is increasingly assuming the role of Silicon Valley’s leading public intellectual–the Sage of Silicon Valley, if you will. This morning, I was re-affirmed in that evaluation of Thiel’s position by a pair of posts by political philosopher, Peter Lawler. In the first of these posts, Lawler comments on Thiel’s seeming ubiquity in certain circles, and he rehearses some of the by-now familiar aspects of Thiel’s intellectual affinities, notably for the sociologist cum philosopher and Stanford professor René Girard (Thiel expounds on Girard in this video) and the right-wing political theorist Leo Strauss (whom Thiel praises in this interview on the National Review). Chiefly, Lawler discusses Thiel’s flirtations with transhumanism, particularly in his recently released Zero to One: Notes on Startups, or How to Build the Future, a distilled version of Thiel’s 2012 lecture course on start-ups at Stanford University.

    (The book was prepared with Blake Masters, who had previously made available detailed notes on Thiel’s course. I’ll mention in passing that that tag line on Masters’ website runs as follows: “Your mind is software. Program it. Your body is a shell. Change it. Death is a disease. Cure it. Extinction is approaching. Fight it.”)

    Francis Bacon

    As it turns out, Francis Bacon makes a notable appearance in Thiel’s work. Here is Lawler summarizing that portion of the book:

    “In the chapter entitled ‘You Are Not a Lottery Ticket,’ Thiel writes of Francis Bacon’s modern project, which places “prolongation of life” as the noblest branch of medicine, as well the main point of the techno-development of science. That prolongation is at the core of the definite optimism that should drive ‘the intelligent design’ at the foundation of technological development. We (especially we founders) should do everything we can “to prioritize design over chance.” We should do everything we can to remove contingency from existence, especially, of course, each of our personal existences.”

    The “intelligent design” in view has nothing to do, so far as I can tell, with the theory of human origins that is the most common referent for that phrase. Rather, it is Thiel’s way of labeling the forces of consciously deployed thought and work striving to bring order out of the chaos of contingency. Intelligent design is how human beings assert control and achieve mastery over their world and their lives, and that is an explicitly Baconian chord to strike.

    Thiel, worried by the technological stagnation he believes has set in over the last forty or so years, is seeking to reanimate the technological project by once again infusing it with an expansive, dare we say mythic, vision of its place in human affairs. It may not be too much of a stretch to say that he is seeking to play the role of Francis Bacon for our age.

    Like Bacon, Thiel is attempting to fuse the disparate strands of emerging technologies together into a coherent narrative of grandiose scale. And his story, like Bacon’s, features distinctly theological undertones. The chief difference may be this: whereas the defining institution of the early modern period was the nation-state, itself a powerful innovation of the period, the defining institution in Thiel’s vision is the start-up. As Lawler puts it, “the startup has replaced the country as the object of the highest human ambition. And that’s the foundation of the future that comes from being ruled by the intelligent designers who are Silicon Valley founders.”

    Lawler is right to conclude that “Peter Thiel has emerged as the most resolute and most imaginative defender of the distinctively modern part of Western civilization.” Bacon was, after all, one of the intellectual founders of modernity, on par, I would say, with the likes of Descartes and Locke. But, Lawler adds,

    “that doesn’t mean that, when it comes to the libertarian displacement of the nation by the startup and the abolition of all contingency from particular personal lives, his imagination and his self-importance don’t trump his astuteness. They do. His theology of liberation is that we, made in the image of God, can do for ourselves what the Biblical Creator promised—free ourselves from the misery of being self-conscious mortals dependent on forces beyond our control.”

    And that is, as Lawler notes in his follow-up post, a rather ancient aspiration. Indeed, Thiel, who professes an admittedly heterodox variety of Christianity, may do well to remember that to say we are made in the image of God is one way of saying we are not, the Whole Earth Catalog notwithstanding, gods ourselves. This, it would seem, is a hard lesson to learn.

    _______________________________

    Update: On Twitter, I was made aware of a talk by Thiel at SXSW in 2013 on the topic of the chapter discussed above. Here it is (via @carlamomo).

    [youtube https://www.youtube.com/watch?v=iZM_JmZdqCw?version=3&rel=1&fs=1&showsearch=0&showinfo=1&iv_load_policy=1&wmode=transparent]

    _____

    LM Sacasas (@frailesthing) is a PhD student in the Texts and Technology program at the University of Central Florida. He maintains the blog “The Frailest Thing,” on which this post first appeared. He is the author of the ebook The Tourist and The Pilgrim: Essays on Life and Technology in the Digital Age (Amazon Kindle, 2013).

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  • Program and Be Programmed

    Program and Be Programmed

    Programmed Visions: Software and Memory (MIT Press, 2013)a review of Wendy Chun, Programmed Visions: Software and Memory (MIT Press, 2013)
    by Zachary Loeb
    ~

    Type a letter on a keyboard and the letter appears on the screen, double-click on a program’s icon and it opens, use the mouse in an art program to draw a line and it appears. Yet knowing how to make a program work is not the same as knowing how or why it works. Even a level of skill approaching mastery of a complicated program does not necessarily mean that the user understands how the software works at a programmatic level. This is captured in the canonical distinctions between users and “power users,” on the one hand, and between users and programmers on the other. Whether being a power user or being a programmer gives one meaningful power over machines themselves should be a more open question than injunctions like Douglas Rushkoff’s “program or be programmed” or the general opinion that every child must learn to code appear to allow.

    Sophisticated computer programs give users a fantastical set of abilities and possibilities. But to what extent does this sense of empowerment depend on faith in the unseen and even unknown codes at work in a given program? We press a key on a keyboard and a letter appears on the screen—but do we really know why? These are some of the questions that Wendy Hui Kyong Chun poses in Programmed Visions: Software and Memory, which provides a useful history of early computing alongside a careful analysis of the ways in which computers are used—and use their users—today. Central to Chun’s analysis is her insistence “that a rigorous engagement with software makes new media studies more, rather than less, vapory” (21), and her book succeeds admirably in this regard.

    The central point of Chun’s argument is that computers (and media in general) rely upon a notion of programmability that has become part of the underlying societal logic of neoliberal capitalism. In a society where computers are tied ever more closely to power, Chun argues that canny manipulation of software restores a sense of control or sovereignty to individual users, even as their very reliance upon this software constitutes a type of disempowerment. Computers are the driving force and grounding metaphor behind an ideology that seeks to determine the future—a future that “can be bought and sold” and which “depends on programmable visions that extrapolate the future—or more precisely, a future—based on the past” (9).

    Yet, one of the pleasures of contemporary computer usage, is that one need not fully understand much of what is going on to be able to enjoy the benefits of the computer. Though we may use computer technology to answer critical questions, this does not necessarily mean we are asking critical questions about computer technology. As Chun explains, echoing Michel Foucault, “software, free or not, is embodied and participates in structures of knowledge-power” (21); users become tangled in these structures once they start using a given device or program. Much of this “knowledge-power” is bound up in the layers of code which make software function, the code is that which gives the machine the directions—that which ensures that the tapping of the letter “r” on the keyboard leads to that letter appearing on the screen. Nevertheless, this code typically goes unseen, especially as it becomes source code, and winds up being buried ever deeper, even though this source code is what “embodies the power of the executive, the power of enforcement” (27). Importantly, the ability to write code, the programmer’s skill, does not in and of itself provide systematic power: computers follow “a set of rules that programmers must follow” (28). A sense of power over certain aspects of a computer is still incumbent upon submitting to the control of other elements of the computer.

    Contemporary computers, and our many computer-esque devices (such as smart phones and tablets), are the primary sites in which most of us encounter the codes and programming about which Chun writes, but she takes lengths to introduce the reader to the history of programming. For it is against the historical backdrop of military research, during the Second World War, that one can clearly see the ways in which notions of control, the unquestioning following of orders, and hierarchies have long been at work within computation and programming. Beyond providing an enlightening aside into the vital role that women played in programming history, analyzing the early history of computing demonstrates how as a means of cutting down on repetitive work structured programming emerged that “limits the logical procedures coders can use, and insists that the program consist of small modular units, which can be called from the main program” (36). Gradually this emphasis on structured programming allows for more and more processes to be left to the machine, and thus processes and codes become hidden from view even as future programmers are taught to conform to the demands that will allow for new programs to successfully make use of these early programs. Therefore the processes that were once a result of expertise come to be assumed aspects of the software—they become automated—and it is this very automation (“automatic programming”) that “allows the production of computer-enabled human-readable code” (41).

    As the codes and programs become hidden by ever more layers of abstraction, the computer simultaneously and paradoxically appears to make more of itself visible (through graphic user interfaces, for example), while the code itself recedes ever further into the background. This transition is central to the computer’s rapid expansion into ever more societal spheres, and it is an expansion that Chun links to the influence of neoliberal ideology. The computer with its easy-to-use interfaces creates users who feel as though they are free and empowered to manipulate the machine even as they rely on the codes and programs that they do not see. Freedom to act becomes couched in code that predetermines the range and type of actions that the users are actually free to take. What transpires, as Chun writes, is that “interfaces and operating systems produce ‘users’—one and all” (67).

    Without fully comprehending the codes that lead from a given action (a user presses a button) to a given result, the user is positioned to believe ever more in the power of the software/hardware hybrid, especially as increased storage capabilities allow for computers to access vast informational troves. In so doing, the technologically-empowered user has been conditioned to expect a programmable world akin to the programmed devices they use to navigate that world—it has “fostered our belief in the world as neoliberal: as an economic game that follows certain rules” (92). And this takes place whether or not we understand who wrote those rules, or how they can be altered.

    This logic of programmability may be linked to inorganic machines, but Chun also demonstrates the ways in which this logic has been applied to the organic world as well. In truth, the idea that the organic can be programmed predates the computer; as Chun explains “breeding encapsulates an early logic of programmability… Eugenics, in other words, was not simply a factor driving the development of high-speed mass calculation at the level of content… but also at the level of operationality” (124). In considering the idea that the organic can be programmed, what emerges is a sense of the way that programming has long been associated with a certain will to exert control over things be they organic or inorganic. Far from being a digression, Chun’s discussion of eugenics provides for a fascinating historic comparison given the way in which its decline in acceptance seems to dovetail with the steady ascendance of the programmable machine.

    The intersection of software and memory (or “software as memory”) is an essential matter to consider given the informational explosion that has occurred with the spread of computers. Yet, as Chun writes eloquently: “information is ‘undead’; neither alive nor dead, neither quite present nor absent” (134), since computers simultaneously promise to make ever more information available while making the future of much of this information precarious (insofar as access may rely upon software and hardware that no longer functions). Chun elucidates the ways in which the shift from analog to digital has permitted a wider number of users to enjoy the benefits of computers while this shift has likewise made much that goes on inside a computer (software and hardware) less transparent. While the machine’s memory may seem ephemeral and (to humans) illegible, accessing information in “storage” involves codes that read by re-writing elsewhere. This “battle of diligence between the passing and the repetitive” characterizing machine memory, Chun argues, “also characterizes content today” (170). Users rely upon a belief that the information they seek will be available and that they will be able to call upon it with a few simple actions, even though they do not see (and usually cannot see) the processes that make this information present and which do or do not allow it to be presented.

    When people make use of computers today they find themselves looking—quite literally—at what the software presents to them, yet in allowing this act of seeing the programming also has determined much of what the user does not see. Programmed Visions is an argument for recognizing that sometimes the power structures that most shape our lives go unseen—even if we are staring right at them.

    * * *

    With Programmed Visions, Chun has crafted a nuanced, insightful, and dense, if highly readable, contribution to discussions about technology, media, and the digital humanities. It is a book that demonstrates Chun’s impressive command of a variety of topics and the way in which she can engagingly shift from history to philosophy to explanations of a more technical sort. Throughout the book Chun deftly draws upon a range of classic and contemporary thinkers, whilst raising and framing new questions and lines of inquiry even as she seeks to provide answers on many other topics.

    Though peppered with many wonderful turns of phrase, Programmed Visions remains a challenging book. While all readers of Programmed Visions will come to it with their own background and knowledge of coding, programming, software, and so forth—the simple truth is that Chun’s point (that many people do not understand software sufficiently) may make many a reader feel somewhat taken aback. For most computer users—even many programmers and many whose research involves the study of technology and media—are quite complicit in the situation that Chun describes. It is the sort of discomforting confrontation that is valuable precisely because of the anxiety it provokes. Most users take for granted that the software will work the way they expect it to—hence the frustration bordering on fury that many people experience when suddenly the machine does something other than that which is expected provoking a maddened outburst of “why aren’t you working!” What Chun helps demonstrate is that it is not so much that the machines betray us, but that we were mistaken in our thinking that machines ever really obeyed us.

    It will be easy for many readers to see themselves as the user that Chun describes—as someone positioned to feel empowered by the devices they use, even as that power depends upon faith in forces the user cannot see, understand, or control. Even power users and programmers, on careful self-reflection may identify with Chun’s relocation of the programmer from a position of authority to a role wherein they too must comply with the strictures of the code presents an important argument for considerations of such labor. Furthermore, the way in which Chun links the power of the machine to the overarching ideology of neoliberalism makes her argument useful for discussions broader than those in media studies and the digital humanities. What makes these arguments particularly interesting is the way in which Chun locates them within thinking about software. As she writes towards the end of the second chapter, “this chapter is not a call to return to an age when one could see and comprehend the actions of our computers. Those days are long gone… Neither is this chapter an indictment of software or programming… It is, however, an argument against common-sense notions of software precisely because of their status as common sense” (92). Such a statement refuses to provide the anxious reader (who has come to see themselves as an uninformed user) with a clear answer, for it suggests that the “common-sense” clear answer is part of what has disempowered them.

    The weaving of historic details regarding computers during World War II and eugenics provide an excellent and challenging atmosphere against which Chun’s arguments regarding programmability can grow. Chun lucidly describes the embodiment and materiality of information and obsolescence that serve as major challenges confronting those who seek to manage and understand the massive informational flux that computer technology has enabled. The idea of information as “undead” is both amusing and evocative as it provides for a rich way of describing the “there but not there” of information, while simultaneously playing upon the slight horror and uneasiness that seems to be lurking below the surface in the confrontation with information.

    As Chun sets herself the difficult task of exploring many areas, there are some topics where the reader may be left wanting more. The section on eugenics presents a troubling and fascinating argument—one which could likely have been a book in and of itself—especially when considered in the context of arguments about cyborg selves and post-humanity, and it is a section that almost seems to have been cut short. Likewise the discussion of race (“a thread that has been largely invisible yet central,” 179), which is brought to the fore in the epilogue, confronts the reader with something that seems like it could in fact be the introduction for another book. It leaves the reader with much to contemplate—though it is the fact that this thread was not truly “largely invisible” that makes the reader upon reaching the epilogue wish that the book could have dealt with that matter at greater length. Yet, these are fairly minor concerns—that Programmed Visions leaves its readers re-reading sections to process them in light of later points is a credit to the text.

    Programmed Visions: Software and Memory is an alternatively troubling, enlightening, and fascinating book. It allows its reader to look at software and hardware in a new way, with a fresh insight about this act of sight. It is a book that plants a question (or perhaps subtly programs one into the reader’s mind): what are you not seeing, what power relations remain invisible, between the moment during which the “?” is hit on the keyboard and the moment it appears on the screen?


    _____

    Zachary Loeb is a writer, activist, librarian, and terrible accordion player. He earned his MSIS from the University of Texas at Austin, and is currently working towards an MA in the Media, Culture, and Communications department at NYU. His research areas include media refusal and resistance to technology, ethical implications of technology, alternative forms of technology, and libraries as models of resistance. Using the moniker “The Luddbrarian” Loeb writes at the blog librarianshipwreck. He has previously reviewed The People’s Platform by Astra Taylor and Social Media: A Critical Introduction by Christian Fuchs for boundary2.org.

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  • Who Big Data Thinks We Are (When It Thinks We're Not Looking)

    Who Big Data Thinks We Are (When It Thinks We're Not Looking)

    Dataclysm: Who We Are (When We Think No One's Looking) (Crown, 2014)a review of Christian Rudder, Dataclysm: Who We Are (When We Think No One’s Looking) (Crown, 2014)
    by Cathy O’Neil
    ~
    Here’s what I’ve spent the last couple of days doing: alternatively reading Christian Rudder’s new book Dataclysm and proofreading a report by AAPOR which discusses the benefits, dangers, and ethics of using big data, which is mostly “found” data originally meant for some other purpose, as a replacement for public surveys, with their carefully constructed data collection processes and informed consent. The AAPOR folk have asked me to provide tangible examples of the dangers of using big data to infer things about public opinion, and I am tempted to simply ask them all to read Dataclysm as exhibit A.

    Rudder is a co-founder of OKCupid, an online dating site. His book mainly pertains to how people search for love and sex online, and how they represent themselves in their profiles.

    Here’s something that I will mention for context into his data explorations: Rudder likes to crudely provoke, as he displayed when he wrote this recent post explaining how OKCupid experiments on users. He enjoys playing the part of the somewhat creepy detective, peering into what OKCupid users thought was a somewhat private place to prepare themselves for the dating world. It’s the online equivalent of a video camera in a changing booth at a department store, which he defended not-so-subtly on a recent NPR show called On The Media, and which was written up here.

    I won’t dwell on that aspect of the story because I think it’s a good and timely conversation, and I’m glad the public is finally waking up to what I’ve known for years is going on. I’m actually happy Rudder is so nonchalant about it because there’s no pretense.

    Even so, I’m less happy with his actual data work. Let me tell you why I say that with a few examples.

    Who Are OKCupid Users?

    I spent a lot of time with my students this summer saying that a standalone number wouldn’t be interesting, that you have to compare that number to some baseline that people can understand. So if I told you how many black kids have been stopped and frisked this year in NYC, I’d also need to tell you how many black kids live in NYC for you to get an idea of the scope of the issue. It’s a basic fact about data analysis and reporting.

    When you’re dealing with populations on dating sites and you want to conclude things about the larger culture, the relevant “baseline comparison” is how well the members of the dating site represent the population as a whole. Rudder doesn’t do this. Instead he just says there are lots of OKCupid users for the first few chapters, and then later on after he’s made a few spectacularly broad statements, on page 104 he compares the users of OKCupid to the wider internet users, but not to the general population.

    It’s an inappropriate baseline, made too late. Because I’m not sure about you but I don’t have a keen sense of the population of internet users. I’m pretty sure very young kids and old people are not well represented, but that’s about it. My students would have known to compare a population to the census. It needs to happen.

    How Do You Collect Your Data?

    Let me back up to the very beginning of the book, where Rudder startles us by showing us that the men that women rate “most attractive” are about their age whereas the women that men rate “most attractive” are consistently 20 years old, no matter how old the men are.

    Actually, I am projecting. Rudder never actually specifically tells us what the rating is, how it’s exactly worded, and how the profiles are presented to the different groups. And that’s a problem, which he ignores completely until much later in the book when he mentions that how survey questions are worded can have a profound effect on how people respond, but his target is someone else’s survey, not his OKCupid environment.

    Words matter, and they matter differently for men and women. So for example, if there were a button for “eye candy,” we might expect women to choose more young men. If my guess is correct, and the term in use is “most attractive”, then for men it might well trigger a sexual concept whereas for women it might trigger a different social construct; indeed I would assume it does.

    Since this isn’t a porn site, it’s a dating site, we are not filtering for purely visual appeal; we are looking for relationships. We are thinking beyond what turns us on physically and asking ourselves, who would we want to spend time with? Who would our family like us to be with? Who would make us be attractive to ourselves? Those are different questions and provoke different answers. And they are culturally interesting questions, which Rudder never explores. A lost opportunity.

    Next, how does the recommendation engine work? I can well imagine that, once you’ve rated Profile A high, there is an algorithm that finds Profile B such that “people who liked Profile A also liked Profile B”. If so, then there’s yet another reason to worry that such results as Rudder described are produced in part as a result of the feedback loop engendered by the recommendation engine. But he doesn’t explain how his data is collected, how it is prompted, or the exact words that are used.

    Here’s a clue that Rudder is confused by his own facile interpretations: men and women both state that they are looking for relationships with people around their own age or slightly younger, and that they end up messaging people slightly younger than they are but not many many years younger. So forty year old men do not message twenty year old women.

    Is this sad sexual frustration? Is this, in Rudder’s words, the difference between what they claim they want and what they really want behind closed doors? Not at all. This is more likely the difference between how we live our fantasies and how we actually realistically see our future.

    Need to Control for Population

    Here’s another frustrating bit from the book: Rudder talks about how hard it is for older people to get a date but he doesn’t correct for population. And since he never tells us how many OKCupid users are older, nor does he compare his users to the census, I cannot infer this.

    Here’s a graph from Rudder’s book showing the age of men who respond to women’s profiles of various ages:

    dataclysm chart 1

    We’re meant to be impressed with Rudder’s line, “for every 100 men interested in that twenty year old, there are only 9 looking for someone thirty years older.” But here’s the thing, maybe there are 20 times as many 20-year-olds as there are 50-year-olds on the site? In which case, yay for the 50-year-old chicks? After all, those histograms look pretty healthy in shape, and they might be differently sized because the population size itself is drastically different for different ages.

    Confounding

    One of the worst examples of statistical mistakes is his experiment in turning off pictures. Rudder ignores the concept of confounders altogether, which he again miraculously is aware of in the next chapter on race.

    To be more precise, Rudder talks about the experiment when OKCupid turned off pictures. Most people went away when this happened but certain people did not:

    dataclysm chart 2

    Some of the people who stayed on went on a “blind date.” Those people, which Rudder called the “intrepid few,” had a good time with people no matter how unattractive they were deemed to be based on OKCupid’s system of attractiveness. His conclusion: people are preselecting for attractiveness, which is actually unimportant to them.

    But here’s the thing, that’s only true for people who were willing to go on blind dates. What he’s done is select for people who are not superficial about looks, and then collect data that suggests they are not superficial about looks. That doesn’t mean that OKCupid users as a whole are not superficial about looks. The ones that are just got the hell out when the pictures went dark.

    Race

    This brings me to the most interesting part of the book, where Rudder explores race. Again, it ends up being too blunt by far.

    Here’s the thing. Race is a big deal in this country, and racism is a heavy criticism to be firing at people, so you need to be careful, and that’s a good thing, because it’s important. The way Rudder throws it around is careless, and he risks rendering the term meaningless by not having a careful discussion. The frustrating part is that I think he actually has the data to have a very good discussion, but he just doesn’t make the case the way it’s written.

    Rudder pulls together stats on how men of all races rate women of all races on an attractiveness scale of 1-5. It shows that non-black men find their own race attractive and non-black men find black women, in general, less attractive. Interesting, especially when you immediately follow that up with similar stats from other U.S. dating sites and – most importantly – with the fact that outside the U.S., we do not see this pattern. Unfortunately that crucial fact is buried at the end of the chapter, and instead we get this embarrassing quote right after the opening stats:

    And an unintentionally hilarious 84 percent of users answered this match question:

    Would you consider dating someone who has vocalized a strong negative bias toward a certain race of people?

    in the absolute negative (choosing “No” over “Yes” and “It depends”). In light of the previous data, that means 84 percent of people on OKCupid would not consider dating someone on OKCupid.

    Here Rudder just completely loses me. Am I “vocalizing” a strong negative bias towards black women if I am a white man who finds white women and Asian women hot?

    Especially if you consider that, as consumers of social platforms and sites like OKCupid, we are trained to rank all the products we come across to ultimately get better offerings, it is a step too far for the detective on the other side of the camera to turn around and point fingers at us for doing what we’re told. Indeed, this sentence plunges Rudder’s narrative deeply into the creepy and provocative territory, and he never fully returns, nor does he seem to want to. Rudder seems to confuse provocation for thoughtfulness.

    This is, again, a shame. A careful conversation about the issues of what we are attracted to, what we can imagine doing, and how we might imagine that will look to our wider audience, and how our culture informs those imaginings, are all in play here, and could have been drawn out in a non-accusatory and much more useful way.


    _____

    Cathy O’Neil is a data scientist and mathematician with experience in academia and the online ad and finance industries. She is one of the most prominent and outspoken women working in data science today, and was one of the guiding voices behind Occupy Finance, a book produced by the Occupy Wall Street Alt Banking group. She is the author of “On Being a Data Skeptic” (Amazon Kindle, 2013), and co-author with Rachel Schutt of Doing Data Science: Straight Talk from the Frontline (O’Reilly, 2013). Her Weapons of Math Destruction is forthcoming from Random House. She appears on the weekly Slate Money podcast hosted by Felix Salmon. She maintains the widely-read mathbabe blog, on which this review first appeared.

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