reviews

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Pablo Picasso, "Black Figure" (doubled)

reviews

Ending the World as We Know It: Alexander R. Galloway in Conversation with Andrew Culp

boundary2 - June 29, 2016

reviews

Anthony Galluzzo — Utopia as Method, Social Science Fiction, and the Flight From Reality (Review of Frase, Four Futures)

reviews

Eugene Thacker – Weird, Eerie, and Monstrous: A Review of “The Weird and the Eerie” by Mark Fisher

reviews

Conall Cash — Socialism For Our Time: Freedom, Value, Transition (Review of Martin Hägglund’s This Life: Secular Faith and Spiritual Freedom)

reviews

Myka Tucker-Abramson — Make Literary Criticism Great Again (Review of David Alworth’s Site Reading: Fiction, Art, Social Form)

David Tomkins – Assuming Control: Spielberg Rewires Ready Player One

boundary2 - August 8, 2018

Laura Finch – White-Collar, White Archive: Review of Jasper Bernes’s “The Work of...

boundary2 - January 25, 2018

Nicole Erin Morse – Review of Ilan Stavans’ “I Love My Selfie”

boundary2 - February 21, 2018

Justin Raden — Review of Gilbert Simondon’s On the Mode of...

boundary2 - November 21, 2018

Tom Eyers – The Matter of Poetry: A Review of Nathan...

boundary2 - November 9, 2017

Travis Alexander – Deregulating Grief: A Review of Dagmawi Woubshet’s “The Calendar...

boundary2 - December 8, 2016

Dan DiPiero – Improvising What?: A Review of Georgina Born, Eric Lewis,...

boundary2 - October 11, 2017

Ben Parker — What Is A Theory of the Novel Good...

boundary2 - June 14, 2017

Mikkel Krause Frantzen—No utopia, not now? (Review of Miguel Abensour’s Utopia...

boundary2 - January 24, 2019

Matt Seybold – Ain’t Nothing Like The Real Thing? Maybe.: A...

boundary2 - November 22, 2017

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