• Ending the World as We Know It: Alexander R. Galloway in Conversation with Andrew Culp

    Ending the World as We Know It: Alexander R. Galloway in Conversation with Andrew Culp

    by Alexander R. Galloway and Andrew Culp
    ~

    Alexander R. Galloway: You have a new book called Dark Deleuze (University of Minnesota Press, 2016). I particularly like the expression “canon of joy” that guides your investigation. Can you explain what canon of joy means and why it makes sense to use it when talking about Deleuze?

    Andrew Culp, Dark Deleuze (University of Minnesota Press, 2016)

    Andrew Culp: My opening is cribbed from a letter Gilles Deleuze wrote to philosopher and literary critic Arnaud Villani in the early 1980s. Deleuze suggests that any worthwhile book must have three things: a polemic against an error, a recovery of something forgotten, and an innovation. Proceeding along those three lines, I first argue against those who worship Deleuze as the patron saint of affirmation, second I rehabilitate the negative that already saturates his work, and third I propose something he himself was not capable of proposing, a “hatred for this world.” So in an odd twist of Marx on history, I begin with those who hold up Deleuze as an eternal optimist, yet not to stand on their shoulders but to topple the church of affirmation.

    The canon portion of “canon of joy” is not unimportant. Perhaps more than any other recent thinker, Deleuze queered philosophy’s line of succession. A large portion of his books were commentaries on outcast thinkers that he brought back from exile. Deleuze was unwilling to discard Nietzsche as a fascist, Bergson as a spiritualist, or Spinoza as a rationalist. Apparently this led to lots of teasing by fellow agrégation students at the Sorbonne in the late ’40s. Further showing his strange journey through the history of philosophy, his only published monograph for nearly a decade was an anti-transcendental reading of Hume at a time in France when phenomenology reigned. Such an itinerant path made it easy to take Deleuze at his word as a self-professed practitioner of “minor philosophy.” Yet look at Deleuze’s outcasts now! His initiation into the pantheon even bought admission for relatively forgotten figures such as sociologist Gabriel Tarde. Deleuze’s popularity thus raises a thorny question for us today: how do we continue the minor Deleuzian line when Deleuze has become a “major thinker”? For me, the first step is to separate Deleuze (and Guattari) from his commentators.

    I see two popular joyous interpretations of Deleuze in the canon: unreconstructed Deleuzians committed to liberating flows, and realists committed to belief in this world. The first position repeats the language of molecular revolution, becoming, schizos, transversality, and the like. Some even use the terms without transforming them! The resulting monotony seals Deleuze and Guattari’s fate as a wooden tongue used by people still living in the ’80s. Such calcification of their concepts is an especially grave injustice because Deleuze quite consciously shifted terminology from book to book to avoid this very outcome. Don’t get me wrong, I am deeply indebted to the early work on Deleuze! I take my insistence on the Marxo-Freudian core of Deleuze and Guattari from one of their earliest Anglophone commentators, Eugene Holland, who I sought out to direct my dissertation. But for me, the Tiqqun line “the revolution was molecular, and so was the counter-revolution” perfectly depicts the problem of advocating molecular politics. Why? Today’s techniques of control are now molecular. The result is that control societies have emptied the molecular thinker’s only bag of tricks (Bifo is a good test case here), which leaves us with a revolution that only goes one direction: backward.

    I am equally dissatisfied by realist Deleuzians who delve deep into the early strata of A Thousand Plateaus and away from the “infinite speed of thought” that motivates What is Philosophy? I’m thinking of the early incorporations of dynamical systems theory, the ’90s astonishment over everything serendipitously looking like a rhizome, the mid-00s emergence of Speculative Realism, and the ongoing “ontological” turn. Anyone who has read Manuel DeLanda will know this exact dilemma of materiality versus thought. He uses examples that slow down Deleuze and Guattari’s concepts to something easily graspable. In his first book, he narrates history as a “robot historian,” and in A Thousand Years of Nonlinear History, he literally traces the last thousand years of economics, biology, and language back to clearly identifiable technological inventions. Such accounts are dangerously compelling due to their lucidity, but they come at a steep cost: android realism dispenses with Deleuze and Guattari’s desiring subject, which is necessary for a theory of revolution by way of the psychoanalytic insistence on the human ability to overcome biological instincts (e.g. Freud’s Instincts and their Vicissitudes and Beyond the Pleasure Principle). Realist interpretations of Deleuze conceive of the subject as fully of this world. And with it, thought all but evaporates under the weight of this world. Deleuze’s Hume book is an early version of this criticism, but the realists have not taken heed. Whether emergent, entangled, or actant, strong realists ignore Deleuze and Guattari’s point in What is Philosophy? that thought always comes from the outside at a moment when we are confronted by something so intolerable that the only thing remaining is to think.

    Galloway: The left has always been ambivalent about media and technology, sometimes decrying its corrosive influence (Frankfurt School), sometimes embracing its revolutionary potential (hippy cyberculture). Still, you ditch technical “acceleration” in favor of “escape.” Can you expand your position on media and technology, by way of Deleuze’s notion of the machinic?

    Culp: Foucault says that an episteme can be grasped as we are leaving it. Maybe we can finally catalogue all of the contemporary positions on technology? The romantic (computer will never capture my soul), the paranoiac (there is an unknown force pulling the strings), the fascist-pessimist (computers will control everything)…

    Deleuze and Guattari are certainly not allergic to technology. My favorite quote actually comes from the Foucault book in which Deleuze says that “technology is social before it is technical” (6). The lesson we can draw from this is that every social formation draws out different capacities from any given technology. An easy example is from the nomads Deleuze loved so much. Anarcho-primitivists speculate that humans learn oppression with the domestication of animals and settled agriculture during the Neolithic Revolution. Diverging from the narrative, Deleuze celebrates the horse people of the Eurasian steppe described by Arnold Toynbee. Threatened by forces that would require them to change their habitat, Toynbee says, they instead chose to change their habits. The subsequent domestication of the horse did not sew the seeds of the state, which was actually done by those who migrated from the steppes after the last Ice Age to begin wet rice cultivation in alluvial valleys (for more, see James C Scott’s The Art of Not Being Governed). On the contrary, the new relationship between men and horses allowed nomadism to achieve a higher speed, which was necessary to evade the raiding-and-trading used by padi-states to secure the massive foreign labor needed for rice farming. This is why the nomad is “he who does not move” and not a migrant (A Thousand Plateaus, 381).

    Accelerationism attempts to overcome the capitalist opposition of human and machine through the demand for full automation. As such, it peddles in technological Proudhonism that believes one can select what is good about technology and just delete what is bad. The Marxist retort is that development proceeds by its bad side. So instead of flashy things like self-driving cars, the real dot-communist question is: how will Amazon automate the tedious, low-paying jobs that computers are no good at? What happens to the data entry clerks, abusive-content managers, or help desk technicians? Until it figures out who will empty the recycle bin, accelerationism is only a socialism of the creative class.

    The machinic is more than just machines–it approaches technology as a question of organization. The term is first used by Guattari in a 1968 paper titled “Machine and Structure” that he presented to Lacan’s Freudian School of Paris, a paper that would jumpstart his collaboration with Deleuze. He argues for favoring machine to structure. Structures transform parts of a whole by exchanging or substituting particularities so that every part shares in a general form (in other words, the production of isomorphism). An easy political example is the Leninist Party, which mediates the particularized private interests to form them into the general will of a class. Machines instead treat the relationship between things as a problem of communication. The result is the “control and communication” of Norbert Wiener’s cybernetics, which connects distinct things in a circuit instead of implanting a general logic. The word “machine” never really caught on but the concept has made inroads in the social sciences, where actor-network theory, game theory, behaviorism, systems theory, and other cybernetic approaches have gained acceptance.

    Structure or machine, each engenders a different type of subjectivity, and each realizes a different model of communication. The two are found in A Thousand Plateaus, where Deleuze and Guattari note two different types of state subject formation: social subjection and machinic enslavement (456-460). While it only takes up a few short pages, the distinction is essential to Bernard Stiegler’s work and has been expertly elaborated by Maurizio Lazzarato in the book Signs and Machines. We are all familiar with molar social subjection synonymous with “agency”–it is the power that results from individuals bridging the gap between themselves and broader structures of representation, social roles, and institutional demands. This subjectivity is well outlined by Lacanians and other theorists of the linguistic turn (Virno, Rancière, Butler, Agamben). Missing from their accounts is machinic enslavement, which treats people as simply cogs in the machine. Such subjectivity is largely overlooked because it bypasses existential questions of recognition or self-identity. This is because machinic enslavement operates at the level of the infra-social or pre-individual through the molecular operators of unindividuated affects, sensations, desires not assigned to a subject. Offering a concrete example, Deleuze and Guattari reference Mumford’s megamachines of surplus societies that create huge landworks by treating humans as mere constituent parts. Capitalism revived the megamachine in the sixteenth century, and more recently, we have entered the “third age” of enslavement marked by the development of cybernetic and informational machines. In place of the pyramids are technical machines that use humans at places in technical circuits where computers are incapable or too costly, e.g. Amazon’s Mechanical Turk.

    I should also clarify that not all machines are bad. Rather, Dark Deleuze only trusts one kind of machine, the war machine. And war machines follow a single trajectory–a line of flight out of this world. A major task of the war machine conveniently aligns with my politics of techno-anarchism: to blow apart the networks of communication created by the state.

    Galloway: I can’t resist a silly pun, cannon of joy. Part of your project is about resisting a certain masculinist tendency. Is that a fair assessment? How do feminism and queer theory influence your project?

    Culp: Feminism is hardwired into the tagline for Dark Deleuze through a critique of emotional labor and the exhibition of bodies–“A revolutionary Deleuze for today’s digital world of compulsory happiness, decentralized control, and overexposure.” The major thread I pull through the book is a materialist feminist one: something intolerable about this world is that it demands we participate in its accumulation and reproduction. So how about a different play on words: Sara Ahmed’s feminist killjoy, who refuses the sexual contract that requires women to appear outwardly grateful and agreeable? Or better yet, Joy Division? The name would associate the project with post-punk, its conceptual attack on the mainstream, and the band’s nod to the sexual labor depicted in the novella House of Dolls.

    My critique of accumulation is also a media argument about connection. The most popular critics of ‘net culture are worried that we are losing ourselves. So on the one hand, we have Sherry Turkle who is worried that humans are becoming isolated in a state of being “alone-together”; and on the other, there is Bernard Stiegler, who thinks that the network supplants important parts of what it means to be human. I find this kind of critique socially conservative. It also victim-blames those who use social media the most. Recall the countless articles attacking women who take selfies as part of self-care regimen or teens who creatively evade parental authority. I’m more interested in the critique of early ’90s ‘net culture and its enthusiasm for the network. In general, I argue that network-centric approaches are now the dominant form of power. As such, I am much more interested in how the rhizome prefigures the digitally-coordinated networks of exploitation that have made Apple, Amazon, and Google into the world’s most powerful corporations. While not a feminist issue on its face, it’s easy to see feminism’s relevance when we consider the gendered division of labor that usually makes women the employees of choice for low-paying jobs in electronics manufacturing, call centers, and other digital industries.

    Lastly, feminism and queer theory explicitly meet in my critique of reproduction. A key argument of Deleuze and Guattari in Anti-Oedipus is the auto-production of the real, which is to say, we already live in a “world without us.” My argument is that we need to learn how to hate some of the things it produces. Of course, this is a reworked critique of capitalist alienation and exploitation, which is a system that gives to us (goods and the wage) only because it already stole them behind our back (restriction from the means of subsistence and surplus value). Such ambivalence is the everyday reality of the maquiladora worker who needs her job but may secretly hope that all the factories burn to the ground. Such degrading feelings are the result of the compromises we make to reproduce ourselves. In the book, I give voice to them by fusing together David Halperin and Valerie Traub’s notion of gay shame acting as a solvent to whatever binds us to identity and Deleuze’s shame at not being able to prevent the intolerable. But feeling shame is not enough. To complete the argument, we need to draw out the queer feminist critique of reproduction latent in Marx and Freud. Détourning an old phrase: direct action begins at the point of reproduction. My first impulse is to rely on the punk rock attitude of Lee Edelman and Paul Preciado’s indictment of reproduction. But you are right that they have their masculinist moments, so what we need is something more post-punk–a little less aggressive and a lot more experimental. Hopefully Dark Deleuze is that.

    Galloway: Edelman’s “fuck Annie” is one of the best lines in recent theory. “Fuck the social order and the Child in whose name we’re collectively terrorized; fuck Annie; fuck the waif from Les Mis; fuck the poor, innocent kid on the Net; fuck Laws both with capital ls and small; fuck the whole network of Symbolic relations and the future that serves as its prop” (No Future, 29). Your book claims, in essence, that the Fuck Annies are more interesting than the Aleatory Materialists. But how can we escape the long arm of Lucretius?

    Culp: My feeling is that the politics of aleatory materialism remains ambiguous. Beyond the literal meaning of “joy,” there are important feminist takes on the materialist Spinoza of the encounter that deserve our attention. Isabelle Stengers’s work is among the most comprehensive, though the two most famous are probably Donna Haraway’s cyborg feminism and Karen Barad’s agential realism. Curiously, while New Materialism has been quite a boon for the art and design world, its socio-political stakes have never been more uncertain. One would hope that appeals to matter would lend philosophical credence to topical events such as #blacklivesmatter. Yet for many, New Materialism has simply led to a new formalism focused on material forms or realist accounts of physical systems meant to eclipse the “epistemological excesses” of post-structuralism. This divergence was not lost on commentators in the most recent issue of of October, which functioned as a sort of referendum on New Materialism. On the hand, the issue included a generous accounting of the many avenues artists have taken in exploring various “new materialist” directions. Of those, I most appreciated Mel Chen’s reminder that materialism cannot serve as a “get out of jail free card” on the history of racism, sexism, ablism, and speciesism. While on the other, it included the first sustained attack on New Materialism by fellow travelers. Certainly the New Materialist stance of seeing the world from the perspective of “real objects” can be valuable, but only if it does not exclude old materialism’s politics of labor. I draw from Deleuzian New Materialist feminists in my critique of accumulation and reproduction, but only after short-circuiting their world-building. This is a move I learned from Sue Ruddick, whose Theory, Culture & Society article on the affect of the philosopher’s scream is an absolute tour de force. And then there is Graham Burnett’s remark that recent materialisms are like “Etsy kissed by philosophy.” The phrase perfectly crystallizes the controversy, but it might be too hot to touch for at least a decade…

    Galloway: Let’s focus more on the theme of affirmation and negation, since the tide seems to be changing. In recent years, a number of theorists have turned away from affirmation toward a different set of vectors such as negation, eclipse, extinction, or pessimism. Have we reached peak affirmation?

    Culp: We should first nail down what affirmation means in this context. There is the metaphysical version of affirmation, such as Foucault’s proud title as a “happy positivist.” In this declaration in Archaeology of Knowledge and “The Order of Discourse,” he is not claiming to be a logical positivist. Rather, Foucault is distinguishing his approach from Sartrean totality, transcendentalism, and genetic origins (his secondary target being the reading-between-the-lines method of Althusserian symptomatic reading). He goes on to formalize this disagreement in his famous statement on the genealogical method, “Nietzsche, Genealogy, History.” Despite being an admirer of Sartre, Deleuze shares this affirmative metaphysics with Foucault, which commentators usually describe as an alternative to the Hegelian system of identity, contradiction, determinate negation, and sublation. Nothing about this “happily positivist” system forces us to be optimists. In fact, it only raises the stakes for locating how all the non-metaphysical senses of the negative persist.

    Affirmation could be taken to imply a simple “more is better” logic as seen in Assemblage Theory and Latourian Compositionalism. Behind this logic is a principle of accumulation that lacks a theory of exploitation and fails to consider the power of disconnection. The Spinozist definition of joy does little to dispel this myth, but it is not like either project has revolutionary political aspirations. I think we would be better served to follow the currents of radical political developments over the last twenty years, which have been following an increasingly negative path. One part of the story is a history of failure. The February 15, 2003 global demonstration against the Iraq War was the largest protest in history but had no effect on the course of the war. More recently, the election of democratic socialist governments in Europe has done little to stave off austerity, even as economists publicly describe it as a bankrupt model destined to deepen the crisis. I actually find hope in the current circuit of struggle and think that its lack of alter-globalization world-building aspirations might be a plus. My cues come from the anarchist black bloc and those of the post-Occupy generation who would rather not pose any demands. This is why I return to the late Deleuze of the “control societies” essay and his advice to scramble the codes, to seek out spaces where nothing needs to be said, and to establish vacuoles of non-communication. Those actions feed the subterranean source of Dark Deleuze‘s darkness and the well from which comes hatred, cruelty, interruption, un-becoming, escape, cataclysm, and the destruction of worlds.

    Galloway: Does hatred for the world do a similar work for you that judgment or moralism does in other writers? How do we avoid the more violent and corrosive forms of hate?

    Culp: Writer Antonin Artaud’s attempt “to have done with the judgment of God” plays a crucial role in Dark Deleuze. Not just any specific authority but whatever gods are left. The easiest way to summarize this is “the three deaths.” Deleuze already makes note of these deaths in the preface to Difference and Repetition, but it only became clear to me after I read Gregg Flaxman’s Gilles Deleuze and the Fabulation of Philosophy. We all know of Nietzsche’s Death of God. With it, Nietzsche notes that God no longer serves as the central organizing principle for us moderns. Important to Dark Deleuze is Pierre Klossowski’s Nietzsche, who is part of a conspiracy against all of humanity. Why? Because even as God is dead, humanity has replaced him with itself. Next comes the Death of Man, which we can lay at the feet of Foucault. More than any other text, The Order of Things demonstrates how the birth of modern man was an invention doomed to fail. So if that death is already written in sand about to be washed away, then what comes next? Here I turn to the world, worlding, and world-building. It seems obvious when looking at the problems that plague our world: global climate change, integrated world capitalism, and other planet-scale catastrophes. We could try to deal with each problem one by one. But why not pose an even more radical proposition? What if we gave up on trying to save this world? We are already awash in sci-fi that tries to do this, though most of it is incredibly socially conservative. Perhaps now is the time for thinkers like us to catch up. Fragments of Deleuze already lay out the terms of the project. He ends the preface to Different and Repetition by assigning philosophy the task of writing apocalyptic science fiction. Deleuze’s book opens with lightning across the black sky and ends with the world swelling into a single ocean of excess. Dark Deleuze collects those moments and names it the Death of This World.

    Galloway: Speaking of climate change, I’m reminded how ecological thinkers can be very religious, if not in word then in deed. Ecologists like to critique “nature” and tout their anti-essentialist credentials, while at the same time promulgating tellurian “change” as necessary, even beneficial. Have they simply replaced one irresistible force with another? But your “hatred of the world” follows a different logic…

    Culp: Irresistible indeed! Yet it is very dangerous to let the earth have the final say. Not only does psychoanalysis teach us that it is necessary to buck the judgment of nature, the is/ought distinction at the philosophical core of most ethical thought refuses to let natural fact define the good. I introduce hatred to develop a critical distance from what is, and, as such, hatred is also a reclamation of the future in that it is a refusal to allow what-is to prevail over what-could-be. Such an orientation to the future is already in Deleuze and Guattari. What else is de-territorialization? I just give it a name. They have another name for what I call hatred: utopia.

    Speaking of utopia, Deleuze and Guattari’s definition of utopia in What is Philosophy? as simultaneously now-here and no-where is often used by commentators to justify odd compromise positions with the present state of affairs. The immediate reference is Samuel Butler’s 1872 book Erewhon, a backward spelling of nowhere, which Deleuze also references across his other work. I would imagine most people would assume it is a utopian novel in the vein of Edward Bellamy’s Looking Backward. And Erewhon does borrow from the conventions of utopian literature, but only to skewer them with satire. A closer examination reveals that the book is really a jab at religion, Victorian values, and the British colonization of New Zealand! So if there is anything that the now-here of Erewhon has to contribute to utopia, it is that the present deserves our ruthless criticism. So instead of being a simultaneous now-here and no-where, hatred follows from Deleuze and Guattari’s suggestion in A Thousand Plateaus to “overthrow ontology” (25). Therefore, utopia is only found in Erewhon by taking leave of the now-here to get to no-where.

    Galloway: In Dark Deleuze you talk about avoiding “the liberal trap of tolerance, compassion, and respect.” And you conclude by saying that the “greatest crime of joyousness is tolerance.” Can you explain what you mean, particularly for those who might value tolerance as a virtue?

    Culp: Among the many followers of Deleuze today, there are a number of liberal Deleuzians. Perhaps the biggest stronghold is in political science, where there is a committed group of self-professed radical liberals. Another strain bridges Deleuze with the liberalism of John Rawls. I was a bit shocked to discover both of these approaches, but I suppose it was inevitable given liberalism’s ability to assimilate nearly any form of thought.

    Herbert Marcuse recognized “repressive tolerance” as the incredible power of liberalism to justify the violence of positions clothed as neutral. The examples Marcuse cites are governments who say they respect democratic liberties because they allow political protest although they ignore protesters by labeling them a special interest group. For those of us who have seen university administrations calmly collect student demands, set up dead-end committees, and slap pictures of protestors on promotional materials as a badge of diversity, it should be no surprise that Marcuse dedicated the essay to his students. An important elaboration on repressive tolerance is Wendy Brown’s Regulating Aversion. She argues that imperialist US foreign policy drapes itself in tolerance discourse. This helps diagnose why liberal feminist groups lined up behind the US invasion of Afghanistan (the Taliban is patriarchal) and explains how a mere utterance of ISIS inspires even the most progressive liberals to support outrageous war budgets.

    Because of their commitment to democracy, Brown and Marcuse can only qualify liberalism’s universal procedures for an ethical subject. Each criticizes certain uses of tolerance but does not want to dispense with it completely. Deleuze’s hatred of democracy makes it much easier for me. Instead, I embrace the perspective of a communist partisan because communists fight from a different structural position than that of the capitalist.

    Galloway: Speaking of structure and position, you have a section in the book on asymmetry. Most authors avoid asymmetry, instead favoring concepts like exchange or reciprocity. I’m thinking of texts on “the encounter” or “the gift,” not to mention dialectics itself as a system of exchange. Still you want to embrace irreversibility, incommensurability, and formal inoperability–why?

    Culp: There are a lot of reasons to prefer asymmetry, but for me, it comes down to a question of political strategy.

    First, a little background. Deleuze and Guattari’s critique of exchange is important to Anti-Oedipus, which was staged through a challenge to Claude Lévi-Strauss. This is why they shift from the traditional Marxist analysis of mode of production to an anthropological study of anti-production, for which they use the work of Pierre Clastres and Georges Bataille to outline non-economic forms of power that prevented the emergence of capitalism. Contemporary anthropologists have renewed this line of inquiry, for instance, Eduardo Viveiros de Castro, who argues in Cannibal Metaphysics that cosmologies differ radically enough between peoples that they essentially live in different worlds. The cannibal, he shows, is not the subject of a mode of production but a mode of predation.

    Those are not the stakes that interest me the most. Consider instead the consequence of ethical systems built on the gift and political systems of incommensurability. The ethical approach is exemplified by Derrida, whose responsibility to the other draws from the liberal theological tradition of accepting the stranger. While there is distance between self and other, it is a difference that is bridged through the democratic project of radical inclusion, even if such incorporation can only be aporetically described as a necessary-impossibility. In contrast, the politics of asymmetry uses incommensurability to widen the chasm opened by difference. It offers a strategy for generating antagonism without the formal equivalence of dialectics and provides an image of revolution based on fundamental transformation. The former can be seen in the inherent difference between the perspective of labor and the perspective of capital, whereas the latter is a way out of what Guy Debord calls “a perpetual present.”

    Galloway: You are exploring a “dark” Deleuze, and I’m reminded how the concepts of darkness and blackness have expanded and interwoven in recent years in everything from afro-pessimism to black metal theory (which we know is frighteningly white). How do you differentiate between darkness and blackness? Or perhaps that’s not the point?

    Culp: The writing on Deleuze and race is uneven. A lot of it can be blamed on the imprecise definition of becoming. The most vulgar version of becoming is embodied by neoliberal subjects who undergo an always-incomplete process of coming more into being (finding themselves, identifying their capacities, commanding their abilities). The molecular version is a bit better in that it theorizes subjectivity as developing outside of or in tension with identity. Yet the prominent uses of becoming and race rarely escaped the postmodern orbit of hybridity, difference, and inclusive disjunction–the White Man’s face as master signifier, miscegenation as anti-racist practice, “I am all the names of history.” You are right to mention afro-pessimism, as it cuts a new way through the problem. As I’ve written elsewhere, Frantz Fanon describes being caught between “infinity and nothingness” in his famous chapter on the fact of blackness in Black Skin White Masks. The position of infinity is best championed by Fred Moten, whose black fugitive is the effect of an excessive vitality that has survived five hundred years of captivity. He catches fleeting moments of it in performances of jazz, art, and poetry. This position fits well with the familiar figures of Deleuzo-Guattarian politics: the itinerant nomad, the foreigner speaking in a minor tongue, the virtuoso trapped in-between lands. In short: the bastard combination of two or more distinct worlds. In contrast, afro-pessimism is not the opposite of the black radical tradition but its outside. According to afro-pessimism, the definition of blackness is nothing but the social death of captivity. Remember the scene of subjection mentioned by Fanon? During that nauseating moment he is assailed by a whole series of cultural associations attached to him by strangers on the street. “I was battered down by tom-toms, cannibalism, intellectual deficiency, fetishism, racial defects, slave-ships, and above all else, above all: ‘Sho’ good eatin”” (112). The lesson that afro-pessimism draws from this scene is that cultural representations of blackness only reflect back the interior of white civil society. The conclusion is that combining social death with a culture of resistance, such as the one embodied by Fanon’s mentor Aimé Césaire, is a trap that leads only back to whiteness. Afro-pessimism thus follows the alternate route of darkness. It casts a line to the outside through an un-becoming that dissolves the identity we are give as a token for the shame of being a survivor.

    Galloway: In a recent interview the filmmaker Haile Gerima spoke about whiteness as “realization.” By this he meant both realization as such–self-realization, the realization of the self, the ability to realize the self–but also the more nefarious version as “realization through the other.” What’s astounding is that one can replace “through” with almost any other preposition–for, against, with, without, etc.–and the dynamic still holds. Whiteness is the thing that turns everything else, including black bodies, into fodder for its own realization. Is this why you turn away from realization toward something like profanation? And is darkness just another kind of whiteness?

    Culp: Perhaps blackness is to the profane as darkness is to the outside. What is black metal if not a project of political-aesthetic profanation? But as other commentators have pointed out, the politics of black metal is ultimately telluric (e.g. Benjamin Noys’s “‘Remain True to the Earth!’: Remarks on the Politics of Black Metal”). The left wing of black metal is anarchist anti-civ and the right is fascist-nativist. Both trace authority back to the earth that they treat as an ultimate judge usurped by false idols.

    The process follows what Badiou calls “the passion for the real,” his diagnosis of the Twentieth Century’s obsession with true identity, false copies, and inauthentic fakes. His critique equally applies to Deleuzian realists. This is why I think it is essential to return to Deleuze’s work on cinema and the powers of the false. One key example is Orson Welles’s F for Fake. Yet my favorite is the noir novel, which he praises in “The Philosophy of Crime Novels.” The noir protagonist never follows in the footsteps of Sherlock Holmes or other classical detectives’s search for the real, which happens by sniffing out the truth through a scientific attunement of the senses. Rather, the dirty streets lead the detective down enough dead ends that he proceeds by way of a series of errors. What noir reveals is that crime and the police have “nothing to do with a metaphysical or scientific search for truth” (82). The truth is rarely decisive in noir because breakthroughs only come by way of “the great trinity of falsehood”: informant-corruption-torture. The ultimate gift of noir is a new vision of the world whereby honest people are just dupes of the police because society is fueled by falsehood all the way down.

    To specify the descent to darkness, I use darkness to signify the outside. The outside has many names: the contingent, the void, the unexpected, the accidental, the crack-up, the catastrophe. The dominant affects associated with it are anticipation, foreboding, and terror. To give a few examples, H. P. Lovecraft’s scariest monsters are those so alien that characters cannot describe them with any clarity, Maurice Blanchot’s disaster is the Holocaust as well as any other event so terrible that it interrupts thinking, and Don DeLillo’s “airborne toxic event” is an incident so foreign that it can only be described in the most banal terms. Of Deleuze and Guattari’s many different bodies without organs, one of the conservative varieties comes from a Freudian model of the psyche as a shell meant to protect the ego from outside perturbations. We all have these protective barriers made up of habits that help us navigate an uncertain world–that is the purpose of Guattari’s ritornello, that little ditty we whistle to remind us of the familiar even when we travel to strange lands. There are two parts that work together, the refrain and the strange land. The refrains have only grown yet the journeys seem to have ended.

    I’ll end with an example close to my own heart. Deleuze and Guattari are being used to support new anarchist “pre-figurative politics,” which is defined as seeking to build a new society within the constraints of the now. The consequence is that the political horizon of the future gets collapsed into the present. This is frustrating for someone like me, who holds out hope for a revolutionary future that ceases the million tiny humiliations that make up everyday life. I like J. K. Gibson-Graham’s feminist critique of political economy, but community currencies, labor time banks, and worker’s coops are not my image of communism. This is why I have drawn on the gothic for inspiration. A revolution that emerges from the darkness holds the apocalyptic potential of ending the world as we know it.

    Works Cited

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    • ———. War in the Age of Intelligent Machines. New York: Zone Books, 1991.
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    • Deleuze, Gilles. Cinema 2: The Time-Image. 1985. Translated by Hugh Tomlinson and Robert Galeta. Minneapolis: University of Minnesota Press, 1989.
    • ———. “The Philosophy of Crime Novels.” 1966. Translated by Michael Taormina. In Desert Islands and Other Texts, 1953-1974, 80-85. New York: Semiotext(e), 2004.
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    • Lazzarato, Maurizio. Signs and Machines. 2010. Translated by Joshua David Jordan. Los Angeles: Semiotext(e), 2014.
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    • ———. “The Social Life of Social Death: On Afro-Pessimism and Black Optimism.” In Intensions 5 (2011). http://www.yorku.ca/intent/issue5/articles/jaredsexton.php.
    • Stiegler, Bernard. For a New Critique of Political Economy. Cambridge: Polity Press, 2010.
    • ———. Technics and Time 1: The Fault of Epimetheus. 1994. Translated by George Collins and Richard Beardsworth. Redwood City, CA: Stanford University Press, 1998.
    • Tiqqun. “How Is It to Be Done?” 2001. In Introduction to Civil War. 2001. Translated by Alexander R. Galloway and Jason E. Smith. Los Angeles, Calif.: Semiotext(e), 2010.
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    • Turkle, Sherry. Alone Together: Why We Expect More from Technology and Less from Each Other. New York: Basic Books, 2012.
    • Viveiros de Castro, Eduardo. Cannibal Metaphysics: For a Post-structural Anthropology. 2009. Translated by Peter Skafish. Minneapolis, Minn.: Univocal, 2014.
    • Villani, Arnaud. La guêpe et l’orchidée. Essai sur Gilles Deleuze. Paris: Éditions de Belin, 1999.
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    • Williams, Alex, and Nick Srincek. “#ACCELERATE MANIFESTO for an Accelerationist Politics.” Critical Legal Thinking. 2013. http://criticallegalthinking.com/2013/05/14/accelerate-manifesto-for-an-accelerationist-politics/.

    _____

    Alexander R. Galloway is a writer and computer programer working on issues in philosophy, technology, and theories of mediation. Professor of Media, Culture, and Communication at New York University, he is author of several books and dozens of articles on digital media and critical theory, including Protocol: How Control Exists after Decentralization (MIT, 2006), Gaming: Essays in Algorithmic Culture (University of Minnesota, 2006); The Interface Effect (Polity, 2012), and most recently Laruelle: Against the Digital (University of Minnesota, 2014), reviewed here in 2014. He is a frequent contributor to The b2 Review “Digital Studies.”

    Andrew Culp is a Visiting Assistant Professor of Rhetoric Studies at Whitman College. He specializes in cultural-communicative theories of power, the politics of emerging media, and gendered responses to urbanization. His work has appeared in Radical Philosophy, Angelaki, Affinities, and other venues. He previously pre-reviewed Galloway’s Laruelle: Against the Digital for The b2 Review “Digital Studies.”

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  • Peter E. Gordon — The Authoritarian Personality Revisited:  Reading Adorno in the Age of Trump

    Peter E. Gordon — The Authoritarian Personality Revisited: Reading Adorno in the Age of Trump

    Peter E. Gordon

    Just a few months ago, in mid-January, 2016, the online magazine Politico published a report with the title: “One Weird Trait that Predicts Whether You’re a Trump Supporter.”

    If I asked you what most defines Donald Trump supporters, what would you say? They’re white? They’re poor? They’re uneducated? You’d be wrong. In fact, I’ve found a single statistically significant variable predicts whether a voter supports Trump—and it’s not race, income or education levels: It’s authoritarianism. That’s right, Trump’s electoral strength—and his staying power—have been buoyed, above all, by Americans with authoritarian inclinations. And because of the prevalence of authoritarians in the American electorate, among Democrats as well as Republicans, it’s very possible that Trump’s fan base will continue to grow. (MacWilliams 2016)

    The author of this report, Matthew MacWilliams, is the founder of MacWilliams Sanders, a political communications firm, and he is also a doctoral candidate in political science at the University of Massachusetts, Amherst, where he is writing his dissertation about authoritarianism. Having conducted a national poll of 1,800 registered voters of varying political allegiance, MacWilliams reports that “education, income, gender, age, ideology and religiosity had no significant bearing on a Republican voter’s preferred candidate.” Edging out even “fear of terrorism,” one statistical variable rose to the top in McWilliams’s study as the distinguishing mark of a Trump supporter:  authoritarianism, which, McWilliams noted, was “one of the most widely studied ideas” in the social sciences. Authoritarians, he explains, are inclined to “obey.”  They “rally to and follow strong leaders. And they respond aggressively to outsiders, especially when they feel threatened.”

    Political pollsters have missed this key component of Trump’s support because they simply don’t include questions about authoritarianism in their polls. In addition to the typical battery of demographic, horse race, thermometer-scale and policy questions, my poll asked a set of four simple survey questions that political scientists have employed since 1992 to measure inclination toward authoritarianism. These questions pertain to child-rearing: whether it is more important for the voter to have a child who is respectful or independent; obedient or self-reliant; well-behaved or considerate; and well-mannered or curious. Respondents who pick the first option in each of these questions are strongly authoritarian. Based on these questions, Trump was the only candidate—Republican or Democrat—whose support among authoritarians was statistically significant. It is time for those who would appeal to our better angels to take his insurgency seriously and stop dismissing his supporters as a small band of the dispossessed. Trump support is firmly rooted in American authoritarianism and, once awakened, it is a force to be reckoned with. That means it’s also time for political pollsters to take authoritarianism seriously and begin measuring it in their polls. (MacWilliams 2016)

    Although the tone of political urgency in the above report may invite skepticism, we should still try to hear its distant echo of earlier research in social psychology spanning more than half a century.  To grasp the implications of such research, it is crucial to recall the original aims of the landmark study that was published in 1950 as The Authoritarian Personality (Adorno et al. 1982 [1950])1. In what follows, I want to examine some of those aims, focusing on its premises and its possible missteps. To do so I also want to explore Adorno’s specific contributions, in part by taking the time to revisit his own written remarks, especially those which ultimately did not find their way into the published version of the study. My hope is that by reading Adorno again, we might discern how Trump at once instantiates the category of the “authoritarian personality” but also challenges its meaning. The AP study, I will suggest, contained two distinct lines of argument.  The first of these arguments qualified as the “official” discovery of the research program, and its basic message is the one MacWilliams identified in the passages quoted above, namely, it claimed to have identified a new “psychological type.”  The second argument was rather more sobering and radical in its implications: it suggested that the authoritarian personality signified not merely a type but rather an emergent and generalized feature of modern society as such.

    Historical and Theoretical Premises

    At the time Adorno and Horkheimer were first approached by the American Jewish Committee to conduct research on anti-Semitism, the two men had just completed the initial draft of Dialectic of Enlightenment, the so-called “philosophical fragments,” in which Adorno and Horkheimer laid out a grandiose genealogy of instrumental reason spanning all of human history, from ancient myth to modern fascism. Composed in a highly abstract idiom with literary readings of Homer’s Odyssey and de Sade’s Juliette, the Dialectic remained at a great remove from empirical commentary except perhaps for its damning chapter that examined the “culture industry” as the culminating phase in the liquidation of critical consciousness in modern society. (Adorno and Horkheimer 2007: 94-136) It is all the more ironic that Adorno’s biographer Stefan Muller-Doohm suggests that we might read The Authoritarian Personality as “a continuation of the Dialectic of Enlightenment by other means.” (Müller-Doohm 2009: 292) It is also worth noting that, through this study, both Adorno and Horkheimer came to a deepened admiration for the empiricist methods of the American social sciences.  The truth of the matter, however, is that Adorno’s collaboration with American social scientists exposed lines of tension that were never fully resolved.

    In 1945 when the project was just getting off the ground, Adorno was living in Los Angeles, and he would travel every two weeks up to San Francisco to convene with his colleagues. These included Else-Frenkel Brunswik, a Polish-born Else refugee from Nazi Germany who had trained in Vienna as a psychoanalyst and served as a research associate in the Berkeley study; R. Nevitt Sanford, a Berkeley Professor of psychology, and finally Daniel Levinson, at that time a research student at Berkeley and later a professor of psychology at Yale. Especially for those who harbored personal fears regarding the possible emergence of anti-Semitism in the United States, the support from the AJC came at a moment of deep anxiety, and we should not be surprised that these researchers brought to their task a twofold commitment to social scientific precision and a passionate belief in the necessity of defending the values of American democracy. Animating the study was the conviction that it should be possible to measure not just actively fascist commitment but fascism as a latent or explicit trait of consciousness. On the first page of the introduction, the authors explained:

    The research to be reported in this volume was guided by the following major hypothesis: that the political, economic, and social convictions of an individual often form a broad and coherent pattern, as if bound together by a “mentality” or “spirit,” and that this pattern is an expression of deep-lying trends in his personality. The major concern was with the potentially fascistic individual, one whose structure is such as to render him particular susceptible to anti-democratic propaganda. […] there was no difficulty in finding subjects whose outlook was such as to indicate that they would readily accept fascism if it should become a strong or respectable social movement. (Adorno et al. 1982 [1950]: 1)

    To measure this latent potential the research team developed questionnaires that were distributed to a total of 2099 subjects (found mainly in the Bay Area, but also in Los Angeles, Oregon, and Washington DC). The questionnaires were designed to map subject responses on four separate scales: the A-S Scale (to measure anti-Semitism); the E-Scale (ethnocentrism); the Politico-Economic Conservatism scale (which was designed to measure conservative ideological commitment so as to distinguish genuine from so-called “pseudo-conservatives”); and finally, the F-Scale (mapping potential for fascism). This last metric was supposed to pick out a distinctive attitudinal structure called “authoritarianism,” which consisted in nine characteristics:

    • Conventionalism. Rigid adherence to conventional, middle-class values.
    • Authoritarian submission. Submissive, uncritical attitude toward idealized moral authorities of the ingroup.
    • Authoritarian aggression. Tendency to be on the lookout for, and to condemn, reject, and punish people who violate conventional values.
    • Anti-intraception. Opposition to the subjective, the imaginative, the tender-minded.
    • Superstition and stereotypy. The belief in mystical determinants of the individual’s fate; the disposition to think in rigid categories.
    • Power and “toughness.” Preoccupation with the dominance-submission, strong-weak, leader-follower dimension, identification with power-figures; overemphasis on the conventionalized attributes of the ego; exaggerated assertion of strength and toughness.
    • Destructiveness and cynicism. Generalized hostility, vilification of the human.
    • Projectivity. The disposition to believe that wild and dangerous things go on in the world; the projection outwards of unconscious emotional impulses.
    • Sex. Exaggerated concern with sexual “goings-on.” (Adorno et al. 1982 [1950]: 228)

    “These variables,” the authors wrote, “were thought of as going together to form a single syndrome, a more or less enduring structure in the person that renders him receptive to antidemocratic propaganda.” The assumption animating this study, in other words, was that it should be possible to develop a profile of the sort of personality structure that would be predictive of high-scoring reports in terms of anti-democratic belief (ethnocentrism, anti-Semitism, and political-economic ideology) but without resorting in the questionnaires to explicit mention of these topics. The PEC scale was soon set aside, because its correlations with the E and A-S scales were not sufficiently high. (Adorno et al. 1982 [1950]: 194) “What was needed, “the researchers explained, “was a collection of items each of which was correlated with A-S and E but which did not come from an area ordinarily covered in discussions of political, economic, and social matters.” This would provide a portrait of latent characterological features that could under certain circumstances be awakened for fascist political ends. The F scale, the researchers explained, “attempts to measure the potentially antidemocratic personality” (Adorno et al. 1982 [1950]: 157).

    The AP Study represents one of the most significant attempts to correlate political ideology with psychoanalysis.  But it was not the first venture by the Frankfurt School into empirical social psychology. Already in the 1920s Erich Fromm had conducted empirical research on the political attitudes of the working class in Germany (Fromm 1984). Then, in the mid-1930s, borrowing from Freud and especially from the “character-analysis” of Wilhelm Reich, Fromm collaborated with Herbert Marcuse and Max Horkheimer on the Studies on Authority and the Family, laying bear a psychoanalytically inflected portrait of the “sado-masochistic character” prone to fascism. (Reich 1980 [1933]; Horkheimer et al. 1936). Such studies drew their energy from the frustrated hope of an historical materialism that had expected a natural alliance between the working class and revolutionary consciousness.  The scandal of a working class that moved against its own ostensibly objective interests could only be made intelligible by measuring the depths of subjective consciousness and reaching for the language of psychopathology. All of these studies moved in the dialectical space between sociology and psychoanalysis, guided by the critical ambition that one might develop, without reductionism, a correlation between objective socioeconomic conditions and subjective features of individual personalities (Jay 1973: 113-142, 219-252). But sustaining a genuinely dialectical understanding of the relation between the psychological and the social clearly remained a great difficulty. As later critics would observe, the AP study seemed to commit and unwarranted reification of consciousness when they announced in the book’s opening pages that they had identified nothing less than a “new anthropological type” (Adorno et al. 1982 [1950]: ix).

    In the foreword co-authored by Max Horkheimer and Samuel H. Flowerman (the two co-directors of the broader series, Studies in Prejudice, sponsored by the AJC), one can detect a certain embarrassment regarding the dominance of individual consciousness as an independent variable.  “It may strike that reader,” they wrote,” that we have placed undue stress on the personal and the psychological rather than upon the social aspect of prejudice.  This is not due to a personal preference for psychological analysis nor to a failure to see that the cause of irrational hostility is in the last instance to be found in social frustration and injustice.  Our aim is not merely to describe prejudice but to explain it in order to help in its eradication. […] Eradication means re-education.  And education in a strict sense is by its nature personal and psychological.” Even if it could be justified by practical aims, they argued, the emphasis on individual psychology would need to be supplemented by more research into the social and historical conditions that explain both the emergence and the prevalence of the new anthropological type.  Although the present studies were “essentially psychological in nature,” Horkheimer and Flowerman acknowledged that one had to explain all individual behavior “in terms of social antecedents.”  “The individual in vaccuo, they declared, “is but an artifact” (Adorno et al. 1982 [1950]: ix).

    And yet it seems fair to say that the very notion of an authoritarian personality or character worked against sociological explanation, discouraging an account of individual human psychology as a social artifact. Instead of enforcing a dialectical image of the relation between the psychological and the social, it tended to reify the psychological as the antecedent condition, thereby diminishing what was for critical theory a sine qua non for all interdisciplinary labor joining sociology to psychoanalysis. The recent work by MacWilliams (which reflects formidable research effort and should not be lightly dismissed) would appear to reflect this understanding of psychology as the prior explanatory variable because of the way it tries to isolate “authoritarianism,” as if it were a stable category for sociological analysis prior to other affiliations or identifying social factors. This is not to fault MacWilliams himself, who in this respect is surely confronting one of the most challenging dilemmas in the human sciences, traceable as far back as the 19th century studies in moral statistics and Durkheim’s efforts to correlate even the most interior distress of suicide with sociological trends. MacWilliams is hardly alone in following this line of research and he is unlikely to be the last.  As Thomas Wheatland notes, The Authoritarian Personality “enjoyed a major impact on the history of sociology” (Wheatland 2009: 257). Just five years after its publication in 1950 it had inspired at least 64 related studies and a host of commentary. The Dutch sociologist Jos Meloen notes that over four decades, from 1950 to 1990, Psychological Abstracts listed more than two thousand published studies on authoritarianism, while citations to the original study the research group identified as “Adorno et. al.” would also soar beyond two thousand (Meloen 1991: 119-127).

    To be sure, the AP study has never lacked for detractors.  Especially during the cold war, criticism of the AP study grew fierce in part because of the Frankfurt-School affiliations of the larger “Studies in Prejudice” research programme. Critics such as the University of Chicago sociologist Edward Shils charged the authors with political bias because they failed to acknowledge the possibility of “left-wing authoritarianism” (Jay 1973: 248-250). Such accusations assumed a more ominous tone when McCarthyism descended upon the Berkeley faculty, targeting R. Nevitt Sanford (one of the original AP authors) who was dismissed for his refusal to sign the loyalty oath. (Together with forty-five other non-signers, Sanford brought the case to court; he was reinstated to his post by the end of 1952.) Others have criticized the study on methodological grounds.  The Rutgers sociologist John Levi Martin called it “probably the most deeply flawed work of prominence in political psychology” (Martin 2001: 1). Its fatal error in his opinion was due the way it marries nominalist research procedures (based on the quantified empirical ranking of responses) with a realist specification of types (based on the a priori belief that human psychology divides up into distinctive profiles). The essential charge here is that of confirmation bias, that the research team knew in advance what they were looking for and devised the questionnaires only to pick out the relevant psychological types. Despite ongoing controversies over its legitimacy, however, the original study merits our attention especially today, when the spectacle of American politics invites anxious comparison to the political trends of an earlier age.  The question that deserves our consideration now is whether the political problems now looming before us in the United States actually permit us to mobilize concepts that were first developed in the study of the Authoritarian Personality more than a half century ago, and whether Adorno’s own contributions to that study retain any explanatory power after more than half a century.

    Adorno’s Role in the AP-Study

    When confronted with the findings of an empirical research program, the facile conclusion for the critical theorist is to invoke the half-imagined specter of American positivism as if this were sufficient to dismiss any partnership with the qualitative and quantitative social sciences.  In fact, Adorno enjoyed himself during his collaboration with the Berkeley psychologists, and many years later, in 1986, Nevitt Sanford wrote in a brief comment on the early study that “Adorno was a most stimulating intellectual companion.  He had what seemed to us a profound grasp of psychoanalytic theory, complete familiarity with the ins and outs of German fascism and, not least, a boundless supply of off-color jokes.”  Less humorously, but theoretically of greater import, Sanford explained that Adorno “was very helpful when it came to thinking up items for the F scale.  More than that […] his joining our staff ‘led to an expansion and deepening of our work.’  It may well have been under the influence of Adorno that I wrote in the concluding chapter of AP: “The modification of the potentially fascist structure cannot be achieved by psychological means alone. The task is comparable to that of eliminating neurosis, or delinquency, or nationalism from the world.  These are the products of the total organization of society and are to be changed only as that society is changed” (Sanford 1986: 209-214; quoting Adorno et al, 1982 [1950]: 975).

    Sanford’s favorable memories of collaboration with Adorno helps to qualify the sometimes exaggerated image of the Frankfurt School theorists as unrepentant mandarins who suffered during their American exile in a state of intellectual isolation.2 Against this impression, we have Adorno’s own letter to Horkheimer (written in November 1944) when he had first joined the Berkeley group and was helping them to craft the F-Scale by drawing upon the Anti-Semitism chapter from Dialectic of Enlightenment. “I have distilled a number of questions by means of a kind of translation from the “Elements of Anti-Semitism,” Adorno wrote, adding. “It was all a lot of fun” (Müller-Doohm 2009: 296).

    Just how Adorno found amusement in this effort is something that may deserve more scrutiny. But rather than dwelling on this point I will suggest that we focus our attention on a different sort of problem that afflicted the AP study without ever coming into sharp relief. The problem is whether it is plausible to identify something like a “personality” at all. Needless to say this is somewhat distinct from the classical question of sociological or psychological reduction or whether in the relation between sociological and psychological conditions either one of them should be granted greater explanatory force. Sanford himself acknowledged that it was Adorno who encouraged him to see the phenomenon of the authoritarian personality within the dialectical matrix of prior sociological conditions.  But even here Sanford omits a deeper and more challenging theoretical question as to the status of individual psychology.  To bring this theoretical question into view, we must direct our attention to an unintended irony that ran through the entire study from beginning to end.

    Although The Authoritarian Personality was a multi-authored work, individual chapters were assigned to different members in the research group. Adorno himself wrote Chapter XII which bore the title “Types and Syndromes,” and the following passage in particular warrants further scrutiny:

    Our typology has to be a critical typology in the sense that it comprehends the typification of men itself as a social function. The more rigid a type, the more deeply does he show the hallmarks of social rubber stamps. This is in accordance with the characterization of our high scorer by traits such as rigidity and stereotypical thinking.  Here lies the ultimate principle of our whole typology.  Its major dichotomy lies in the question of whether a person is standardized himself and thinks in a standardized way, or whether he is truly “individualized” and opposes standardization in the sphere of human experience.  The individual types will be specific configurations within this general division.  The latter differentiates prima facie between high and low scorers.  At closer view, however, it also affects the low scorers themselves: the more they are “typified” themselves, the more they express unwittingly the fascist potential within themselves. (Adorno et al. 1982 [1950]: 351; my emphasis)

    In the passage above, a certain irony comes into view, even if it remains only partially recognized and thematically underdeveloped. In Adorno’s suggestion—that a given person may be either “standardized” and “think” in a standardized way or may instead “oppose” standardization—we may detect a self-reflexivity problem. The distinction risks measuring the high-scoring subject on the F-scale against a triumphalist image of the true individual who is apparently immune to typological thinking. Only the “high scoring” individual is prone to stereotypical thinking. The distinction itself, in other words, looks at social reality from the perspective the high-scoring subject rather than the true individual.  This opens up the possibility of a vicious circle or self-referential paradox where the principle that animates the study becomes trapped in its own diagnostic.  If stereotypical thinking involves the reduction of differentiated persons to quasi-natural kinds, one cannot help but wonder if the social psychological method of the study itself has not deployed the very technique it marks as a pathology.

    To rescue the research study from this self-referential diagnosis we need to recognize that (from Adorno’s perspective) the very category of a “true individual” was beginning to vanish from social reality. This rather sobering suggestion makes only an intermittent appearance in the published study; it comes most to the fore as a defense against the criticism that the study had produced a set of reified psychological types. It should not surprise us that even these suggestions appear only in the “Types and Syndromes” chapter authored by Adorno himself. “The critique of typology,” he wrote, “should not neglect the fact that large numbers of people are no longer, or rather never were, “individuals” in the sense of traditional nineteenth-century philosophy.”  What appeared to be a flaw in research method could be described as a flaw in the social order itself: “There is reason to look for psychological types,” Adorno explained, “because the world in which we live is typed and “produces” different “types” of persons” (Adorno et al. 1982 [1950]: 349).

    For Adorno, it was misleading to identify a new “anthropological type” alongside others that could be ranked on a scale of differing styles of psychology or “character” (the latter being the term Adorno preferred).  After all, the drive to identify psychological types was itself a symptom of typological thinking and therefore betrayed the very same penchant for standardization that it claimed to criticize in social reality.  At the same time, however, such a research agenda corresponded to emergent patterns in contemporary social reality.  Modern patterns of economic exchange and commoditized cultural experience meant that genuine individuals were gradually being reduced to social types, and this developing feature of society itself served as a realist justification for a research agenda that methodologically compressed individuals into recognizable social types.  Lurking in this argument, however, was a far more radical claim that identified stereotypical thinking and authoritarianism with general features of the modern social order itself:  This is the largely-unstated implication of Adorno’s phrase (quoted above): “The world in which we live is typed.”  This crucial suggestion, however, remained barely legible in the published version of The Authoritarian Personality, chiefly because the official study represented a compromise between various legitimate if competing research agendas.  The social psychologists who had collaborated with Adorno were clearly less inclined to accept the historicized and sociological metamorphosis of psychoanalytic doctrine that Adorno and Horkheimer had developed as representatives of the European and Marxist-oriented tradition of critical theory. Nor could the “practical” and democratic-educative purposes of the AP-Study (written in the American context and imprinted with an American spirit of social possibility) easily accommodate the rather grim if not totalizing indictment of modernity that had become by this stage a principled theoretical stance for the two co-authors of the Dialectic of Enlightenment.

    The disparity of opinion between the American Jewish Committee and the Frankfurt School becomes evident if we consult the private letter which Max Horkheimer sent to Herbert Marcuse as early as July, 17, 1943, that is, well before the Berkeley research project had commenced:

    The problem of Antisemitism is much more complicated than I thought in the beginning. I don’t have to tell you that I don’t believe in psychology as in a means to solve a problem of such seriousness. I did not change a bit my skepticism towards that discipline. Also, the term psychology as I use it in the project stands for anthropology and anthropology for the theory of man as he has developed under the conditions of antagonistic society. It is my intention to study the presence of the scheme of domination in the so-called psychological life, the instincts as well as the thoughts of men. The tendencies in people which make them susceptible to propaganda for terror are themselves the result of terror, physical and spiritual, actual and potential oppression. If we could succeed in describing the patterns, according to which domination operates even in the remotest domains of the mind, we would have done a worthwhile job. But to achieve this one must study a great deal of the silly psychological literature and if you could see my notes. . . you would probably think I have gone crazy myself. 3

    Such complaints suggest that Horkheimer, like Adorno, must have moderated many of his more radical opinions so as to achieve some measure of comity with his American colleagues.   There remained a marked disagreement between the researchers’ thesis of a distinctively authoritarian “type” and the Frankfurt School’s more global indictment of modern society.

    Adorno’s Unpublished “Remarks”

    These more global implications are best understood if one consults the 1948 theoretical comment that Adorno authored alone with the title, “Remarks on The Authoritarian Personality,” a brief essay that Adorno originally meant to include in the published volume but did not manage to push past the other editors. The “Remarks” have remained unpublished even today and we lack a recorded explanation as to why they did not appear in the finished text; but the likely answer becomes apparent once we examine their content. On the very first page Adorno takes care to emphasize the problem of prior sociological conditioning.  “Our probing into prejudice is devoted to subjective aspects,” he explains. “We are not analyzing objective social forces which produce and reproduce bigotry, such as economic and historical determinants.  Even short-term factors like propaganda do not enter into the picture per se, though a number of major hypotheses stem from propaganda analyses carried out by the Institute of Social Research. All of the stimuli enhancing prejudice, and even the entire cultural climate—imbued with minority stereotypes as it is—are regarded as presuppositions.  Their effect upon our subjects is not followed up; we remain, so to say, in the realm of “reactions,” not of stimuli” (Adorno 1948: 1).

    Needless to say, this was a remarkable statement of methodological dissent, as it suggested a far more generalized indictment of pathologies that afflicted not only individuals but what Adorno called the “entire cultural climate.”  According to this line of analysis, social psychology could hardly suffice as a research method if it contented itself with the mere aggregation of individualized psychological profiles, when the general trend of social standardization was actually weakening the individual psyche.  “We are convinced,” Adorno explained, “that the ultimate source of prejudice has to be sought in social factors which are incomparably stronger than the “psyche” of any one individual involved.  This assumption is corroborated by the results of the study itself, insofar as it shows that conformity to values implicitly promoted by the “objective spirit” of today’s American society is one of the major traits of our high-scoring subjects.”  Resisting the temptation of isolating a distinctively authoritarian personality, Adorno concluded that anti-Semitism, fascism, and authoritarianism were due to “the total structure of our society” (Adorno 1948: 11).

    Such criticism regarding the “objective spirit” of the contemporary United States may have reflected Adorno’s own personal sense of alienation as a European in exile.  But we cannot dismiss his remarks as mere reflexes of biography or signs of cultural elitism. Rather, his remarks identify a far-reaching methodological critique of what he calls the “democratic bias” in quantified social-scientific inquiry in which validity becomes little more than a precipitate of mass-opinion.  The correlation between subjective patterns of belief and objective features of the social order, in other words, cannot be derived reductively through the aggregation of subjective mentality without reproducing the subjectivist ideology of the market economy itself, in which the success of a commodity is said to derive from nothing more than the quantified individual desires of the consumer:

    Thus we fully realize that limiting the study to subjective aspects is not without its dangers.  Our detailed analysis of subjective patterns does not mean that, in our opinion, prejudice can be explained in such terms.  On the contrary, we regard the analysis of objective social forces which engender prejudice as the most pressing issue in contemporary research into anti-minority bias.  The relative negligence with which this task is treated throughout American research is due to its “democratic bias,” to the idea that socially valid scientific findings can be gained only by sampling a vast number of people on whose opinions and attitudes depends what is going to happen—just as success or failure of a commodity offered on the market supposedly depends on the mentality of the buyer. (Adorno 1948: 1-2)

    For Adorno, then, the individualistic or “democratic” strategy of aggregative social research reproduces a fetishistic understanding of society as the aggregate of subjective opinion, a correlation that would only hold if society were actually composed of substantive “individuals.” But Adorno challenges precisely this premise as ideological, corresponding to a historical phase that has been surpassed. In his analysis the “high-scoring” individual appears less as a case of social pathology than as an emergent social norm:

    Methodologically, a not insignificant result of our study is the suspicion that the aforementioned assumption does no longer hold true. Our high-scoring subjects do not seem to behave as autonomous units whose decisions are important for their own fate as well as that of society, but rather as submissive centers of reactions, looking for the conventional “thing to do,” and riding what they consider “the wave of the future.” This observation seems to fall in line with the economic tendency towards gradual disappearance of the free market and the adaptation of man to the slowly emerging new condition.  Research following the conventional patterns of investigation into public opinion may easily reach the point where the orthodox concept of what people feel, want, and do, proves to be obsolete. (Adorno 1948: 1-2)

    For Adorno, the high-scoring subjects could no longer be dismissed as exceptional.  Rather, they became paradigmatic or intensified instances of trends that were increasingly visible across the whole of modern society.  In this sense they were more “true” than the true individuals whose low scores implied a greater capacity to resist the allures of fascist propaganda.  “As far as the timeliness of “highs” and “lows” is concerned,” Adorno wrote, “our finding that the “highs” conform more thoroughly to the prevailing cultural climate and are—at least superficially—better adjusted than the “lows,” seems to indicate that, measured by standards of the status quo, they are also more characteristic of the present historical situation” (Adorno 1948: 2).

    Such remarks were clearly more radical in their implications than the AP research program could allow. For if the concept of “what people feel, want, and do” had lost its traction as a descriptive instrument for individual-psychological phenomena, this was the case only because the object it meant to describe—the individual psyche—was actually beginning to dissolve.  Ironically, this objective dissolution of the strong or bourgeois “self” suggested that psychoanalysis itself was beginning to lose its salience whereas the behaviorist’s reductive model of the self as a mere “bundle of reflexes” was assuming the status of objective truth:  “It may be a function of our study,” Adorno observed, “to point out the limitations of psychological determinants in modern man and their replacement by omnipotent social adjustment, which, psychologically viewed, is retrogressive, and, at the same time, comes close to the behaviorists’ concept of man as a bundle of conditioned reflexes” (Adorno 1948: 27-29).

    The general trend of society was thus one of “retrogression” that pointed away from genuine individuality and toward an increase in social behavior that the AP study identified with “high” scores. “Today,” Adorno explained, “men tend to become transformed into “social agencies” and to lose the qualities of independence and resistance which used to define the old concept of the individual.  The traditional dichotomy between objective social forces and individuals, which we maintain methodologically, thus loses some of its substance (Adorno 1948: 29). The dissolution of the older, psychoanalytic model of the self under the pressure of social standardization thus implied an undialectical fusion between subject and object—between psyche and society—a trend that seemed to confirm Adorno and Horkheimer’s broader thesis regarding the rise of an “affirmative” social order in which individual resistance had become virtually impossible.  “[W]e may at least venture the hypothesis,” Adorno observed, “that the psychology of the contemporary anti-semite in a way presupposes the end of psychology itself” (Adorno 1948: 28).

    It should not surprise us that the collaborative research team did not include these remarks in the published text of The Authoritarian Personality.  For if Adorno was right, then the very notion of individual psychology had to be treated with deepest skepticism.  Even psychoanalysis in his view promoted the model of an integrated and separable personality, but while this expressed the sociological truth of the nineteenth century bourgeoisie it was no longer adequate for understanding the dynamics of a fully integrated modern social order.  In this respect even psychoanalysis was objectively false and, in cleaving to a model of autonomous depth, it was ideological in the technical sense.  The low-scoring individual on the F-scale was therefore for Adorno a kind of remnant of society verging on disappearance. The penchant for stereotyping that was ostensibly an affliction of a distinctively authoritarian personality was therefore in fact due to the stereotyping of consciousness that in modern society had become the social norm.  It was this far more general characterization that moved Adorno to declare that: “People are inevitably as irrational as the world in which they live” (Adorno 1948: 13).  Even if psychoanalysis still held up to society the unrealized ideal of an autonomous individual, the power of the culture industry and the stereotyping of everyday life made this ideal increasingly marginal if not a kind of utopian impossibility.  As the power of society intruded upon the individual, the very paranoia of authoritarianism expressed, though without critical awareness, a truth about current social conditions that was in a way far more accurate than the psychoanalytic ideal.  It was Leo Lowenthal who observed that mass culture was “psychoanalysis in reverse.”  For Adorno this reversal was not isolated to an authoritarian personality; it had become a generalized sociological fact. This argument implied a dialectical overcoming of the AP research agenda, pressing beyond even the interdisciplinary communion of sociology and psychology toward an indictment of the very premises of psychology itself.

    Psychoanalysis and Fascist Propaganda

    Adorno’s grim perspective on the prospects for social psychology may explain why the “Remarks” were not included in the published 1950 text of The Authoritarian Personality.  But it may also deepen our appreciation for the essay Adorno published just a year later in the volume, Psychoanalysis and the Social Sciences under the title, “Freudian Theory and the Pattern of Fascist Propaganda.” Here Adorno states emphatically and in apparent contradiction to the AP Study that “fascism as such is not a psychological issue” (Adorno 1987 [1951]: 135). For “only an explicit theory of society, by far transcending the range of psychology, can fully answer the question raised here [regarding fascism’s group-psychological efficacy]” (Adorno 1987 [1951]: 134). The essay actually reads as if it were meant to revoke the strongly psychological interpretation of fascism to which he had contributed just a year before.  Its internal dialogue with the AP-Study becomes most apparent when Adorno explains that fascism “relies absolutely on the total structure as well as on each particular trait of the authoritarian character which is itself the product of an internalization of the irrational aspects of modern society” (Adorno 1987 [1951]: 134). For Adorno the AP-Study had mistakenly reversed the directionality of causation in its theory of fascism.  Rather than affirming the authoritarian personality as the actual source of its appeal, Adorno insisted that an authoritarian “character” be seen as the introjection of an irrational society.  “Psychological dispositions do not actually cause fascism,” Adorno explained.  “Rather, fascism defines a psychological area which can be successfully exploited by the forces which promote it for entirely nonpsychological reasons of self-interest” (Adorno 1987 [1951]: 135).

    Notwithstanding this apparent disavowal of psychological causation, however, we also find in this essay some of Adorno’s more prescient insights regarding the psychological techniques and experiences serve to mobilize or inspire the fascist crowd.  Most pertinent of all is Adorno’s insight, following Freud, into the strange sense of artifice and theatricality that undercuts any liberal theory of mass “barbarism.” It is not that fascism is somehow uncivilized, or a symptom of genuine regression.  Rather, in the rallies and speeches that serve as the crucial vehicles of fascist propaganda, spectators partake in an illusion of full participation, and they experience the fantasy of their own regression to a state of uncivilized or desublimated ecstasy, even while they recognize the fact that this regression is little more than a performance.  Borrowing from Freud’s analysis of group psychology, Adorno characterizes this phenomenon as an “artificial regression” (Adorno 1987 [1951]: 135, my emphasis).

    The category of “phoniness” applies to the leaders well as to the act of identification on the part of the masses and their supposed frenzy and hysteria.  Just as little as people believe in the depth of their hearts that the Jews are the devil, do they completely believe in the leader.  They do not really identify themselves with him but act this identification, perform their own enthusiasm, and thus participate in their leader’s performance.  It is through this performance that they strike a balance between their continuously mobilized instinctual urges and the historical stage of enlightenment they have reached, and which cannot be revoked arbitrarily (Adorno 1987 [1951]: 136-137).

    That this identification is phony should be obvious from the very fact that the fascist leader wields a privileged power wholly unlike the crowd that longs for identification:

    Even the fascist leader’s startling symptoms of inferiority, his resemblance to ham actors and asocial psychopaths, is […] anticipated in Freud’s theory. For the sake of those parts of the follower’s narcissistic libido that have not been thrown into the leader image but remain attached to the follower’s own ego, the superman must still resemble the follower and appear as his “enlargement.” Accordingly, one of the basic devices of personalized fascist propaganda is the concept of the “great little man,” a person who suggest both omnipotence and the idea that he is just one of the folks, a plain, red-blooded American, untainted by material or spiritual wealth. Psychological ambivalence helps to work a social miracle. The leader image gratifies the follower’s twofold wish to submit to authority and to be the authority himself. (Adorno 1987 [1951]: 127)

    In this analysis fascism becomes simultaneously truth and untruth: On the one hand, it holds out to the masses the promise of a collective release from the constraints of bourgeois civilization with its demand that all instinct (and perhaps especially violence) submit to a pathological repression. Condemning this repression as pathological, it presents itself as the “honest” or “forthright” acknowledgement of everything one is not supposed to say or do.  On the other hand, it offers merely the performance of this release through the fantasy of an identification with a leader who offers both the experience of masochistic submission and the illusion that he is just like his followers.  This is fascism’s “social miracle,” which, like all miracles, serves as a dream of redemption without providing any actual transformation from the social conditions of unhappiness.  Fascism thus promotes “identification with the existent,” a strategy which aligns it (as Adorno explains elsewhere) with the ideological underpinnings of Heidegger’s philosophy (Adorno 1987 [1951]: 135; Gordon 2016).

    DJT, or, the Culture Industry as Politics

    In the foregoing exposition, I have explored some of the complications in the notion of an “authoritarian personality,” and, more specifically, I have laid out some of the ways that Adorno dissented from the official thesis of the 1950 research programme.  Throughout this exposition I have aimed to recover, though chiefly through indirection, some of the themes of Adorno’s analysis that may have some bearing on our interpretation of current political phenomena in the United States.  More specifically, I have tried to suggest that the notion of an “authoritarian personality” may not prove adequate.  For what Adorno was identifying in fascism was not a structure of psychology or a political precipitate of a psychological disposition. Rather, it was a generalized feature of the social order itself.  Trumpism, if we can call it that, is far more than Donald Trump, though it is perhaps also far less than the specter of “fascism” that is sometimes invoked anxiously by his political critics.  If Adorno was right, if his initial insights still obtain, we might conclude as follows.

    Trumpism is not anchored in a specific species of personality that can be distinguished from other personalities and placed on a scale from which the critic with an ostensibly healthy psychology is somehow immune.  Nor is it confined to the right-wing fringe of the Republican Party, so that those who self-identify with the left might congratulate themselves that they are not the ones who are responsible for its creation.  Nor can it be explained as the Frankenstein’s monster of a racism that was once deployed cynically as a dog-whistle by both the Republican and Democratic parties, and that now expresses itself without embarrassment with plainspoken American candor. Most of all Trumpism is not the mere upsurge of an angry populism that has taken elites by surprise.

    All of these theories may explain some aspects of the Trump phenomenon, which is sufficiently complex as to defeat any single framework of analysis. Each of them, in fact, may hold a special appeal in different precincts of criticism. For the truth is that Trumpism holds a powerful fascination for its critics precisely because it serves as an object for our negative self-definition.  For his admiring crowds, Trump is refreshing precisely for his ineloquence, for his swagger and for the allusions to violence that typically remain at the level of tough-talk though at times spill over into real action.  But for his opponents, Trump seems to occasion a kind of hypereloquence, as if one could perform through language the mind’s distance from mindlessness.  For whatever it is, Trumpism is not us, and that is its hidden consolation. This is the moment of dishonesty in political criticism, that it forges a negative cathexis against the enemy who permits us better to define who we are.  Trump is indeed entertainment but not only for those whom it entertains. If Trump enchants his supporters, he awakens a no less powerful fascination for the critics who loathe him since love and loathing are only two sides of the same coin.

    The real importance in Adorno’s criticism, I would suggest, is the fact that he refused to identify such social pathologies with specific personalities or social groups. Refusing the consolation of a “scale” that places the critic at the furthest remove from the object of criticism, Adorno had already glimpsed the emergence of a social order that would do away with the consolation of the scale altogether, marking all of society with the pathology its liberal critics would reserve only for others. Trumpism, though it masquerades as society’s rebellion against its own unfreedom, represents not an actual rebellion but the standardization of rebellion and the saturation of consciousness by media forms.

    If Adorno was right, then Trumpism cannot be interpreted as an instance of a personality or a psychology; it would have to be recognized as the thoughtlessness of the entire culture. But it is a thoughtlessness and a penchant for standardization that today marks not just Trump and his followers but nearly all forms of culture, and nearly all forms of discourse. The eclipse of serious journalism by punchy soundbites and outraged tweets, and the polarized, standardized reflection of opinion into forms of humor and theatricalized outrage within narrow niche-markets makes the category of individual thought increasingly unreal.  This is true on the left as well as the right, and it is especially noteworthy once we countenance what passes for political discourses today.  Instead of a public sphere we have what Habermas long ago called the re-feudalization of society and the mere performance of publicity before an abject public that has grown accustomed to inaction.  The new media forms have devolved into entertainment, and instead of critical discourse we see the spectacle of a commentariat, across the ideological spectrum, that prefers outrage over complexity and dismisses dialectical uncertainty for the narcissistic affirmation of self-consistent ideologies each of which is parceled out to its own private cable network.  Expression is displacing critique.  It should astonish us more than it does that so many people now confess to learning about the news through comedy shows, where audiences can experience their convictions only with the an ironist’s laughter. A strange phenomenon of half-belief has seized consciousness, as if ignorance were tinged with the knowingness and shame that ideology enables not actual criticism but mere thoughtlessness.  A critical public sphere would involve argument rather than irony.  But publicity today has shattered into a series of niche markets within which one swoons to ones preferred slogan and one already knows what one knows.  Name just about any political position and what sociologists call “pillarization”—or what the Frankfurt School called “ticket” thinking—will predict almost without fail a full suite of opinions. This is as true for enthusiasts in the Democratic Party as it is for the zealots who support Trump.  This phenomenon of standardization through the mass media signifies not the return of fascism but the dissolution of critical consciousness itself, and it heralds the slow emergence of something rather different than political struggle:  the mediatized enactment of politics in quotation marks where all political substance is slowly being drained away.

    This, I think, is why the phenomenon of Trumpism remains so difficult to comprehend.  As Adorno recognized long ago, there is a kind of artifice to this rebellion that belongs less to what we used to call political reality than it does reality television.  It is true that Trump says outrageous things and that (as his champions might say) “he tells it like it is.”  But the strange aspect to this candor is that one cannot get over the impression that he hardly means what he says.  He is as likely to reverse his opinion the next moment and deny what he has just said.  Even those who support him will say that one shouldn’t take offense because this is just Trump being Trump.  When he “tells it like it is” the authenticity of his performance is precisely the performance of authenticity, rather than the candor of somebody who is announcing without embarrassment what everyone already thinks.  With the casual bluster of a talk-radio host, attitude displaces meaning, and the telling displaces what is told.  It is true, of course, that Trump constantly invokes political correctness as an evil force of liberal repression, and it is therefore tempting to consider him a kind of impresario for what liberalism has repressed. But Trumpism is less the “undoing” of repression than he is an event of political theater in which everyone gets to experience the apparent dismantling of repression without actually changing anything. Even his unabashed misogyny, racism, and demagogic remarks about Muslims merely recapitulate a repertoire of stereotyped attitudes that have long characterized American public discourse.  Too easily condemned as exceptional, Trump’s exceptional “vulgarity” is actually not exceptional at all:  it is a symptom of a culture that has succumbed to the thoughtlessness of received typologies.  Hence the importance of Adorno’s remark that the authoritarian personality represents not a pathology from which others can claim immunity.  It represents “the total structure of our society” (Adorno 1948: 11). What I am trying to suggest is that if Trumpism seems to belie the research categories of The Authoritarian Personality we might do better by turning to the Frankfurt School’s analysis of the culture industry. Trumpism itself, one could argue, is just another name for the culture industry, where the performance of undoing repression serves as a means for continuing on precisely as before.

    Now, if one were to ask how this ever happened, one would have to admit that its patterns stretch back in time well before our current age. It was anticipated already in the televised Nixon-Kennedy debates where performance mattered as much as ideology; it was anticipated in the strange phenomenon of Ronald Reagan, who had the habit of quoting lines from his own Hollywood films through which he kept alive a fantasy of a vanished America (Rogin 1988). Contemporary American society has taken up this habit of repetition with a vengeance: Television screens now proliferate our daily lives: they flash at us both at the airport and at the gas-station pump, and political campaigns are exercises in the focus-group engineering of slogans that crowds shout back in unison as if they were repeating the beloved chorus of a popular song. The strategy of “message-testing” through focus-groups has become a pervasive and obligatory feature of mass-politics as in mass-produced music (Tringali 2010). The evacuation of content from politics and the emergence of a de-substantialized and mediatized performance of political forms is something that is not really new at all. But it has now reached such a point of extremity that we should hardly be surprised that a man who owes most of his seeming reality to “reality television” has managed to triumph where the grey eminences of “real” political experience have failed.  Trumpism is politics in quotation marks, but ours is an age in which the quotation mark has reshaped not only political experience but experience as such.

    At this juncture the comparison to fascism begins to break down. To be sure, to call something “fascist” can serve many purposes. It is a familiar custom of political rhetoric (“Godwin’s law”) that the Nazism analogy functions less as description than as expression:  it expresses an emergency and it expresses alarm.  I share in the general feeling of alarm. But whatever Trumpism may be, it is not the fascism of a personality type, or a fascism that would necessarily enact what it threatens. It is the political consequence of a mediatized public sphere in which politics in the substantive sense is giving way to the commodification of politics, and politicians themselves are scrutinized less for their policies than for their so-called “brands.” It would be hard to deny, of course, that many items from the original list of features describing the authoritarian personality map all too easily onto Trumpism, especially its chauvinism and swagger, and its “tough-minded” style. (Curiously, sexual repression would seem to be a point of discontinuity:  Trump has traded the older American convention of sexual moralism for sexual boasting, a change that has not inhibited his growing appeal among American evangelicals.)  But such a list may remind us that the original fascist movements of the last century were already on their way to becoming a politics of mere form.  If the comparison to fascism remains valid today, it may have less to do with specific points of ideology than with the replacement of ideology by a simplified language of self-promotion that now characterizes all politics in an era of mass communication.  To the authors of Dialectic of Enlightenment the comparison between fascism and advertising was already self-evident: “The blind and rapidly spreading repetition of designated words links advertising to the totalitarian slogan. The layer of experience which made words human like those who spoke them has been stripped away, and in its prompt appropriation language takes on the coldness which hitherto was peculiar to billboards and the advertising sections of newspapers” (Adorno and Horkheimer 2007: 135).

    All of the above may invite skepticism. In the most recent decades the Frankfurt School’s analysis of the culture industry has admittedly lost much of its luster, no doubt in part because its extreme fatalism harmonizes so poorly with democratic sensibilities.  But it is questionable (if commonplace) principle that one is permitted to refute a line of social criticism simply because it is felt to be an affront to one’s political aspirations. Adorno himself, we should recall, anticipated precisely this kind of resistance in his remarks on the “democratic bias” in social research.  But he could hardly have anticipated the strange phenomenon whereby his own name would circulate as a commodity (in the form, for example, of Eric Jarosinski’s satirical book, Nein, which sports an image of Adorno on the cover and probably sells far more copies than any book by Adorno himself).  It was Adorno’s greatest misfortune that some of his most memorable aphorisms would survive him only to become a series of quotable clichés. In an ironic turn he might have appreciated, the culture industry today has taken its final vengeance by penetrating the realm of criticism itself, transforming intellectuals themselves into paragons of late-capitalist celebrity (Gray 2012).4 “In psychoanalysis,” Adorno observed, “nothing is true except the exaggerations.” This very aperçu is itself an exaggeration and it ranks among the most readily abused phrases in the Adornian archive.  But today it may call for revision. After all, psychoanalytic categories remain valid only so long as we can plausibly speak of the psyche as a real referent.  But what passes for politics today in the United States has its etiology not in determinate forms of psychological character but rather in modes of mindless spectacle that may awaken doubt as to whether the “mind” remains a useful category of political analysis.

    But precisely this insight (which I have admittedly stated with some exaggeration) may permit us to retain at least a core insight of the original research agenda from fifty years ago.  It was a guiding premise of the Frankfurt School that one might develop through psychoanalysis a correlation between individual psychology and ideological commitment.  But later efforts to revise the idea of the authoritarian personality may have neglected the more radical insight that Adorno wished to inject into the research agenda, namely, that psychological character itself is conditional upon historically variant social and culture forms.  Rather than tracing the occurrence of an authoritarian consciousness, we might want to trace that authoritarianism to a standardization of consciousness that today leaves no precinct of our culture unmarked.  This might alert us to the far more unsettling and ironic proposition that today both realms—the political and the psychological—are threatened with dissolution.  Seen from this perspective, the attempt to describe Trumpism with the pathologizing language of character types only works as a defense against the deeper possibility that Trump, far from being a violation of the norm, may actually signify an emergent norm of the social order as such.  If any of the foregoing is correct, then we should countenance the sobering proposition that, even if Trump himself should suffer an electoral defeat, the social phenomena that made him possible can be expected to grow only more powerful in the future.

    Peter E. Gordon is Amabel B. James Professor of History, Faculty Affiliate in the Department of German, and Faculty Affiliate in the Department of Philosophy at Harvard University.  He is the author of many books, including Adorno and Existence (forthcoming fall, 2016).

    References

    Adorno, Theodor W.  1948. “Remarks on The Authoritarian Personality.Max Horkheimer archive; Universitätsbibliothek, Goethe Universität. http://sammlungen.ub.uni-frankfurt.de/horkheimer/content/zoom/6323018?zoom=1&lat=1600&lon=1000&layers=B.

    Adorno, Theodor W.  1987 [1951]. “Freudian Theory and the Pattern of Fascist Propaganda.” In The Essential Frankfurt School Reader, edited by Andrew Arato and Eike Gebhardt, 118-137. New York: Continuum Books.

    Adorno, Theodor W. and Horkheimer, Max. 2007. Dialectic of Enlightenment: Philosophical Fragments, translated by Edmund Jephcott. Redwood City, CA: Stanford University Press.

    Adorno, Theodor W. et al.  1982 [1950].  The Authoritarian Personality. Studies in Prejudice, edited by Max Horkheimer and Samuel H. Flowerman. New York: W.W. Norton & Company.

    Fromm, Erich. 1984. The Working Class in Weimar Germany. A Psychological and Sociological Study, translated by Barbara Weinberger.  Leamington Spa, UK: Berg Publishers.

    Gordon, Peter E.  2016. Adorno and Existence. Cambridge, MA: Harvard University Press.

    Gray, John.  2012. “The Violent Visions of Slavoj Žižek,” The New York Review of Books, July 12.

    Horkheimer, Max et al. (1936) Studien über Autorität und Familie. / Studies on authority and the family. Vol 5. Schriften des Instituts für Sozialforschung, 1936.

    Jay, Martin. 1973.  The Dialectical Imagination:  A History of the Frankfurt School and the Institute for Social Research 1923-1950.  Boston: Little, Brown.

    MacWilliams, Matthew. 2016. “One Weird Trait that Predicts Whether You’re a Trump Supporter.” Politico. http://www.politico.com/magazine/story/2016/01/donald-trump-2016-authoritarian-213533

    Martin, John Levi. 2001. “The Authoritarian Personality, 50 Years Later: What Lessons Are There for Political Psychology?”  Political Psychology 22, no. 1: 1-26.

    Meloen, Jos. 1991.  “The Fortieth Anniversary of ‘The Authoritarian Personality.’” Politics and the Individual 1, no. 1: 119-127.

    Müller-Doohm, Stefan.  2009.  Adorno:  A Biography, translated by  Rodney Livingstone. Malden, MA: Polity Press.

    Reich, Wilhelm. 1980 [1933]. The Mass Psychology of Fascism  [Die Massenpsychologie des Fascismus]. New York: Farrar, Straus and Giroux.

    Rogin, Michael. 1988. Ronald Reagan The Movie And Other Episodes in Political Demonology. Berkeley, CA: University of California Press.

    Sanford, Nevitt. 1986. “A Personal Account of the Study of Authoritarianism:  Comment on Samuelson.” Journal of Social Issues 42, no. 1: 209-214.

    Tringali, Brian C.  2010. “Message-Testing in the Twenty-First Century. In The Routledge Handbook of Political Management, edited by Dennis W. Johnson. 113-125.  New York: Routledge.

    Wheatland, Thomas. 2009. The Frankfurt School in Exile.  Minneapolis:  University of Minnesota Press.

    Notes

    1. Adorno et al., The Authoritarian Personality. Studies in Prejudice. Max Horkheimer and Samuel H. Flowerman, eds. Published with the support of the American Jewish Committee (New York: Harper, 1950). Republished in an abridged edition. (New York: W.W. Norton; 1982). I quote from the (more accessible) abridged version except where indicated. Back to the essay

    2. Crucial insight into the early and promising phase of conversation between the émigré intellectuals and American social scientists can be found in Thomas Wheatland, The Frankfurt School in Exile (Minneapolis: University of Minnesota Press, April 2009) and in Wheatland, “Franz L. Neumann: Negotiating Political Exile,” in “More Atlantic Crossings?: The Postwar Atlantic Community,” German Historical Institute Bulletin Supplement, edited by Jan Logemann and Mary Nolan (New York: Cambridge University Press, 2014). Back to the essay

    3. The letter is reproduced in the excellent study by Thomas Wheatland, The Frankfurt School in Exile. (Minneapolis:  The University of Minnesota Press, 2009), 244. Wheatland concludes that “it would appear that Horkheimer and Adorno may never have fully bought into the premises and methodology underlying The Authoritarian Personality. If I am correct, Adorno’s utterances that undercut the project are probably closer to his actual position own the topic, and his contributions to the book are an accommodation to American research, as well as to the pragmatic aims of the AJC and American social scientific collaborators.” (Thomas Wheatland; private correspondence, 31 May 2016). Back to the essay

    4.For a related diagnosis of this phenomenon, one might consider John Gray’s remarks about Slavoj Žižek: “The role of global public intellectual Žižek performs has emerged along with a media apparatus and a culture of celebrity that are integral to the current model of capitalist expansion.” John Gray, “The Violent Visions of Slavoj Žižek,” The New York Review of Books (July 12, 2012). Back to the essay

    This paper was originally written as the opening morning lecture on the occasion of the 40th anniversary of the School of Criticism and Theory, in a day-long series of talks on “Criticism and Theory in an Age of Populism,” which convened at Harvard University on 29 April, 2016.  My sincere thanks are due most of all to Homi Babha and Hent de Vries for the invitation to present these remarks. I would also like to thank the assembled audience for their comments on the public lecture. For the written version, I also received exceptionally helpful comments from Judith Surkis, Martin Jay, Thomas Wheatland, Espen Hammer, Lawrence Glickman, and Jason Stanley.  Needless to say all shortcomings in the current text are wholly my own responsibility.

  • The b2 Collective on Edward Said

    The b2 Collective on Edward Said

    boundary 2 sponsored a conference at the University of Pittsburgh on November 7-9 2013 on the life and work of Edward W. Said”.  We fmet to discuss his writings and his influence under the title, “Legacies of the Future.” Said was an important figure in boundary 2 from the 1970s. Some of us studied with or worked with him. We all learned from and argued with him. Rather than collect a set of talks from the conference, we decided to publicize our interactions by creating a bibliography of our written engagements with his work

  • Jorge Amar and Scott Ferguson — Podemos and the Limits of the Neoliberal Order

    Jorge Amar and Scott Ferguson — Podemos and the Limits of the Neoliberal Order


    Photo courtesy of ATTAC TV

    by Jorge Amar and Scott Ferguson

    No private character, however pure, no personal popularity, however great, can protect from the avenging wrath of an indignant people the man who will either declare that he is in favor of fastening the gold standard upon this people, or who is willing to surrender the right of self-government and place legislative control in the hands of foreign potentates and powers.

    William Jennings Bryan, “Cross of Gold,” 1896

    In the wake of Syriza’s disappointing challenge to the Troika’s punishing austerity politics in the Eurozone, leftists around the globe are now turning their eyes, and hopes, to Podemos in Spain. Podemos grew out of the 15-M, or Los Indignados, anti-austerity protests back in 2011. The organization took myriad local government seats after forming an official political party in 2014. And as of the national parliamentary elections held in December 2015, Podemos has emerged as a viable third-party counterforce to Spain’s historically two-party neoliberal government. During the recent elections, the ruling, conservative People’s Party (PP) lost sixty-four seats, while the opposing Spanish Socialist Workers’ Party (PSOE) hemorrhaged twenty seats. Podemos, by contrast, earned sixty-nine seats, coming in just 300,000 votes behind PSOE and securing roughly 20% of the votes within the Spanish parliament. And in fourth place was Ciudadanos, the smaller, center-right “Party of the Citizenry.” Ciudadanos won a sizeable forty seats in parliament, but this was far less than early polling predicted.

    Commentators have dubbed Podemos’ and Ciudadanos’ upset of Spain’s two-party system a political earthquake, while the international left is characterizing the battle ahead as source of great hope and an opportunity to bring real change to Europe. Here, however, we dampen the leftist enthusiasm surrounding the Spanish election, and regarding Podemos in particular, putting pressure on what we argue to be the party’s under-theorized and rather conservative program for economic change. Specifically, we offer a critique of Podemos’ commitment to so-called “sound finance,” as well as the tax-and-spend liberalism upon which its proposed solution to Eurozone austerity is supposed to hinge. But we also suggest a more promising way forward: that Podemos join forces with the fifth-ranking Unidad Popular party. Unidad Popular’s primary economist has turned to the heterodox school of political economy known as Modern Monetary Theory (MMT), coming to see what Podemos takes to be economic truths regarding the Eurozone as neoliberal myths that should be overtly politicized and rejected as such. By collaborating with Unidad Popular, we conclude, Podemos stands to not only pose a serious threat to Eurozone austerity, but also supplant the neoliberal order with an alternative and more just political-economic regime.

    Political Crossroads

    The general elections results that some people are characterizing as the end of the Spain’s hegemonic ’78 Regime are not quite as promising as such pronouncements let on. Podemos still lacks the necessary votes to command real power in the government, and the neoliberal bipartisanism comprised of the false choice between PP conservatives and PSOE socialists will continue to rule Spanish politics for some time. What Podemos’ electoral gains do represent is a crucial political challenge. Now it is time for Podemos to decide whether to openly collaborate with others, thereby creating a relatively stable government that can reverse austerity, or to refuse cooperation, likely forcing a new election cycle.

    Though constrained in its own right, this is essentially Podemos’ decision to make. The dominant PP has no chance to win a working parliamentary majority without the endorsement of the PSOE. With an electoral base that is, demographically speaking, doomed, PP received more than 7,215,000 votes in the election, but lost more than 3,500,0000 votes from 2011. PSOE, meanwhile, saw its worst outcome since 1977: 5,530,779 votes, losing more than 1,500,000 since 2011. This leaves Podemos to negotiate between three future scenarios. None are certain. And each comes with its own rewards and pitfalls.

    In the first scenario, the PP could form a government through more or less open cooperation with the PSOE and Ciudadanos. This arrangement would look something like the political makeup of the current German government. However, open collaboration may prove dangerous for the PSOE. As some regional leaders of that party are explicitly warning (if not threatening), the PSOE’s Pedro Sanchez should not rush too quickly to show support for the PP, since such an action may incite a mass defection of voters from the PSOE towards Podemos. Podemos’ recent gains have gone far to unmoor the decades-old truism that the PSOE is the Spanish left’s only feasible tool for combating PP conservatives, and the PSOE are now visibly worried.

    Under a second scenario, the PSOE can attempt to constitute a new government by aligning itself with the third party, Podemos, and the fifth party, Unidad Popular. But this is also unlikely, considering the fact that Podemos rose to power by rejecting Spain’s bipartisan regime and calling for a new constitutional process. Podemos won its power from voters who resist the PP and PSOE duopoly, seeing both parties as more or less equally guilty of alienating the citizenry and exploiting the revolving doors between government, industry, and finance. Podemos disparages this class as the casta (caste) and vows to overturn it. To renege on this promise could prove politically deadly. One way to for Podemos to skirt this problem would be to demand the PSOE accept certain far-left measures, such as the referendum about Catalonia’s (and other regions’) “right to decide.” Podemos’ allies in these regions are unwavering on this issue, and persuading the PSOE to sign on to such a measure would go far to secure Podemos’ political base. Unfortunately, however, the PSOE has historically refused this policy and in all likelihood will not adopt it.

    Finally, in a third scenario no coalitions are built between the reigning parties and we see a repetition of the same general elections in few months. This scenario is most likely, given the obstacles suggested above. In this case, the bipartisan regime will continue its decline and Podemos will use the PSOE’s rejection of its own faux leftism to erode more of the PSOE’s electoral base. Such a process may result in Podemos overtaking the PSOE and eventually taking command of parliament. But there are clearly many moving parts at work here, rendering the future of the Spanish left at once promising and uncertain.

    Podemos’ Economic Program

    Such are the political crossroads that Podemos and the Spanish left in general will face in the months ahead. But there is still another and, we would claim, more important matter to consider, and one that fundamentally shifts the ground beneath this unfolding story. This is the issue of political economy and specifically, the economic program Podemos aims to install, if and when it manages to take hold of parliament.

    Surprisingly, Podemos’ economic platform has received inadequate critical attention by the leftist commentariat. This is especially true of English-language media. Much has been written about Podemos in the US, UK, and elsewhere. But such writing tends to focus on Podemos’ leader, Pablo Iglesias, and devote most of its energy to weighing the relevance of Podemos’ status as a popular political movement in relation to similar efforts around the globe. As a consequence, English speakers are offered little concrete discussion about the specific economic policies Podemos is proposing. Iglesias himself has published articles in English-language publications such as New Left Review, Jacobin, and The Guardian. These pieces explore political struggles, communication strategies, and grassroots organizing. Yet Iglesias devotes very few words to outlining Podemos’ economic program in such texts, leaving most English-language readers in the dark.

    In truth, Podemos’ economic program has evolved quite a bit since the party’s initial formation. But this economic program seems to become more and more conservative as time progresses. At first, for instance, Podemos proposed a Basic Income Guarantee and debt relief for citizens, in addition to making more general promises about ending austerity. Yet month by month, Podemos has dropped both the Basic Income Guarantee and the debt relief program, as well as myriad other proposals. To be sure, the party remains committed to its central promise, which is to repair and expand Spain’s welfare state. But Podemos has conspicuously pared down its economic platform in compliance with the reigning economic orthodoxy in an effort to secure political legitimacy both within Spain and abroad.

    The Trouble with Podemos

    Although Podemos’s grassroots-driven rise to power should be seen as meaningful and genuinely exciting, the party’s economic strategy is simply inadequate to win the political struggle it aims to conduct against the neoliberal order. The real problem with Podemos’ political economy lies less in the specific proposals the party is offering, but rather in the unreflected neoliberal assumptions that underlie the party’s shifting economic platform. First among these assumptions is Podemos’ apparently blind commitment to the doctrine of sound finance: the mythic principle that a healthy national economy requires government to balance its budget, whether in the short run or over the course of the business cycle. As Modern Monetary Theory (MMT) has shown, this principle is not only inimical to economic productivity, but also debilitating for equality and justice. Meanwhile, this principle rests upon another noxious maxim Podemos holds dear: the false notion that states are revenue constrained and that a government must tax before it can spend toward the public good.

    The only scenarios under which a sovereign government might be constrained in this way, contend MMT economists, is when international gold standards or currency-peg agreements force states to accept debt obligations in a currency over which they assert little control. Such arrangements not only limit public spending to the tax revenues the state is capable of collecting, but also force governments to bend to the dictates of international creditors. Put another way, metal standards and currency pegs transform sovereign nations into de facto colonies of other political bodies.

    This is why MMT economists such as Bill Mitchell have long spoken out against the bankrupt neoliberal logics that undergird the Maastricht Treaty. Signed in February 1992 by the members of the European Community in Maastricht, Netherlands, this treaty robbed European member states of their fiscal sovereignty and established the Eurozone as a monetary union without the strong fiscal union that would be required to support it. This has resulted in an abstract and especially cruel version of an old-time gold standard, which paradoxically forgoes any basis in gold bullion. Against the warnings of a dissenting minority, the Eurozone’s quasi-gold standard has crippled European nations by restricting public spending to a finite pool of value and in turn forcing governments into brutal debt agreements.

    The dominant narrative sees the resulting sovereign debt crises as the crux of the Eurozone disaster, thought to be the consequence of profligate governments being unable to live within their means. However, these crises are mere symptoms of the Eurozone’s faulty structure. The true cause of this disaster is the Eurozone’s shackling of government spending to a false finitude and treating this subjugation as a natural state of affairs. Though written in somewhat technical language, Mitchell’s account of the Eurozone’s structural failings is instructive:

    It is a basic characteristic of any monetary system that government can only create risk free liabilities if they are denominated in its own currency. … [However], the current design of the Eurozone determines that the Member State governments are not sovereign in the sense that they are forced to use a foreign currency and must issue debt to private bond markets in that foreign currency to fund any fiscal deficits. … The member state governments thus can run out of money and become insolvent if the bond markets decline to purchase their debt. … Their fiscal positions must then take the full brunt of any economic downturn because there is no federal counter stabilization function. Among other things, this means the elected governments cannot guarantee the solvency of the banks that operate within their borders.i

    Governments require the political capacity to create money, or “risk-free liabilities,” on demand, Mitchell explains. Such powers are needed to maintain the solvency of banks, as well as to use fiscal policy to counter recessions and depressions. The Eurozone, however, strips member states of this spending capacity and requires them to borrow on international bond markets. The result transforms sovereign governments into cash-strapped debtors, makes economic recovery for individual nation-states impossible, and dooms the entire Eurozone system to failure.

    Fellow MMTers L. Randall Wray and Dimitri B. Papadimitriou describe the historical consequences of the Eurozone’s lethal design as follows:

    From the very start, the European Monetary Union (EMU) was set up to fail. The host of problems we are now witnessing, from the solvency crises on the periphery to the bank runs in Spain, Greece, and Italy, were built into the very structure of the EMU and its banking system. Policymakers have admittedly responded to these various emergencies with an uninspiring mix of delaying tactics and self-destructive policy blunders, but the most fundamental mistake of all occurred well before the buildup to the current crisis. What we are witnessing are the results of a design flaw. When individual nations like Greece or Italy joined the EMU, they essentially adopted a foreign currency—the euro—but retained responsibility for their nation’s fiscal policy. This attempted separation of fiscal policy from a sovereign currency is the fatal defect that is tearing the Eurozone apart.ii

    As Wray and Papadimitriou have it, the Eurozone crisis is not the direct outcome of pro-business policymaking and anti-social austerity programs, as vile as these measures are. It is, rather, an effect of the calamitous finitude baked into the EMU project. The Troika can say, “Pay up!” and “Tighten your belts!” until they are blue in the face. But European governments will be structurally incapable of settling such debts as long as their monetary sovereignty remains fettered. To make matters worse, Germany’s tendency to hold money surpluses as the Eurozone’s net exporter further exacerbates the debtor positions of other member states. If the money supply is finite in the Eurozone and the German economy hoards its export profits, this means that there is simply not enough money to go around and that import-dependent economies such as Greece, Spain, and Italy will continue to suffer deficits no matter how successfully they manage to tax their distressed populations.

    Europe’s phantom gold standard has not only immiserated populations, but also quashed Syriza’s resistance to the ongoing devastation in Greece. This is not merely because the Troika rejected what Greek finance minister Yanis Varoufakis consistently referred to as Syriza’s “modest proposal.” It is because, unlike during previous eras when metal standards were both popularly contested and philosophically denounced, neoliberal ideology has come to wholly naturalize the Eurozone’s shrouded cross of gold. This has made real transformation unimaginable, as Varoufakis and his team sadly discovered in July 2015.

    For this reason, Podemos will have to directly thematize and politicize the Eurozone’s taken-for-granted finitude if it wishes to make meaningful and lasting transformations. First and foremost, this means reclaiming the state’s monetary sovereignty and boundless fiscal capacities. But it shall also require a major propaganda campaign, aimed at persuading ordinary people that the state is limited only by real resources and productive infrastructures and simply cannot run out of an abstract unit of account. It must be made clear that only by seizing government’s power to spend as needed can Podemos hope to end austerity and create the conditions for full employment and widespread prosperity. However, for all its leftist rhetoric and broad grassroots support, Podemos remains ill-equipped to end austerity since it does not dare imagine liberating Spain’s public purse from the Troika’s asphyxiating grip.

    Podemos’ economic program is thoroughly consistent with the gold standard metaphysics of sound finance. Party leaders imagine they can simultaneously adopt this ideology and succeed in accomplishing what Syriza could not: acting against austerity while playing along with Eurozone budgetary rules. Upon these faulty premises, Podemos then treats what is in reality a very conservative tax-and-spend liberalism as the crux of its economic strategy. A Podemos-led government would seek to reverse social spending cuts by increasing some taxes, creating a slate of new taxes, and reinforcing the mandate of the AEAT (the Spanish equivalent of the IRS) of fighting tax evasion. Believing that public programs should be funded by this revenue, Podemos thus plans to tether the recovery and expansion of the Spanish welfare state to the futile task of fighting tax avoidance within a zone that permits free trade and capital movement. In such a zone, every private person and corporation can shuffle money easily between countries without notice. Barring a common tax authority and total multinational cooperation, even the most vigilant efforts to collect taxes are bound to fail.

    Podemos’ chief economist, Nacho Alvárez Peralta, is quite explicit about the party’s devotion to sound finance and tax-and-spend economics. Alvarez expressly supports government budget-balancing. He breaks with the European Central Bank only on the timeline he asserts is required to achieve the criteria outlined by the Eurozone’s Stability and Growth Pact (SGP). Alvarez is also the architect behind Podemos’ tax-based strategy to fix the welfare state, which he presumes to be the only way out of the current mess.

    Podemos thinks it can somehow accomplish what Syriza did not. However, it must learn the true lesson of the Greek fiasco: As long as a nation-state remains inside the Eurozone and subject to its SGP budget requirements, there shall be no alternative to austerity or the neoliberal order. And with the EU Commission’s latest demand that the next Spanish government cut another 9 billion euros to meet stringent deficit targets, the stakes of learning this lesson could not be higher.

    Another Future

    With MMT’s critique of political economy in focus, a more promising way forward presents itself for the Spanish left, one that refuses the neoliberal premises that have come to frame Eurozone politics. As we suggested at the outset, this will require Podemos to join forces with Unidad Popular, an avowedly socialist and feminist party of the left now headed by economist and MMT advocate Alberto Garzón. As opposed to Podemos’ Iglesias and Alvarez, both Garzón and Unidad Popular’s chief economist, Eduardo Garzón (Alberto’s brother), hold a view of political economy that is very close to MMT’s understanding of monetary sovereignty, fiscal spending, and taxation. Garzón is well aware that Eurozone rules have perniciously, and needlessly, choked off the Spanish government’s spending powers, severely contracting what MMTers such as Stephanie Kelton refer to as the “fiscal space” that is necessary to sustain and enlarge a national economy.

    In addition to restoring and developing the Spanish welfare state, Unidad Popular’s key economic proposal takes its cue from MMT’s idea for a federal Job Guarantee program. Garzón’s proposal is a modestly scaled version of MMT’s Job Guarantee. It is designed to provide community-focused, living-wage employment to Spain’s chronically under- and unemployed, which would not only provide immediate relief to destitute Spaniards, but also reverse the nation’s deflationary economy. Going beyond Keynesian pump priming, this Job Guarantee is meant to be a permanent public institution that expands countercyclically in lockstep with market downturns. If permitted to become a truly universal program, Spain’s Job Guarantee would serve a powerful new mediator of social production and value. In addition to setting just minimum standards for wages, working hours, and benefits, the Job Guarantee would carve out a larger space for public works that are free from market imperatives, place the program’s means of production in workers’ hands, socialize and compensate much unremunerated care work, and give everyday people a say in the shaping of their world.

    What is more, Unidad Popular’s Job Guarantee scheme makes no mention of needing to meet the arbitrary budget goals of the SGP in order to fund such a program. This is because Unidad Popular roundly rejects the neoliberal premises of such goals. Indeed, if challenged by the Troika, the party is wholly prepared to set the crucial question before the body politic: Should we continue to obey the Troika’s crippling mandate in order to remain within the Eurozone? Or, shall we refuse the Troika’s dictates and risk ejection from the Eurozone? This is the question Syriza could not, or would not, ask. Yet what the Syriza tragedy has proven is that this is the key question upon which the fate of Europe shall depend.

    Before the recent Spanish election, Podemos and Unidad Popular were in conversations to form a coalition. At the last minute, however, Podemos’ leaders broke off these talks for what we considered to be tactical reasons. Our hope is that there will be another chance to forge a coalition when the new elections are convoked. Of course, nothing will ensure the success of the Spanish left. All we have is our solidarity and commitment to struggle. But to fight against the neoliberal order while uncritically adopting neoliberal assumptions is to forfeit the contest from the start. Unless Podemos or any other leftist party is prepared to proffer a substantive alternative to the rules of the neoliberal game, we will no doubt suffer a disaster that is far greater than the one we are currently witnessing in Greece.

    Such is the promise of MMT for the contemporary left: While MMT’s understanding of money as a limitless public instrument can free us from debt and austerity, its community-focused Job Guarantee provides means to build a new political economy, which transfigures social and ecological relations from the bottom up. Yet this is what other critical-theoretical appeals to MMT do not seem to comprehend. Reticent to appropriate and reshape the state apparatus, critics such as Nigel Dodd and David Graeber have called upon MMT’s understanding of money as a public balance sheet to challenge the inevitability of neoliberal power. In our estimation, however, MMT is more than a weapon for negating neoliberal domination. It is also a powerful tool for cultivating a positive and enduring alternative to the neoliberal catastrophe—first in Spain, then beyond.

     

    Jorge Amar is a Spanish economist, president of the APEEP (Asociación por el Pleno Empleo y la Estabilidad de Precios, or Full Employment and Price Stability Association), and a doctoral candidate in Applied Economics at the Universidad Valencia. Recently, Amar served as economic advisor for Spain’s Unidad Popular party within the Grupo de elaboración política (Policy Elaboration Group), a provisional task force coordinated by economist Eduardo Garzón.

    Scott Ferguson holds a Ph.D. in Rhetoric and Film Studies from the University of California, Berkeley and is currently an assistant professor of Humanities & Cultural Studies at the University of South Florida. He is also a Research Scholar at the Binzagr Institute for Sustainable Prosperity. His essays have appeared in CounterPunch, Screen, Arcade, the Critical Inquiry blog, Naked Capitalism, Qui Parle, and Liminalities.

    References

    Álvarez Peralta, Nacho. 2015. “Recuperar el Estado de bienestar.” El País, December 15. http://elpais.com/elpais/2015/12/15/opinion/1450206651_989640.html

    Beas, Diego. 2011. “How Spain’s 15-M Movement is Redefining Politics.” Guardian, October 15. http://www.theguardian.com/commentisfree/2011/oct/15/spain-15-m-movement-activism.

    Cañil, Ana R. 2015. “Alberta Rivera, el príncipe azul del Ibex 35.” El Diario, July 3. http://www.eldiario.es/zonacritica/Causas-meteorico-despegue-Albert-Rivera_6_363673650.html.

    Carlin, John. 2015. “Los caballeros de la Mesa Redonda.” El País, January 27. http://politica.elpais.com/politica/2015/01/27/actualidad/1422384264_753104.html.

    Castro, Irene. 2015. “Pedro Sánchez pacta con sus barones las líneas rojas de un acuerdo con Podemos.” El Diario, December 27. http://www.eldiario.es/politica/Pedro-Sanchez-barones-acuerdo-Podemos_0_467203568.html.

    Council of the European Communities. 1992. “Treaty on European Union.” Commission of the European Communities. http://europa.eu/eu-law/decision-making/treaties/pdf/treaty_on_european_union/treaty_on_european_union_en.pdf.

    El Diario. 2015. “Mariano Rajoy pide una gran coalición y no descarta ofrecer ministerios a PSOE y Ciudadanos.” El Diario, December 29. http://www.eldiario.es/politica/Mariano-Rajoy-PSOE-Ciudadanos-Gobierno_0_467903488.html.

    Dodd, Nigel. 2014. The Social Life of Money. Princeton, NJ: Princeton University Press.

    Errejón, José. 2013. “La crisis del régimen del 78.” Viento Sur, July 1. http://www.vientosur.info/spip.php?article7571.

    Europa Press. 2015. “Podemos no permitirá un gobierno del PP pero condiciona su apoyo al PSOE al derecho a decidir.” El Economista, December 21. http://ecodiario.eleconomista.es/politica/noticias/7237104/12/15/20D-Podemos-no-permitira-un-gobierno-del-PP-pero-condiciona-su-apoyo-al-PSOE-al-derecho-a-decidir.html.

    Ferguson, Scott. 2015. “Universal Basic Income: A Laissez-Faire Future?” CounterPunch, November 13. http://www.counterpunch.org/2015/11/13/universal-basic-income-a-laissez-faire-future/.

    Garzón, Alberto. 2015. “The Problem with Podemos.” Jacobin, March 13. https://www.jacobinmag.com/2015/03/podemos-pablo-iglesias-izquierda-unida/.

    Eduardo Garzón’s Twitter page. 2016. https://twitter.com/edugaresp (accessed April 19, 2016).

    Godley, Wynne. 1992. “Maastricht and All That.” London Review of Books 14, no. 19: 3-4. http://www.lrb.co.uk/v14/n19/wynne-godley/maastricht-and-all-.

    González, Bernardo Gutiérrez. 2016. “The ‘Podemos Wave’ as a Global Hope.” Open Democracy, December 20http://www.opendemocracy.net/democraciaabierta/bernardo-guti-rrez-gonz-lez/podemos-wave-as-global-hope.

    Graeber, David. 2011. Debt: The First 5,000 Years. New York: Melville House Press.

     

    Iglesias, Pablo. 2015. “Politics Isn’t a Fairytale About Good Versus Bad.” The Guardian, December 21. http://www.theguardian.com/commentisfree/2015/dec/21/politics-isnt-fairytale-good-versus-bad.

    Iglesias, Pablo. 2015. “The Spanish Response.” Jacobin, December 19. https://www.jacobinmag.com/2015/12/pablo-iglesias-interview-jacobin-podemos-spain-austerity/.

    Iglesias, Pablo. 2015. “Understanding Podemos.” New Left Review 93: 7–22. http://www.newleftreview.org/II/93/pablo-iglesias-understanding-podemos.

    Stephanie Kelton’s personal website. 2016. http://stephaniekelton.com/ (accessed April 19, 2016).

    Lasa, Victor. 2015. “The New Spain: Between Uncertainty and Hope.” CounterPunch, December 22. http://www.counterpunch.org/2015/12/22/the-new-spain-between-uncertainty-and-hope/.

    Lerner, Abba P. 1943. “Functional Finance and the Federal Debt.” Social Research 10, no. 1: 38-51. http://k.web.umkc.edu/keltons/Papers/501/functional%20finance.pdf.

    Mecpoc’s YouTube channel. 2010. “Keynes Celebrates the End of the Gold Standard.” https://www.youtube.com/watch?v=U1S9F3agsUA.

    Mendizabal, A. R. 2015. “Pablo Iglesias tranquiliza a Wall Street: ‘No hay alternativa a la economía de mercado.’” Capital Madrid, June 20. https://www.capitalmadrid.com/2015/6/20/38568/pablo-iglesias-tranquiliza-a-wall-street-no-hay-alternativa-a-la-economia-de-mercado.html.

    Mitchell, Bill. 2012. “Budget Surpluses Are Not National Saving – Redux.” Bill Mitchell: Billy Blog, August 7. http://bilbo.economicoutlook.net/blog/?p=20536.

    Mitchell, Bill. 2016. “Democracy in Europe requires Eurozone Breakup,” Billy Blog, January 6. http://bilbo.economicoutlook.net/blog/?p=32730.

    Mitchell, Bill. 2015. “Demystifying Modern Monetary Theory.” Institute for New Economic Thinking, March 19. http://ineteconomics.org/ideas-papers/interviews-talks/demystifying-modern-monetary-theory.

    Mitchell, Bill. 2013. “Options for Europe: Part 1.” Bill Mitchell: Billy Blog, December 31. http://bilbo.economicoutlook.net/blog/?p=26667.

    Moreno, Felix. 2014. “50% Youth Unemployment in Spain Fuels Radicalization of Protests.” RT, March 24. https://www.rt.com/op-edge/radicalization-of-protests-in-spain-809/.

    Myerson, Jesse A. 2015. “Monetarily, We Are Already In The Next System…” The Next System Project, October 8. http://thenextsystem.org/monetarily-we-are-already-in-the-next-system-we-just-dont-act-like-it/

    Nelson, Fraser. 2015. “Political Earthquake in Spain as Podemos Takes 20pc of Vote.” The Spectator, December 20http://blogs.spectator.co.uk/2015/12/political-earthquake-in-spain-as-exit-poll-shows-podemos-surging-to-22pc/.

    Parguez, Alain. 1999. “The Expected Failure of the European Economic and Monetary Union: A False Money Against the Real Economy.” Eastern Economic Journal 25, no. 1: 63-76. http://college.holycross.edu/eej/Volume25/V25N1P63_76.pdf.

    Pargeuz, Alain. 2011. “Guest Post: A Fresh Proposal for Escaping the Euro Crisis.” Yanis Varoufakis: Thoughts for the Post-2008 World. http://yanisvaroufakis.eu/2011/11/25/a-fresh-proposal-for-escaping-the-euro-crisis-guest-post-by-alain-parguez/.

    Pérez, Claudi. 2015. “Bruselas señala que el nuevo Gobierno deberá recortar casi 9.000 millones.” El País, November 5. http://economia.elpais.com/economia/2015/11/05/actualidad/1446714490_704857.html.

    Pierce, Dale. 2013. “What is Modern Monetary Theory, or ‘MMT’?” New Economic Perspectives, March 11. http://neweconomicperspectives.org/2013/03/what-is-modern-monetary-theory-or-mmt.html.

    Rojer, Rebecca. 2014. “The Job Guarantee.” Jacobin, January 10. https://www.jacobinmag.com/2014/01/the-job-guarantee-video/.

    Rojer, Rebecca. 2014. “The World According to Modern Monetary Theory.” The New Inquiry, April 11http://thenewinquiry.com/essays/the-world-according-to-modern-monetary-theory/. 

    Rucinski, Tracy, and Finoa Ortiz. 2011. “Spain Protests Rock Nation, Tens of Thousands Fill the Cities Over Joblessness.” The World Post, May 21. http://www.huffingtonpost.com/2011/05/21/spain-protests-joblessness_n_865058.html.

    Sánchez, Raúl. 2015. “La brecha generacional sostiene gran parte de los resultados electorales del PP.” El Diario, December 24. http://www.eldiario.es/politica/generacional-mantiene-resultados-electorales-PP_0_465803541.html.

    Tortosa, María Dolores. 2015. “Susana Díaz se opone tanto a un pacto con el PP como con Podemos.” Ideal, December 22. http://www.ideal.es/andalucia/201512/22/susana-diaz-opone-tanto-20151222005459-v.html.

    Unidad Popular’s homepage. http://www.unidadpopular.es/ (accessed March 24, 2016).

    University of Groningen. 2012. “William Jennings Bryan Cross of Gold Speech July 8, 1896.” American History: From Revolution to Reconstruction and Beyondhttp://www.let.rug.nl/usa/documents/1876-1900/william-jennings-bryan-cross-of-gold-speech-july-8-1896.php.

    Varoufakis, Yanis. 2015. “Greece, Germany and the Eurozone.” Paper presented at the Hans-Böckler-Stiftung, Berlin, June 8. https://yanisvaroufakis.eu/2015/06/09/greeces-future-in-the-eurozone-keynote-at-the-hans-bockler-stiftung-berlin-8th-june-2015/.

    Varoufakis, Yanis. 2013. “Modest Proposal. Yanis Varoufakis: Thoughts for the Post-2008 Worldhttps://yanisvaroufakis.eu/euro-crisis/modest-proposal/.

    Wikipedia. 2016. “Greenback Party.” http://en.wikipedia.org/wiki/European_troika (accessed April 19, 2016)

    Wikipedia. 2015. “European Troika.” http://en.wikipedia.org/wiki/European_troika (accessed March 20, 2016).

    Wray, Randall L., and Dimitri B. Papadimitriou. 2012. “Euroland’s Original Sin.” Levy Economics Institute of Bard College Policy Note 8: 1-5. http://www.levyinstitute.org/pubs/pn_12_08.pdf.

    Wray, L. Randall. 2014. “Modern Money Theory: The Basics.” New Economic Perspectives, June 24. http://neweconomicperspectives.org/2014/06/modern-money-theory-basics.html.

    Wray, L. Randall. 2014. “What Are Taxes For? The MMT Approach.” New Economic Perspectives, May 15. http://neweconomicperspectives.org/2014/05/taxes-mmt-approach.html.

    i. Bill Mitchell, “Democracy in Europe requires Eurozone Breakup,” Billy Blog (blog), January 6, 2016, http://bilbo.economicoutlook.net/blog/?p=32730.

    ii. Randall L. Wray and Dimitri B. Papadimitriou, “Euroland’s Original Sin,” Policy Note 8, July 2012, Levy Economics Institute of Bard College, http://www.levyinstitute.org/pubs/pn_12_08.pdf.

  • Richard Hill — The Root Causes of Internet Fragmentation

    Richard Hill — The Root Causes of Internet Fragmentation


    a review of Scott Malcomson, Splinternet: How Geopolitics and Commerce Are Fragmenting the World Wide Web
      (OR Books, 2016)
    by Richard Hill
    ~

    The implicit premise of this valuable book is that “we study the past to understand the present; we understand the present to guide the future.” In that light, the book makes a valuable contribution by offering a sound and detailed historical survey of aspects of the Internet which are not well-known nor easily accessible outside the realms of dedicated internet research. However, as explained below, the author has not covered some important aspects of the past and thus the work is incomplete as a guide to the future. This should not be taken as criticism, but as a call for the author, or other scholars, to complete the work.

    The book starts by describing how modern computers and computer networks evolved from the industrialization of war and in particular due to the advantages that could be gained by automating the complex mathematical calculations required for ballistics on the one hand (computers) and by speeding up communications between elements of armed forces on the other hand (networks). Given the effectiveness of ICTs for war, belligerents before, during, and after World War II heavily funded research and development of those technologies in the military context, even if much of the research was outsourced to the private sector.

    Malcomson documents how the early founders of what we now call computer science were based in the USA and were closely associated with US military efforts: “the development of digital computing was principally an unintended byproduct of efforts to improve the accuracy of gunfire against moving targets” (49).

    Chapter 1 ends with an account of how Cold War military concerns (especially so-called mutual assured destruction by nuclear weapons) led to the development of packet switched networks in order to interconnect powerful computers: ARPANET, which evolved to become the Internet.

    Chapter 2 explores a different, but equally important, facet of Internet history: the influence of the anti-authoritarian hacker culture, which started with early computer enthusiasts, and fully developed in the 1970s and 1980s, in particular in the West Coast (most famously documented in Steven Levy’s 1984 book Hackers: Heroes of the Computer Revolution). The book explains the origins of the venture capitalism that largely drove the development of ICTs (including the Internet) as private risk capital replaced state funding for research and development in ICTs.

    The book documents the development of the geek culture’s view that computers and networks should be “an instrument of personal liberation and create a frictionless, alternative world free from the oppressing state” (101). Malcomson explains how this led to the belief that the Internet should not be subject to normal laws, culminating in Barlow’s well known utopian “Declaration of the Independence of Cyberspace,” and explains how such ideas could not, and did not survive. The chapter concludes: “The subculture had lost the battle. Governments and large corporations would now shape the Internet” (137). But, as the book notes later (171), it was in fact primarily one government, the US government, that shaped the Internet. And, as Shawn Powers and Michael Jablonski explain in The Real Cyberwar, the US used its influence to further its own geopolitical and global economic goals.

    Chapter 3 explores the effects of globalization, the weakening of American power, the rise of competing powers, and the resulting tensions regarding US dominance of ICTs in general and the Internet in particular. It also covers the rise of policing of the Internet induced by fear of “terrorists, pedophiles, drug dealers, and money launderers” (153).

    We have come full circle: a technology initially designed for war is now once again used by the military to achieve its aims, the so-called “war on terror.” So there is a tension between three different forces, all of which were fundamental to the development of ICTs (including the Internet): the government, military, and security apparatus; more-or-less anarchic technologists; and dominant for-profit companies (which may have started small, but can quickly become very large and dominant – at least for a few years until they are displaced by newcomers).

    As the subtitle indicates, the book is mostly about the World Wide Web, so some of the other aspects of the history of the Internet are not covered. For example, there is no mention of the very significant commercial and political battles that took place between proponents of the Internet and proponents of the Open Systems Interconnection (OSI) suite of standards; this is a pity, because the residual effects of those battles are still being felt today. Nor does the book explore the reasons for and effects of the transition of the management of the Internet from the US Department of Defense to the US Department of Commerce (even if it correctly notes that the chief interest of the Clinton administration “was in a thriving Internet that would lead to new industries and economic growth” [133]).

    Malcomson explains well how there were four groups competing for influence in the late 1990s: technologists, the private sector, the US government, and other governments, and notes how the US government was in an impossible situation, since it could not credibly argue simultaneously that other governments (or intergovernmental organizations such as the ITU) should not influence the Internet while it itself formally supervised the management and administration of the domain name system (DNS). However, he does not explain how the origins of the DNS, its subsequent development, or how its management and administration were unilaterally hijacked by the US, leading to much of the international tension that has bedeviled discussions on Internet governance since 1998.

    Regarding the World Wide Web, the book does not discuss how the end-to-end principle and its premise of secure end devices resulted in unforeseen consequences (such as spam, cybercrime, and cyberattacks) when unsecure personal computers became the dominant device connected via the Internet. Nor does it discuss how the lack of billing mechanisms in the Internet protocol suite has led to the rise of advertising as the sole revenue generation mechanism and the consequences of that development.

    The book analyses the splintering (elsewhere called fragmentation) brought about by the widespread adoption of proprietary systems operating system and their associated “apps”, and by mass surveillance. As Malcomson puts the matter, mass surveillance “was fatal to the universality of the web, because major web companies were and are global but cannot be both global and subject to the intricate agendas of US intelligence and defense institutions, whose purpose is to defend national interests, not universal interests” (160).

    However, the book does not discuss in any depth other sources of splintering, such as calls by some governments for national control over some portions of the Internet, or violations of network neutrality, or zero rating. Yet the book notes that the topic of network neutrality had been raised by Vice President Gore as early as 1993: “Without provisions for open access, the companies that own the networks could use their control of the networks to ensure that their customers only have access to their programming. We have already seen cases where cable company owners have used their monopoly control of their networks to exclude programming that competes with their own. Our legislation will contain strong safeguards against such behavior” (124). As we know, the laws called for in the last sentence were never implemented, and it was only in 2015 that the Federal Communication Commission imposed network neutrality. Malcomson could have used his deep knowledge of the history of the Internet to explain why Gore’s vision was not realized, no doubt because of the tensions mentioned above between the groups competing for influence.

    The book concludes that the Internet will increasingly cease to be “an entirely cross border enterprise”(190), but that the benefits of interoperability will result in a global infrastructure being preserved, so that “a fragmented Internet will retain aspects of universality” (197).

    As mentioned above, the book provides an excellent account of much of the historical origins of the World Wide Web and the disparate forces involved in its creation. The book would be even more valuable if it built on that account to analyze more deeply and put into context trends (which it does mention) other than splintering, such as the growing conflict between Apple, Google et al. who want no restrictions on data collection and encryption (so that they can continue to collect and monetize data), governments who want no encryption so they can censor and/or surveil, and governments who recognize that privacy is a human right, that privacy rules should be strengthened, and that end-users should have full ownership and control of their data.

    Readers keen to understand the negative economic impacts of the Internet should read Dan Schiller’s Digital Depression, and readers keen to understand the negative impacts of the Internet on democracy should read Robert McChesney’s Digital Disconnect. This might lead some to believe that we have would up exactly where we didn’t want to be: “government-driven, corporate-interest driven, profit-driven, monopoly-driven.” The citation (from Lyman Chapin, one of the founders of the Internet Society), found on p. 132 of Malcomson’s book, dates back to 1991, and it reflects what the technologists of the time wanted to avoid.

    To conclude, it is worth noting the quotation on page 57 from Norbert Wiener: “Just as the skilled carpenter, the skilled mechanic, the skilled dressmaker have in some degree survived the first industrial revolution, so the skilled scientist and the skilled administrator might survive the second [the cybernetic revolution]. However, taking the second revolution as accomplished, the average human of mediocre attainments has nothing to sell that is worth anyone’s money to buy. The answer, of course, is to have a society based on human values other than buying and selling.”

    Wiener thus foresaw the current fundamental trends and dilemmas that have been well documented and analyzed by Robert McChesney and John Nichols in their new book People Get Ready: The Fight Against a Jobless Economy and a Citizenless Democracy (Nation Books, 2016).

    There can be no doubt that the current trends are largely conditioned by the early history of ICTs (and in particular of the Internet) and its roots in military applications. Thus Splinternet is a valuable source of material that should be carefully considered by all who are involved in Internet policy matters.
    _____

    Richard Hill is President of the Association for Proper internet Governance, and was formerly a senior official at the International Telecommunication Union (ITU). He has been involved in internet governance issues since the inception of the internet and is now an activist in that area, speaking, publishing, and contributing to discussions in various forums. Among other works he is the author of The New International Telecommunication Regulations and the Internet: A Commentary and Legislative History (Springer, 2014). He writes frequently about internet governance issues for The b2 Review Digital Studies magazine.

    Back to the essay

  • Charles Bernstein–“Pitch of Poetry!”

    Charles Bernstein–“Pitch of Poetry!”

    I am happy to announce the publication of Pitch of Poetry, my new collection of essays from the University of Chicago Press. There will be launches for the book in Washington, DC (Bridge Street Books) on March 20, at Penn (Kelly Writers House) on April 12, and in New York (the Poetry Project) on April 20 (see below for details).

    Pitch of Poetry makes the case for echopoetics: a poetry of call and response
    , reason and imagination, disfiguration and refiguration.

    Publishers Weekly
    “Often elliptical, argumentative, and personal, this is a radical work about the nature of poetry and of language itself.”

    Library Journal
    “A strangely compelling amalgam of postulations, propositions, interviews, and opinions, this collection from Bernstein is as much a work of art as a work of criticism.”

    Craig Dworkin
    “The traits and energies that made Bernstein, the foremost poet-critic of our time, a leading figure of the 1980s-era avant-garde have continued unabated.”

    Pierre Joris
    Pitch of Poetry is wide-ranging, protean, exhilarating.”

    Subjects range across the figurative nature of abstract art, Occupy Wall Street, and Shoah representation. Detailed overviews of formally inventive work include essays on—or “pitches” for—a set of key poets, from Gertrude Stein and Robert Creeley to John Ashbery, Barbara Guest, Larry Eigner, Leslie Scalapino, Maggie O’Sullivan, and Johanna Drucker. Bernstein also reveals the formative ideas behind L=A=N=G=U=A=G=E. The final section, published here for the first time, is a sweeping work on the poetics of stigma, perversity, and disability that is rooted in the thinking of Edgar Allan Poe, Emily Dickinson, Ralph Waldo Emerson, and William Blake.

    BOOK LAUNCHES (readings and signings):
    Bridge Street Books, Weds., March 30, 7:30pm (2814 Pennsylvania Ave NW, Washington, DC 20007):
    Kelly Writers House, University of Pennsylvania, Tues., April 12, 6pm
    Poetry Project, St. Mark’s Church,  New York: Weds., April 20, 8pm

    Information on ordering the book: University of Chicago Press page. The publication date is the first day of Spring, but the book is just now available.  Book cover image: © Lawrence Schwartzwald

  • Michelle Moravec — The Never-ending Night of Wikipedia’s Notable Woman Problem

    Michelle Moravec — The Never-ending Night of Wikipedia’s Notable Woman Problem

    By Michelle Moravec
    ~

    Author’s note: this is the written portion of a talk given at St. Joseph University’s Art + Feminism Wikipedia editathon, February 27, 2016. Thanks to Rachael Sullivan for the invite and  Rosalba Ugliuzza for Wikipedia data culling!

    Millions of the sex whose names were never known beyond the circles of their own home influences have been as worthy of commendation as those here commemorated. Stars are never seen either through the dense cloud or bright sunshine; but when daylight is withdrawn from a clear sky they tremble forth
    — Sarah Josepha Hale, Woman’s Record (1853)

    and others was a womanAs this poetic quote by Sarah Josepha Hale, nineteenth-century author and influential editor reminds us, context is everything.   The challenge, if we wish to write women back into history via Wikipedia, is to figure out how to shift the frame of references so that our stars can shine, since the problem of who precisely is “worthy of commemoration” or in Wikipedia language, who is deemed notable, so often seems to exclude women.

    As as Shannon Mattern asked at last year’s Art + Feminism Wikipedia edit-a-thon, “Could Wikipedia embody some alternative to the ‘Great Man Theory’ of how the world works?” Literary scholar Alison Booth, in How To Make It as a Woman, notes that the first book in praise of women by a woman appeared in 1404 (Christine de Pizan’s Book of the City of Ladies), launching a lengthy tradition of “exemplary biographical collections of women.” Booth identified more than 900 voluanonymous was toomes of prosopography published during what might be termed the heyday of the genre, 1830-1940, when the rise of the middle class and increased literacy combined with relatively cheap production of books to make such volumes both practicable and popular. Booth also points out, that lest we consign the genre to the realm of mere curiosity, predating the invention of “women’s history” the compilers, editrixes or authors of these volumes considered them a contribution to “national history” and indeed Booth concludes that the volumes were “indispensable aids in the formation of nationhood.”

    Booth compiled a list of the most frequently mentioned women in a subset of these books and tracked their frequency over time.  In an exemplary project, she made this data available on the web, allowing for the creation of the visualization below of American figures on that chart.

    booth data by date

    This chart makes clear what historians already know, notability is historically specific and contingent, something Wikipedia does not take into account in formulating guidelines that take this to be a stable concept.

    Only Pocahontas deviates from the great white woman school of history and she too becomes less salient over time.  Furthermore, by the standards of this era, at least as represented by these books, black women were largely considered un-notable. This perhaps explains why, in 1894, Gertrude Mossell published The Work of the Afro-American Woman, a compilation of achievements that she described as “historical in character.” Mossell’s volume itself is a rich source of information of women worthy of commemoration and commendation.

    Looking further into the twentieth-century, the successor to this sort of volume is aptly titled, Notable American Women, a three-volume set that while published in 1971 had its roots in the 1950s when Arthur Schlesinger, as head of Radcliffe’s College council, suggested that a biographical dictionary of women might be a useful thing. Perhaps predictably, a publisher could not be secured, so Radcliffe funded the project itself. The question then becomes does inclusion in a volume declaring women as “notable” mean that these women would meet Wikipedia’s “notability” standards?

    Studies have found varying degrees of bias in coverage of female figures compared to male figures. The latest numbers I found, as of January 2015, concluded that women constituted only 15.5 percent of the biographical entries on the English Wikipedia, and that prior to the 20th century, the problem was wildly exacerbated by “sourcing and notability issues.” Using the “missing” biographies concept borrowed from a 2010 study of Wikipedia’s “completeness,” I compared selected “classified” areas for biographies of Notable American Women (analysis was conducted by hand with tremendous assistance from Rosalba Ugliuzza).

    Working with the digitized copy of Notable American Women in Women and Social Movements, I began compiling a “missing” biographies quotient,  the percentage of entries missing for individuals by the “classified list of biographies” that appeared at the end of the third volume of Notable American Women. Mirroring the well-known category issues of Wikipedia, the editors finessed the difficulties of limiting individuals to one area by including them in multiple, including a section called “Negro Women” and another called “Indian Women”:

    missing for blog

    Initially I had suspected that larger classifications might have a greater percentage of missing entries, but that is not true. Social workers, the classification with the highest percentage of missing entries, is a relatively small classification with only nine individuals. The six classifications with no missing entries ranged in size from five to eleven.  I then created my own meta-categories to summarize what larger classifications might exacerbate this “missing” biographies problem.

    legend missing blog

    Inclusion in Notable American Women does not translate into inclusion in Wikipedia.   Influential individuals associated with female-dominated professions, social work and nursing, are less likely to be considered notable, as are those “leaders” in settlement houses or welfare work or “reformers” like peace advocates.   Perhaps due to edit-a-thons or Wikipedians-in-residence, female artists and female scientists have fared quite well.  Both Indian Women and Negro Women have the same percentage of missing women.

    Looking at the network of “Negro Women” by their Notable American Women classified entries, I noted their centrality. Frances Harper and Ida B. Wells are the most networked women in the volumes, which is representative of their position as bridge leaders (I also noted the centrality of Frances Gage, who does not have a Wikipedia entry yet, a fate she shares with the white abolitionists Sallie Holley and Caroline Putnam).

    negro network colors

    Visualizing further, I located two women who don’t have Wikipedia entries and are not included in Notable American Women:

    missing negro women

    Eva del Vakia Bowles was a long time YWCA worker who spent her life trying to improve interracial relations. She was the first black woman hired by the YWCA to head a branch. During WWI, Bowles had charge of Y’s established near war work factories to provide R & R for workers. Throughout her tenure at the Y, Bowles pressed the organization to promote black women to positions within the organization. In 1932 she resigned from her beloved Y in protest over policies she believed excluded black women from the decision making processes of the National Board.

    Addie D. Waites Hunton, also a Y worker and founding member of the NAACP, was an amazing woman who along with her friend Kathryn Magnolia Johnson authored Two Colored Women with the American Expeditionary Forces (1920), which details their time as Y workers in WWI where they were among the very first black women sent. Later, she became a field worker for the NAACP, a member of the WILPF, and was an observer in Haiti in 1926 as part of that group

    Finally, using a methodology I developed when working on the racially-biased History of Woman Suffrage, I scraped names from Mossell’s The Work of the Afro-American Woman to find women that should have appeared in Notable American Women and in Wikipedia. Although this is rough result of named extractions, it gave me a place to start.

    overlaps negro women

    Alice Dugged Cary does not appear in Notable American Women or Wikipedia.  She was born free in 1859 became president of the State Federation of Colored Women of Georgia, librarian of first branch for African Americans in Atlanta, established first free kindergartens for African American children in Georgia, nominated as honorary member in Zeta Phi Beta and was involved in its spread.

    Similarly, Lucy Ella Moten, born free in 1851, became principal of Miner Normal School, earned an M.D., and taught in the South during summer “vacations, appears in neither Notable American Women nor Wikipedia (or at least she didn’t until Mike Lyons started her page yesterday at the editathon!).

    _____

    Michelle Moravec (@ProfessMoravec) is Associate Professor of History at Rosemont College. She is a prominent digital historian and the digital history editor for Women and Social Movements. Her current project, The Politics of Women’s Culture, uses a combination of digital and traditional approaches to produce an intellectual history of the concept of women’s culture. She writes a monthly column for the Mid-Atlantic Regional Center for the Humanities, and maintains her own blog History in the City, at which an earlier version of this post first appeared.

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  • Jürgen Geuter — Liberty, an iPhone, and the Refusal to Think Politically

    Jürgen Geuter — Liberty, an iPhone, and the Refusal to Think Politically

    By Jürgen Geuter
    ~

    The relationship of government and governed has always been complicated. Questions of power, legitimacy, structural and institutional violence, of rights and rules and restrictions keep evading any ultimate solution, chaining societies to constant struggles about shifting balances between different positions and extremes or defining completely new aspects or perspectives on them to shake off the often perceived stalemate. Politics.

    Politics is a simple word but one with a lot of history. Coming from the ancient Greek term for “city” (as in city-state) the word pretty much shows what it is about: Establishing the structures that a community can thrive on. Policy is infrastructure. Not made of wire or asphalt but of ideas and ways of connecting them while giving the structure ways of enforcing the integrity of itself.

    But while the processes of negotiation and discourse that define politics will never stop while intelligent beings exist recent years have seen the emergence of technology as a replacement of politics. From Lawrence Lessig’s “Code is Law” to Marc Andreessen’s “Software Is Eating the World”: A small elite of people building the tools and technologies that we use to run our lives have in a way started emancipating from politics as an idea. Because where politics – especially in democratic societies – involves potentially more people than just a small elite, technologism and its high priests pull off a fascinating trick: defining policy and politics while claiming not to be political.

    This is useful for a bunch of reasons. It allows to effectively sidestep certain existing institutions and structures avoiding friction and loss of forward momentum. “Move fast and break things” was Facebook’s internal motto until only very recently. It also makes it easy to shed certain responsibilities that we expect political entities of power to fulfill. Claiming “not to be political” allows you to have mobs of people hunting others on your service without really having to do anything about it until it becomes a PR problem. Finally, evading the label of politics grants a lot more freedoms when it comes to wielding powers that the political structures have given you: It’s no coincidence that many Internet platform declare “free speech” a fundamental and absolute right, a necessary truth of the universe, unless it’s about showing a woman breastfeeding or talking about the abuse free speech extremists have thrown at feminists.

    Yesterday news about a very interesting case directly at the contact point of politics and technologism hit mainstream media: Apple refused – in a big and well-written open letter to its customers – to fulfill an order by the District Court of California to help the FBI unlock an iPhone 5c that belonged to one of the shooters in last year’s San Bernadino shooting, in which 14 people were killed and 22 more were injured.

    Apple’s argument is simple and ticks all the boxes of established technical truths about cryptography: Apple’s CEO Tim Cook points out that adding a back door to its iPhones would endanger all of Apple’s customers because nobody can make sure that such a back door would only be used by law enforcement. Some hacker could find that hole and use it to steal information such as pictures, credit card details or personal data from people’s iPhones or make these little pocket computers do illegal things. The dangers Apple correctly outlines are immense. The beautifully crafted letter ends with the following statements:

    Opposing this order is not something we take lightly. We feel we must speak up in the face of what we see as an overreach by the U.S. government.

    We are challenging the FBI’s demands with the deepest respect for American democracy and a love of our country. We believe it would be in the best interest of everyone to step back and consider the implications.

    While we believe the FBI’s intentions are good, it would be wrong for the government to force us to build a backdoor into our products. And ultimately, we fear that this demand would undermine the very freedoms and liberty our government is meant to protect.

    Nothing in that defense is new: The debate about government backdoors has been going on for decades with companies, software makers and government officials basically exchanging the same bullets points every few years. Government: “We need access. For security.” Software people: “Yeah but then nobody’s system is secure anymore.” Rinse and repeat. That whole debate hasn’t even changed through Edward Snowden’s leaks: While the positions were presented in an increasingly shriller and shriller tone the positions themselves stayed monolithic and unmoved. Two unmovable objects yelling at each other to get out of the way.

    Apple’s open letter was received with high praise all through the tech-savvy elites, from the cypherpunks to journalists and technologists. One tweet really stood out for me because it illustrates a lot of what we have so far talked about:

    Read that again. Tim Cook/Apple are clearly separated from politics and politicians when it comes to – and here’s the kicker – the political concept of individual liberty. A deeply political debate, the one about where the limits of individual liberty might be is ripped out of the realm of politicians (and us, but we’ll come to that later). Sing the praises of the new Guardian of the Digital Universe.

    But is the court order really exactly the fundamental danger for everybody’s individual liberty that Apple presents? The actual text paints a different picture. The court orders Apple to help the FBI access one specific, identified iPhone. The court order lists the actual serial number of the device. What “help” means in this context is also specified in great detail:

    1. Apple is supposed to disable features of the iPhone automatically deleting all user data stored on the device which are usually in place to prevent device thieves from accessing the data the owners of the device stored on it.
    2. Apple will also give the FBI some way to send passcodes (guesses of the PIN that was used to lock the phone) to the device. This sounds strange but will make sense later.
    3. Apple will disable all software features that introduce delays for entering more passcodes. You know the drill: You type the wrong passcode and the device just waits for a few seconds before you can try a new one.

    Apple is compelled to write a little piece of software that runs only on the specified iPhone (the text is very clear on that) and that disables the 2 security features explained in 1 and 3. Because the court actually recognizes the dangers of having that kind of software in the wild it explicitly allows Apple to do all of this within its own facilities: the Phone would be sent to an Apple facility, the software loaded to the RAM of the device. This is where 2 comes in: When the device has been modified by loading the Apple-signed software into its RAM the FBI needs a way to send PIN code guesses to the device. The court order even explicitly states that Apple’s new software package is only supposed to go to RAM and not change the device in other ways. Potentially dangerous software would never leave Apple’s premises, Apple also doesn’t have to introduce or weaken the security of all its devices and if Apple can fulfill the tasks described in some other way the court is totally fine with it. The government, any government doesn’t get a generic backdoor to all iPhones or all Apple products. In a more technical article than this on Dan Guido outlines that what the court order asks for would work on the iPhone in question but not on most newer ones.

    So while Apple’s PR evokes the threat of big government’s boots marching on to step on everybody’s individual freedoms, the text of the court order and the technical facts make the case ultra specific: Apple isn’t supposed to build a back door for iPhones but help law enforcement to open up one specific phone within their possession connected not to a theoretical crime in the future but the actual murder of 14 people.

    We could just attribute it all to Apple effectively taking a PR opportunity to strengthen the image it has been developing after realizing that they just couldn’t really do data and services, the image of the protector of privacy and liberty. An image that they kicked into overdrive post-Snowden. But that would be too simple because the questions here are a lot more fundamental.

    How do we – as globally networked individuals living in digitally connected and mutually overlaying societies – define the relationship of transnational corporations and the rules and laws we created?

    Cause here’s the fact: Apple was ordered by a democratically legitimate court to help in the investigation of a horrible, capital crime leading to the murder of 14 people by giving it a way to potentially access one specific phone of the more than 700 million phones Apple has made. And Apple refuses.

    Which – don’t get me wrong – is their right as an entity in the political system of the US: They can fight the court order using the law. They can also just refuse and see what the government, what law enforcement will do to make them comply. Sometimes the cost of breaking that kind of resistance overshadow the potential value so the request gets dropped. But where do we as individuals stand whose liberty is supposedly at stake? Where is our voice?

    One of the main functions of political systems is generating legitimacy for power. While some less-than-desirable systems might generate legitimacy by being the strongest, in modern times less physical legitimizations of power were established: a king for example often is supposed to rule because one or more god(s) say so. Which generates legitimacy especially if you share the same belief. In democracies legitimacy is generated by elections or votes: by giving people the right to speak their mind, elect representatives and be elected the power (and structural violence) that a government exerts is supposedly legitimized.

    Some people dispute the legitimacy of even democratically distributed power, and it’s not like they have no point, but let’s not dive into the teachings of Anarchism here. The more mainstream position is that there is a rule of law and that the institutions of the United States as a democracy are legitimized as the representation of US citizens. They represent every US citizen, they each are supposed to keep the political structure, the laws and rules and rights that come with being a US citizen (or living there) intact. And when that system speaks to a company it’s supposed to govern and the company just gives it the finger (but in a really nice letter) how does the public react? They celebrate.

    But what’s to celebrate? This is not some clandestine spy network gathering everybody’s every waking move to calculate who might commit a crime in 10 years and assassinate them. This is a concrete case, a request confirmed by a court in complete accordance with the existing practices in many other domains. If somebody runs around and kills people, the police can look into their mail, enter their home. That doesn’t abolish the protections of the integrity of your mail or home but it’s an attempt to balance the rights and liberties of the individual as well as the rights and needs of all others and the social system they form.

    Rights hardly ever are absolute, some might even argue that no right whatsoever is absolute: you have the right to move around freely. But I can still lock you out of my home and given certain crimes you might be locked up in prison. You have the right to express yourself but when you start threatening others, limits kick in. This balancing act that I also started this essay with has been going on publicly for ages and it will go on for a lot longer. Because the world changes. New needs might emerge, technology might create whole new domains of life that force us to rethink how we interact and which restrictions we apply. But that’s nothing that one company just decides.

    In unconditionally celebrating Cook’s letter a dangerous “apolitical” understanding of politics shows its ugly face: An ideology so obsessed with individual liberty that it happily embraces its new unelected overlords. Code is Law? More like “Cook is Law”.

    This isn’t saying that Apple (or any other company in that situation) just has to automatically do everything a government tells them to. It’s quite obvious that many of the big tech companies are not happy about the idea of establishing precedent in helping government authorities. Today it’s the FBI but what if some agency from some dictatorship wants the data from some dissident’s phone? Is a company just supposed to pick and choose?

    The world might not grow closer together but it gets connected a lot more and that leads to inconsistent laws, regulations, political ideologies etc colliding. And so far we as mankind have no idea how to deal with it. Facebook gets criticized in Europe for applying very puritanic standards when it comes to nudity but it does follow as a US company established US traditions. Should they apply German traditions which are a lot more open when it comes to depictions of nudity as well? What about rules of other countries? Does Facebook need to follow all? Some? If so which ones?

    While this creates tough problems for international law makers, governments and us more mortal people, it does concern companies very little as they can – when push comes to shove – just move their base of operation somewhere else. Which they already do to “optimize” avoid taxes, about which Cook also recently expressed indignant refusal to comply with US government requirements as “total political crap” – is this also a cause for all of us across the political spectrum to celebrate Apple’s protection of individual liberty? I wonder how the open letter would have looked if Ireland, which is a tax haven many technology companies love to use, would have asked for the same thing California did?

    This is not specifically about Apple. Or Facebook. Or Google. Or Volkswagen. Or Nestle. This is about all of them and all of us. If we uncritically accept that transnational corporations decide when and how to follow the rules we as societies established just because right now their (PR) interests and ours might superficially align how can we later criticize when the same companies don’t pay taxes or decide to not follow data protection laws? Especially as a kind of global digital society (albeit of a very small elite) we have between cat GIFs and shaking the fist at all the evil that governments do (and there’s lots of it) dropped the ball on forming reasonable and consistent models for how to integrate all our different inconsistent rules and laws. How we gain any sort of politically legitimized control over corporations, governments and other entities of power.

    Tim Cook’s letter starts with the following words:

    This moment calls for public discussion, and we want our customers and people around the country to understand what is at stake.

    On that he and I completely agree.


    _____

    Jürgen Geuter (@tante) is a political computer scientist living in Germany. For about 10 years he has been speaking and writing about technology, digitalization, digital culture and the way these influence mainstream society. His writing has been featured in Der Spiegel, Wired Germany and other publications as well as his own blog Nodes in a Social Network, on which an earlier version of this post first appeared.

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  • Announcing Our Winter Issue: Econophonia: Music, Value, and Forms of Life

    Announcing Our Winter Issue: Econophonia: Music, Value, and Forms of Life

    b2_43_1_Cover_r3 - Option 1

    This issue theorizes what questions of value might contribute to our understanding of sound and music. Divesting sound and music from notions of intrinsic value, the contributors follow various avenues through which sound and music produce value in and as history, politics, ethics, epistemology, and ontology. As a result, the very question of what sound and music are—what constitutes them, as well as what they constitute—is at stake. Contributors examine the politics of music and crowds, the metaphysics of sensation, the ecological turn in music studies, and the political resistance inherent to sound; connect Karl Marx to black music and slave labor; look at Marx, the Marx Brothers, and fetishism; and explore the tension between the voice of the Worker who confronts Capital head-on and the voices of actual workers.

    Contributors include Amy Cimini, Bill Dietz, Jairo Moreno, Rosalind Morris, Ana María Ochoa Gautier, Ronald Radano, Gavin Steingo, Peter Szendy, Gary Tomlinson, and Naomi Waltham-Smith.

    See the introduction by Gavin Steingo and Jairo Moreno.

  • Micah Robbins — Misanthropic Humanism & the Politics of Comic Futility: Robert T. Tally Jr.’s Kurt Vonnegut and the American Novel

    Micah Robbins — Misanthropic Humanism & the Politics of Comic Futility: Robert T. Tally Jr.’s Kurt Vonnegut and the American Novel

    by Micah Robbins

    Kurt Vonnegut owes a good measure of his popularity, both as novelist and public intellectual, to his gift for treating the most depressing aspects of postmodern American life with cheerful contempt. His steadfast good humor renders dissident fictions palatable for mainstream audiences, while also appealing to those more politically active readers who are convinced the core values animating contemporary American life must be revised if, as the most idealistic generation in recent memory warned, we are not to be “the last generation in the experiment with living.”¹ He is, in this regard, one of postwar America’s most politically savvy literary voices, a novelist perhaps uniquely suited to posit radical ideas within mainstream discourse. It is important to note, however, that while Vonnegut lends his voice to a number of “isms” well outside the bounds of popular American politics (socialism, pacifism, and atheism come immediately to mind), he does so while remaining conspicuously skeptical of political activism as a force for positive and lasting social change. He thus performs the paradoxical task of inculcating a progressive moralism that condemns the most troubling aspects of postmodern American life—most notably the twin forces of consumer capitalism and militarization—while at the same time insisting on the inability of progressive politics to set straight what he sees as having gone so obviously awry. At the core of his critique is a “Do-Nothing ethos,” a sort of hip resignation that suggests an inevitable descent into evermore cruel and calloused ways of being.² This ethos finds its most memorable expression in his famously fatalistic phrase, “So it goes,” which he utters like a mantra throughout Slaughterhouse-Five (1969); or, to put it differently, as he does in his less popular novel Bluebeard (1987), humankind is “doomed to repeat the past no matter what. That’s what it is to be alive” (Slaughterhouse-Five 2; Bluebeard 91). It is around this fatalism that his oeuvre’s core contradiction develops. While Vonnegut’s novels may speak passionately against manifold forms of violence and oppression, they ultimately succumb to a playful nihilism that, though rich in irony and black humor, offers little by way of imagining a future beyond the sequence of traumas and disasters that characterizes our historical moment.

    Irony and black humor are, to be sure, means of making the intolerable seem tolerable, as gallows humor surely attests, and in the hands of more radical satirists such as William S. Burroughs, Ishmael Reed, Thomas Pynchon, and Kathy Acker, to name just a few of Vonnegut’s contemporaries, they become discursive weapons against the violent, exploitative mentalities that continue to structure our world into the twenty-first century. But with Vonnegut, the gallows carry the day. This is not to deny that Vonnegut’s satire does much to shame prevailing sociopolitical mores. It does. It also raises a powerful alarm that something has gone horribly wrong in the world. But in the end, Vonnegut’s fiction eschews imagining acts of meaningful resistance—symbolic or actual. His work is, in this regard a surrender, for even his most politically effective novels advance an image of humanity as powerless to enact positive social change in the face of overwhelming biological and historical forces. In his well-known 1973 interview with Playboy magazine, Vonnegut goes so far as to explicitly position the political novelist as part of a biological process that functions independently of the writer’s strategic intentions, an explanation that illustrates the fatalistic paradox at the core of his politics. In response to a question regarding his motives for writing, he says, “My motives are political. I agree with Stalin and Hitler and Mussolini that the writer should serve his society. I differ with the dictators as to how writers should serve. Mainly I think they should be—and biologically have to be—agents of change” [my emphasis]. Vonnegut imagines writers as “evolutionary cells” in the “social organism,” biologically determined agents that simultaneously introduce new ideas into society and function as a central “means of responding symbolically to life.” Yet immediately after articulating his progressive political commitments, Vonnegut turns notably pessimistic, stating, “I don’t think we’re in control of what we do,” before proceeding (in characteristically self-depreciatory fashion) to dismiss his theory of the writer as a force for evolutionary social change as “horseshit.”³ He thus undermines, in a moment of what I read as impromptu candor, one of the foundational premises of political activism: that people can join in solidarity and organize around conscious acts of will to fashion a better future.

    Robert T. Tally, Jr. takes up Vonnegut’s paradoxical politics in his ambitious study, Kurt Vonnegut and the American Novel: A Postmodern Iconography (2011). Ranging over Vonnegut’s nearly fifty-year career, and offering commentary on all fourteen of his novels, Tally develops a theory of Vonnegut as a leading iconographer of postmodern American society. This is not to say that Vonnegut is a leading postmodernist per se —Tally suggests the label “postmodern” doesn’t quite fit—but rather that he is a writer with deep-seated modernist sensibilities whose work attempts to capture a comprehensive vision of America at the height of its power. In ranging over Vonnegut’s novels, Tally touches on some crucial theoretical and generic concerns, both of which I’ll discuss in due course, but what stands out most impressively when considering Vonnegut’s effort to construct a thoroughgoing postmodern iconography is the way in which his modernist political sensibility—rooted in utopian ideals of social wholeness and moral intelligibility—gives way to the overwhelming uncertainty and fragmentation of the postmodern age. His iconography may aim for the “comprehensiveness and unity assayed by the most wide-eyed utopians of the early modernist period,” as Tally argues early in his study, “yet Vonnegut’s world remains more fragmentary and unfixed than the elegiac modernists imagined. Hence, Vonnegut makes a botch of things” (Kurt Vonnegut and the American Novel xxi). By tracking Vonnegut’s career-long attempt to negotiate the tensions between modernity and postmodernity, Tally offers a compelling literary-critical portrait of a significant (though largely neglected) American novelist grappling with the contradictions and crises of postwar American life, a portrait that helps clarify the paradoxical core of Vonnegut’s fatalistic political ethos.

    Tally argues that Vonnegut’s postmodern iconography is a fundamentally modernist project in that it seeks through symbolic means to contain a cultural moment come unhinged through rapid technological development and the values associated with mass consumerism and unchecked militarization. In response to the pervasive fragmentation of American society, Vonnegut constructs an iconography intended to identify the roots of postmodern social disintegration and thus, by extension, illuminate traces of a prelapsarian integrated whole or idealized unity. We see in this effort what Tally regards as Vonnegut’s “thoroughgoing, elegiac modernism,” a perspective that leads him to revisit key modernist concerns, including “the effects of industrialization and technology, the breakup of traditional (so-called organic) communities, the relations between historical and psychological structures, between social totality and personal experience” (6 – 7). Yet because he does so within a postmodern framework, his efforts at identifying clearly defined social problems that fit within stable narrative structures are ultimately stymied by the very slippages and lack of coherence that his fiction attempts to contain. The result of this tension is a body of work that fails to effectively imagine utopian solutions precisely because it runs repeatedly into the limitations of a cultural-historical moment that denies utopian thinking as such. As Tally rightly notes, “the politics of postmodernism—by denying both an Edenic past to return to and a utopian future just over the horizon—often appears doomed to fall back into an apolitical position.” As a result of this denial, and surrounded everywhere by a breakdown in signification and its attendant political frustrations, Vonnegut’s “political forces have been driven deeply into an unconscious. A writer who desperately wants to support causes championed by a populist left, Vonnegut cannot help his general despondence over the impossibility of a genuinely political movement achieving success” (10). So while Vonnegut’s modernist sensibility may lead him to desire stable political solutions, he ultimately succumbs to a postmodern framework that all but forecloses on the utopian, redemptive promise that energizes the various “isms” I mentioned above. He thus becomes what Tally calls “a reluctant postmodernist” (7).

    Although Tally makes the political dimensions of Vonnegut’s postmodern iconography clear, he tends away from situating Vonnegut within the rich and varied political discourses that shaped Cold War American society and its aftermath. He opts instead to engage literary-critical debates to argue for the significance of Vonnegut’s contribution to the development of American literature, even going so far as to suggest that Vonnegut is as good a candidate as any for having achieved some proximity to the ever-elusive “great American novel.” Indeed, Tally makes an extended claim that Vonnegut’s postmodern iconography is a noble yet failed attempt—a near miss, really—at achieving precisely such a deed. This is both a strength and a weakness. On the one hand, the book struggles to bear out Tally’s claim that Vonnegut’s iconography attempts the comprehensiveness associated with a project such as “the great American novel” precisely because it avoids a substantive engagement with specific sociopolitical developments in the decades following the end of the Second World War. Kurt Vonnegut and the American Novel is not a work of American studies, nor does it take advantage of sociohistorical methodologies that may, in the hands of some future scholar, help place Vonnegut’s work in relation to actual politics of world-historical significance—the Civil Rights and Anti-War movements, Nixon’s ouster and the rise of Reagan, the fall of Communism, etc. On the other hand, Tally’s emphasis on literary-critical debates allows him to construct an impressive survey of Vonnegut’s work, and he makes important strides toward understanding the extent of Vonnegut’s engagement with theoretical concerns developed by some of the twentieth century’s most important continental philosophers. Figures such as Friedrich Nietzsche, Martin Heidegger, Jean-Paul Sartre, Theodore Adorno, Gilles Deleuze, and Félix Guattari loom large in his study, and while their presence at times softens what could be a sharper focus on the particularities of Cold War American society, they allow Tally to make a case for Vonnegut as something more than a popular novelist. The truth is that Vonnegut is not taken very seriously within the academy, and by showing how his novels are shaped by and/or fit in relation to key theoretical insights, Tally makes a strong argument for Vonnegut’s place within a lineage of great American novelists running from Herman Melville to Thomas Pynchon.

    Yet even when Tally focuses on continental philosophy to make literary-critical claims about Vonnegut’s work, and particularly when he does so in relation to how Vonnegut negotiates the tension between modernist and postmodernist narrative techniques, he still manages to present important insights vis-à-vis Vonnegut’s paradoxical politics. For example, in his chapter on Vonnegut’s most famous novel, Slaughterhouse-Five, Tally draws extensively on Nietzsche’s theory of the “eternal return”—the idea that a finite universe exists in infinite time and space and thus must recur ad infinitum—as a key to understanding the novel’s “Tralfamadorian style.” Named after the bizarre alien life forms that abduct the book’s protagonist, Billy Pilgrim, and display him in a sort of zoo/natural history museum on their home planet Tralfamador, Vonnegut’s Tralfamadorian style is rooted in a cosmological concept that, much like Nietzsche’s eternal return, asserts “all moments, past, present, and future, always have existed, always will exist” (Vonnegut 1969, 34). Tralfamadorians experience such simultaneity literally, seeing all time arrayed before them as if it were a mountain chain over which their consciousnesses may range at will. Billy also experiences something approaching this simultaneity after coming “unstuck in time,” and his subsequent and varied shifts between the past, present, and future allow Vonnegut to dispose of linear storytelling and engage in altogether more experimental narrative techniques (29). Armed with Nietzsche’s theory of the eternal return, Tally argues that these techniques, though relying on apparent narrative instability and its associated fragmentation of experience, are actually evidence of Vonnegut’s attempt to achieve a more rigorous realism than that which more conventional narrative forms allow. If reality is determined by an eternal recurrence, as Nietzsche asserts, and all moments in time exist simultaneously, than it only makes sense that Slaughterhouse-Five’s narrative structure move beyond representing the world as if “one moment follows another one, like beads on a string, and that once a moment is gone it is gone forever” (Vonnegut 1969, 34). The novel’s fragmented narrative form thus becomes an exercise in constructing a cosmological unity, with past, present, and future held simultaneously in view and nothing left to slip away beyond our reach. For Tally, this is wholly “characteristic of Vonnegut’s modernism: the need for experimental narrative techniques (such as stream-of-consciousness, collage, time-warps) to do justice to what is really real, something that the older modes of realism were seemingly unable to accomplish. This marks Vonnegut’s wholly modernist view of reality” (78).

    Though questions regarding Vonnegut’s narrative techniques may seem to be of limited literary-critical interest, Tally shows how they prove reflective of Vonnegut’s “Tralfamadorian ethics,” an ethics infused with Nietzschean amor fati, or “love of fate,” and one that Tally argues is peculiarly “suited to Vonnegut’s modernist approach to the postmodern condition” (71). Billy’s disillusionment with time as linear phenomenon not only affects the novel’s narrative structure, but it also leads him to accept that which he has no power to change, namely the pervasive reality of death. Billy articulates this acceptance in a letter he writes to the editors of his local newspaper, an example Tally highlights as evidence of his peculiar ethics: “When a Tralfamadorian sees a corpse, all he thinks is that the dead person is in a bad condition in that particular moment, but that the same person is just fine in plenty of other moments. Now, when I myself hear that somebody is dead, I simply shrug and say what the Tralfamadorians say about dead people, which is ‘So it goes’” (34). The specific context of Billy’s struggle with death is the trauma he experiences after witnessing the American firebombing of Dresden, an event that Vonnegut also witnessed during his military service in World War Two. Hundreds of thousands of German civilians perished during the attack, and Billy’s postwar experiences—including the experience of seeing his son deploy to fight in Vietnam, a detail that provides the immediate political context of this self-professed anti-war novel—are haunted by his memories of the Dresden dead. Slaughterhouse-Five is, to a significant degree, an attempt to grapple with a world in which even those forces that seem most committed to liberty and justice engage in indiscriminate acts of mass murder. Nietzsche’s eternal return, a theory meant to liberate human psychology from the anxiety and resentment bound up in the wish to both alter the past and change an inevitable future, provides Tally with the theoretical means to figure the fatalism expressed in the phrase “So it goes” as the “appropriate response to death, as well as an affirmation of life” (75). It also allows him to synthesize Vonnegut’s style and ethics in such a way as to illuminate the paradox at the core of Vonnegut’s seemingly progressive politics, namely the belief that the world is as it is because it cannot be otherwise.

    In what is his most significant contribution to our understanding of Vonnegut’s work, Tally proposes the term “misanthropic humanism” to describe Vonnegut’s cheerful fatalism. Misanthropic humanism is a useful term because it explains how a body of work can seem committed to a radical project for progressive sociopolitical change, while simultaneously holding forth a constant reminder that cruelty, injustice, stupidity, and death are inevitabilities that strike at all in the end. There can be no question that Vonnegut cares deeply about the fate of humanity; his best novels expose the sometimes subtle pathologies that produce unparalleled suffering in the contemporary world, and they do so in such a way as to stir lasting sympathies in his audience. But the humanity Vonnegut cares so deeply about is, in his view, a species with self-destructive tendencies written into its very biology. The notion that human beings function as cells in a social organism, and biologically have to be a certain way, as Vonnegut insists they must in his Playboy interview, underwrites his misanthropic humanism and infuses his fiction with the humor of those destined for the gallows without hope of escape. Indeed, there is no hope for escape precisely because we are human. Tally argues that Vonnegut’s work “shows how human beings themselves are the greatest, indeed perhaps the only, impediment to human freedom and happiness,” and that this circumstance cannot be otherwise because our most debilitating qualities emerge from the inevitable inner-failing of human nature itself (23). Tally has a keen eye for how Vonnegut’s misanthropic humanism manifests itself through nearly every one of his novels, and though his study cannot ultimately resolve the contradiction of a progressive politics that denies the possibility of progress (this is Vonnegut’s failure, not Tally’s), it goes a long way toward clarifying some of the more paradoxical aspects of Vonnegut’s politics.

    Vonnegut stresses a pointed view of humanity as innately self-destructive throughout his oeuvre, beginning with his 1952 debut novel Player Piano, and extending into the late stages of his long career (his 1985 novel Galápagos is a good example). Indeed, in ranging over each of Vonnegut’s fourteen novels, Tally reveals the far-reaching ways in which Vonnegut’s work not only highlights humanity’s self-destructive tendencies, but also suggests that human beings lack basic free will. For example, he draws on Vonnegut’s first novel, Player Piano, to illustrate how his fiction “blurs the lines between man and machine, showing not just how humans are being replaced by machines or how machines have dehumanized American society (the ostensible themes of Player Piano), but that humans are themselves machines” (21; my emphasis). Set in a dystopian America in which an automated economy has deprived most people of meaningful work, Player Piano expresses the pervasive sense of corporate, middle-class angst captured most famously by Sloan Wilson’s novel The Man in the Grey Flannel Suit (1955). However, Vonnegut’s debut differs from most other 1950s novels of its sort by imagining a revolutionary movement that acts to restore power and dignity to a people dispossessed by a technocratic economic-political system. In this regard, Vonnegut’s fiction anticipates sociologist Theodore Roszak’s important study of the New Left’s opposition to technocratic values in his book The Making of a Counter Culture: Reflections on the Technocratic Society and Its Youthful Opposition (1969). Yet unlike those New Left activists motivated by the belief that a better world is possible, Vonnegut has his revolution fail at the very moment of its success. Immediately after Vonnegut’s dissident neo-Luddite zealots smash all the machines, they begin testing their technical know-how by first explaining and then repairing the technology they have just destroyed, thus taking the first step toward reestablishing the technocratic regime that had dispossessed them in the first place. It’s as if they can’t help but undermine their own liberation. In other words, the revolution fails not because it runs up against an implacable, dehumanizing system, but rather because such failure is written into human nature itself.

    Vonnegut’s work suggests that such failures are more than political; they are an innate part of human biology, which is hardwired for self-destructive behavior. This belief is what allows Vonnegut to care so deeply about humanity while simultaneously holding it squarely responsible for all of the world’s troubles. Tally makes this point clear when he writes, “Vonnegut sees most people as fundamentally flawed, petty, avaricious, and prone to acts of almost incredible cruelty. Yet, for all that, Vonnegut also cannot abandon humanity; he marvels at man’s folly, noting sadly or just curiously man’s absurd perseverance, as in the bittersweet image of the triumphant Luddites who, at the end of Player Piano, proudly put back together the very machines they had broken. In Galápagos, Vonnegut takes further pity on people, arguing that it was never their fault that they were silly, arrogant, and cruel. It was all due to their grotesquely oversized brains” (131). Absurd as this may sound, Vonnegut’s late novel Galápagos does indeed blame the evolutionary accident that led to our current brain size for everything from predatory economics and war to suicidal thoughts. In fact, the narrative fantasizes a world in which humans, through a dangerous mix of nuclear radiation and natural selection, evolve out of their debilitating brain size and into simpler brains incapable of advanced logical and/or moral reasoning. Only after humanity evolves into a species of seal-like creatures does the world achieve a sense of equilibrium. The joke is more-or-less transparent: we humans, with our advanced cognitive processes and opposable thumbs, our integrated economies and technologized wars, are a far baser lot than the simple-minded creatures splashing along the shores of the Galápagos islands. Better to be an animal than a human being when humans have done so much to degrade the world. But behind Vonnegut’s joke is a pathetic fatalism that holds forth biological evolution as the only feasible solution to the very real problems facing our world. According to this view, humanity will only be relieved of the destruction it visits upon itself and its environment when it ceases to be comprised of humans. A posthuman condition—or as Tally would have it, “a new humanism without the human”—thus becomes the only way to overcome the compelling, though ultimately frustrating misanthropy that infuses Vonnegut’s important body of work (132).

    Kurt Vonnegut and the American Novel does much to reposition Vonnegut as a major American writer. By approaching Vonnegut’s oeuvre as an integrated postmodern iconography, a strategic project bridging the gap between modernism and postmodernism, Tally reveals Vonnegut to be a serious, deeply imaginative writer whose fictions intervene in major intellectual debates—political and theoretical—that continue to impact contemporary social developments. Tally thus begins to correct the general paucity of scholarship on Vonnegut’s work, and he does so with a critical agility that not only allows him to touch on all of Vonnegut’s major fictions, but also to situate those fictions in relation to American literary history, continental philosophy, modernist and postmodernist aesthetics, and progressive politics. But what stands out most remarkably in this study is Tally’s theory of Vonnegut as misanthropic humanist. In bringing together these two seemingly oppositional terms, Tally lays bare the raison d’être of Vonnegut’s black humor, which is to find a way to embrace a self-degrading humanity that—through inevitable historical forces and biological determinism—cannot do otherwise but construct the mechanisms of its own destruction. Vonnegut’s black humor thus reveals the contours of what I now think of as a politics of comic futility. It’s important to note, however, that despite the fatalism that underwrites Vonnegut’s misanthropic humanism, his novels do struggle against seemingly insurmountable forms of violence and injustice, and they do so while maintaining a cheerful spirit that encourages political engagement even as they dismiss political activism as a quixotic pursuit of the impossible. As Tally notes at the conclusion of his illuminating study, Vonnegut “recognizes the demeanor and comportment best suited for engaging in a project such as he faces, and we face at the end of the American Century, and moving into another, as yet unknown, era. As Nietzsche put it, ‘Maintaining cheerfulness in the midst of a gloomy affair, fraught with immeasurable responsibility, is no small feat; and yet what is needed more than cheerfulness? Nothing succeeds without high spirits having a part in it’” (159).

    Micah Robbins is Assistant Professor of English at the American University in Dubai. His work focuses on the intersections between contemporary literature, radical politics, and small press publishing/alternative media, especially as these relate to the cultures of dissent that developed during the Cold War. He is currently revising his book manuscript, Total Assault on the Culture! Radical Satire and the Rhetoric of Liberation. You can learn more about his work at micahrobbins.com.

    Notes

    1. Tom Hayden et al., “Port Huron Statement,” H-Net, accessed August 19, 2015, http://www.h-net.org/~hst306/documents/huron.html.
    2. For more on this ethos and how it diminishes the force of Vonnegut’s satire, see Steven Weisenburger, Fables of Subversion: Satire and the American Novel, 1930-1980 (Athens, GA: University of Georgia Press, 1995), 176.
    3. Kurt Vonnegut, interviewed by David Standish, “Playboy Interview,” in Conversations with Kurt Vonnegut, ed. William Rodney Allen (Jackson: University Press of Mississippi, 1988), 76-77.